Seeing Free Speech Through Pictures: An Interview with Photographer Michelle Zapata

Last week, we featured an article about the e-mag Creativity Is Risky: Free Speech in a Charlie Hebdo World, published by Manhattan resident Sally O’Dowd to raise awareness about the persecution of writers and cartoonists around the world.

A tribute to the 11 Charlie Hebdo journalists murdered in January by two Al Qaeda terrorists, Creativity Is Risky reminds us how easy free speech can be whittled away. While writers in the West are curbing Internet searches for fear of government retaliation, Saudi blogger Raif Badawi is getting lashes in Jeddah.

While the magazine’s articles cover a wide range of intersecting issues related to free speech, the original photography is a story in and of itself. Creativity Is Risky art director and photographer Michelle Zapata guides us through it. You’ll never take graffiti for granted again.

What got you involved in this project?

I was completely crushed when I heard the news of the Charlie Hebdo tragedy. These murders were such a violation of freedom of speech, freedom of expression, freedom in all its ways. When talking with Sally about her editorial direction, I saw the opportunity to showcase an objective visual that could be touching and also deep in its creative expression.

What was your creative vision?

I wanted to combine various elements and viewpoints from different communities while taking people on a virtual walking tour of New York City. Such is the beauty of the Freedom Tower as it stands tall behind Washington Square Park – the focal point of our cover –or the photo of the Muslim prayer rug at the Met, which accompanies Sally’s piece about multicultural understanding and tolerance. Further downtown, graffiti became a big player.

Why graffiti?

For many years, graffiti has widely been considered vandalism – less so today but the stigma is still there. It is one of the rawest forms of expression and art. In the height of the fight against graffiti, people were arrested, beaten, fined and in some instances artists had physical fights with each other. We have since come a long way. We now have places internationally that are dedicated to showcasing these amazing artists. From coast to coast, communities celebrate this form of expression. This was an art form that many people paid for dearly to pave the way to acceptance and appreciation. In this way, graffiti is like Charlie Hebdo’s satire.

Different snippets from a mural appear throughout the magazine. What’s the story behind that? 

That was a terrific find! The mural is north of Houston and signed by a Mr. Must Art. Two NYU students who said they were on their way to the library stopped to let me photograph them reading Charlie Hebdo.

This enormous piece of art serves as a metaphor for many themes in the magazine.  The bird is a natural complement to Sally’s epigraph celebrating the “deathless inspiration” of the phoenix and its capacity for vision – the very same traits shared by writers and artists. The baby represents hope, while phrases such as “the world is ours” and “love, peace and universal blessings” remind us to respect other people’s right to free speech while also reminding us that we have the power to choose how we want to live with one another. The many faces and eyes in the mural, coupled with the phrase, “keep your eyes open” serve as a metaphor for government surveillance, which we talk about in the latter part of the magazine.

We noticed the prevalence of the Protect Your Magic sticker and the Protect Yo Heart stencil.  Are stickers and stencils emerging as another street form? Yes, stickers are becoming quite popular among young artists because they are inexpensive to produce and easy to place around town. Stencils have been used for years although they are still considered vandalism. We happened across “Protect your magic” and “Protect yo heart” throughout the day – we couldn’t have dreamed up a better way to summarize the magazine’s free speech mantra. We continue to find the Protect Yo Heart stencil in a variety of colors all over the city. For us, it’s a good omen.

What is the message you want people to walk away with?

The only way to eradicate ignorance is through education, and that was Sally’s main goal. She wanted to educate people about the threats to free speech in general and also ask people to know the facts underlying a satirist’s work. It was my hope to illustrate and support the stories with interesting visuals that would make people think beyond the obvious, which is exactly what satire aims to do. All of the images I shot for Creativity Is Risky were with the idea of bringing awareness to an unjust situation. If we silence our creativity or forms of expression because of someone’s discontent we will limit our divine potential.  Let’s stop placing limits on our freedoms and celebrate our expressions of it! Let’s learn acceptance and tolerance worldwide. Let’s evolve.

How can people support your message?

People can find the magazine at www.sallyodowd.com and click on the link to Creativity Is Risky: Free Speech in a Charlie Hebdo World. They can share the entire publication or a specific article. They are welcome to comment on Sally’s site and share their views on their social channels using #freespeech and #creativityisrisky hashtags. Sally tweets from @sallyodowd and her public Facebook page is Sally On Media – those are good places to stay up to date on the issue.

For more info and to share content, please visit O’Dowd’s blogTwitter andFacebook.

New Yorkers Speak Out About Press Freedoms

charliedoorway "Image Credit: Michelle Zapata"

charliedoorway "Image Credit: Michelle Zapata"

Persecution of writers and journalists abounds in our society, including the murder of 11 people at French satirical magazine Charlie Hebdo by two Al Qaeda terrorists for their cartoons of Muhammad; the jailing of Newsweek journalist Maziar Bahari in Iran for his involvement with The Daily Show; and the torture of Raif Badawi, the founder of the internet discussion group Free Saudi Network, who has been sentenced to 1,000 lashes and 10 years in prison.

Several New Yorkers have collaborated to raise awareness about these and other examples of how writers, journalists and cartoonists suffer at the hands of extremists and also democratic governments with surveillance programs, including the United States.

Creativity Is Risky: Free Speech in a Charlie Hebdo World is a multimedia e-magazine featuring original reporting, personal essays, an interactive map on press freedoms, videos and music. It tells a story both sad and hopeful about the state of free speech around the world.

“Creativity Is Risky is designed to educate and engage people around the world on issues related to free speech—from violent threats to the more subtle, everyday challenges,” says Manhattan resident and publisher Sally O’Dowd.

O’Dowd’s Manhattan, Queens and Brooklyn teammates include:

cover page charlie hebdo -  "Image Credit: Michelle Zapata"

cover page charlie hebdo -  "Image Credit: Michelle Zapata"

  • Michelle Zapata, a producer and art director for U.S. Spanish-language consumer magazines
  • Communications executives Jon Porcasi, e-magazine producer and graphic designer; and Marian Berelowitz, who provided editorial guidance and served as copy editor
  • Emmanuel Letouzé (Manu), a French cartoonist and development economist, who analyzes Charlie Hebdo’s mission
  • Katy Glenn Bass, deputy director of free expression programs at literary human rights organization PEN American Center, who provided insight on the adverse impact of government surveillance programs on writers
  • Singer-songwriter Chaz Langley, whose songs relate to the magazine’s themes of free expression and resilience of writers who stand up to persecution.
“Our team invites readers to engage in the conversation on this essential human right by using the hashtags #creativityisrisky and #freespeech,” O’Dowd says. “Our team is passionate about this issue, and we want to hear from readers. Where do you see free speech being celebrated or curtailed? Help us create a #freespeech movement.

For more info and to share content, please visit O’Dowd’s blog, Twitter and Facebook.

The School of American Ballet's Workshop Performance Benefit 2015 Raised More Than $890,000

The School of American Ballet's Workshop Performance Benefit 2015 on Tuesday, June 2, 2015 raised more than $890,000 for scholarships and school programs. The evening began with cocktails at 5:30pm in Juilliard's Morse Hall, followed by the performance at 7pm in the Peter Jay Sharp Theater at Lincoln Center, and concluded with a seated dinner at 9pm at the Mandarin Oriental. The evening celebrated the legendary Rudolf Nureyev and commemorated the 20th Anniversary of the Rudolf Nureyev Dance Scholarship

"We are thrilled to announce that this year's Workshop Performance Benefit was a huge success," said Margie Van Dercook, executive director of The School of American Ballet.  "The tremendous generosity of our attendees made our first live auction an exciting and fruitful endeavor."

The performance was attended by nearly 700 guests, and was followed by a seated dinner at the Mandarin Oriental. The dinner was attended by nearly 500 patrons, including the School's board members and alumni, as well as leaders from the New York corporate and social communities. 

Notable attendees included: Chairmen Michele Barakett, Linda S. Daines, Hillary Lane Hochberg, Nell Kleinschmidt, and Max R. Shulman; Corporate Chairmen Alexandra and John Galantic; and Young Patron Chairman: Stephanie Anna Linka; Jenny and John Paulson, Julia and David Koch, Coco and Arie Kopelman, Sasha and John Galantic, Laura and Will Zeckendorf, Jean Shafiroff, Emily and John Rafferty, Susan Pilarre and Chip Zien, Suki Schorer, Jonathan Stafford, Ashley Bouder, Peter Martins and Darci Kistler, Jill Kargman, Kay Mazzo, Craig Hall, Troy Schumacher, Lourdes Lopez, George Skoras, and James Lipton.

This year's benefit celebrated the legendary Rudolf Nureyev and commemorated the 20th Anniversary of the Rudolf Nureyev Dance Scholarship. At the peak of his career, Mr. Nureyev spent many hours in SAB's classrooms, polishing his technique alongside SAB's students in Stanley Williams's acclaimed advanced men's class. In 1994, the Rudolf Nureyev Dance Foundation generously presented the School with funding for an annual scholarship to support promising students in honor of Mr. Nureyev's affinity for SAB and Mr. Williams's teaching.

In 1964, Alexandra Danilova, George Balanchine's former classmate at the Imperial Ballet and a leading ballerina of Diaghilev's Ballets Russes and the Ballet Russe de Monte Carlo joined SAB's faculty. In 1965, Madame Danilova established SAB's annual year-end Workshop Performances, giving the School's advanced students an opportunity to participate in professionally staged, publicly performed productions of classic ballet works. Since its inception, the Workshop Performances have seen hundreds of SAB's advanced students make their public debut as they prepare to leave SAB and go on to dance on the world's top stages. The New York Times coined Workshop a "spot-them-before-they-are-stars showcase". Scores of notable SAB alumni have performed at Workshop, including Merrill Ashley, Peter Boal, Maria Kowroski, Lourdes Lopez, Sara Mearns, Benjamin Millepied, Ethan Stiefel, and Wendy Whelan.

The post-performance dinner has evolved through the years, from an intimate gathering hosted by SAB co-founder Lincoln Kirstein at his Gramercy Park townhouse into a festive fundraiser held in the SAB studios. The continued success of the Workshop Performance Benefit led SAB to the use of another wonderful New York venue.The post-performance dinner took place in the magnificent ballroom at the Mandarin Oriental with the City's iconic skyline as a backdrop.

The 2015 Workshop Performances program included 19th & 20th Century Masters (Petipa, Bournonville, Balanchine & Robbins); Harlequinade ("Ballabile des Enfants"), Choreography by George Balanchine, Music by Riccardo Drigo; William Tell (pas de deux), Choreography by August Bournonville, Music by Gioachino Rossini; The Sleeping Beauty (pas de deux), Choreography by Peter Martins (after Marius Petipa),Music by Peter Ilyitch Tschaikovsky; Valse-Fantaisie, Choreography by George Balanchine, Music by Mikhail Glinka; Stars and Stripes (3rd Regiment "Thunder and Gladiator"), Choreography by George Balanchine, Music by John Philip Sousa, arranged by Hershy Kay; and Fanfare,Choreography by Jerome Robbins, Music by Benjamin Britten.

Crowdfunding for MFA, in pursuit of the American Dream

The story of a young girl's pursuit of the American Dream through crowdfunding...

Tuition fees in American Universities, hit (and often pierce) the roof. Ivy League schools are generally ranked amongst the best universities worldwide and usually accept a tiny percentage of international students. So what would happen if an Italian talented girl, in her early twenties, got accepted by one of these colleges, but couldn’t be able to afford it? 

Her creativity would run to her rescue. Since the digital era is characterized by projects or ventures that can be accomplished by raising monetary contributions from a large number of people via the internet, why not use crowdfunding to invest in education?

This is how Federica Belletti - a twenty-four year old from a tiny town in Italy called Monte Urano - intends to pursue her American Dream. She has been accepted for the extremely prestigious and selective MFA Program in Creative Producing at Columbia and she has started her campaign through GoFundMe to raise the required $80,000, to grasp the opportunity that is being given to her.

Federica is no stranger to the New York, since she spent a year as an au pair in a New Jersey family to improve her English, and whenever she had the chance she would commute to the Big Apple to follow all the film events in town. She is adamant in the way this experience would be life changing for her: “This institution offers me a variety of opportunities that I would never dream of in Italy. I would actually have the chance to bring to my hometown a know-how that is currently lacking,” she explains.

Federica quotes the Italian cinematic masterpiece by Giuseppe Tornatore to exemplify her situation, “In Cinema Paradiso Alfredo tells Totò «Go away and never come back» and Totò leaves Sicily and accomplishes himself in Rome. Nowadays New York is the place for budding filmmakers.” In her video message she explains thoroughly what Fede’s Mission For Columbia is all about. Donating money for a young dreamer’s tuition fees means investing in the future, and as one of the Founding Fathers of the land of the American Dream - Benjamin Franklin - once said “An investment in knowledge pays the best interest.”

GoFundMe: http://www.gofundme.com/Fede-Columbia 

Federica Belletti’s video message: https://www.youtube.com/watch?v=GPVSBmpaM2w&feature=youtu.be

Dance Against Cancer An Evening to Benefit the American Cancer Society Raised More than $243,000

The 5th Annual Dance Against Cancer was held on Monday, April 27, 2015. The event had over 500 guests attend and raised more than $243,000 for the American Cancer Society that will benefit research initiatives and patient and family service programs.
 

Attendees included: Christopher Abbott, Stella Abrera, Jody Arnhold, The Bommer Family, Stuart H. Coleman, Herman Cornejo, Leanne Cope, Diana DiMenna, Joseph Doherty, Robert Fairchild, Nikki Feirt Atkins, Lynne Goldberg, Sarah Goocher, Carol Gray, Brandon Gross, Julia Gruen, Judith Hoffman, Lauren Josey, Maria Kowroski, Karen Lacy, James Lipton, Phil Livingston, Lar Lubovitch, Sara Mearns, Tiler Peck, Sasha Radetsky, Amar Ramasar, Desmond Richardson, Matthew Rushing, Erica Sabatini, Robert Schulman, Taylor Stanley, Lynne Taylor-Corbett, Twyla Tharp, Daniel Ulbricht, Carmen Marc Valvo, Heather Watts, Damian Woetzel, Doreen Weisfuse. 

Baron Tequila, Brooklyn Brewery, GuS Grown-up Soda, Hearth Restaurant, Kessler Wine & Spirits, The Natural Gourmet Institute, Patron Tequila, Vitae, and Wolffer Estate Vineyards, served as food and beverage sponsors, with additional food provided by FoodMatch, Inc., Marin French Cheese, Laura Chenel's Cheese. 

The evening's performance, produced by New York City Ballet's Daniel Ulbricht and Manhattan Youth Ballet's Erin Fogarty Bittner, featured New York City Ballet's Maria Kowroski, Sara Mearns, Tiler Peck, Robert Fairchild, Amar Ramasar, Taylor Stanley, Daniel Ulbricht; American Ballet Theatre's Stella Abrera, Herman Cornejo; Alvin Ailey's Matthew Rushing; as well as Desmond Richardson, and Sasha Radetsky, among others.

THE NYAFF PRESENTS OPENING NIGHT PRESENTATION OF THE SOUTH AFRICAN FILM NOIR ‘COLD HARBOUR’

THE NEW YORK AFRICAN FILM FESTIVAL PRESENTS OPENING NIGHT PRESENTATION OF THE SOUTH AFRICAN FILM NOIR ‘COLD HARBOUR’

WHAT:    Opening Night of the 22nd New York African Film Festival, presented by the Film Society of Lincoln Center (FSLC) and African Film Festival, Inc. (AFF) and organized under the banner of the United Nations’ International Decade for People of African Descent (2015–2024). The initial leg of this year’s festival runs May 6–12 at FSLC and features a diverse crop of 15 features and 13 short films from Africa and the Diaspora. The NYAFF continues throughout May at the Cinema at the Maysles Documentary Center and the Brooklyn Academy of Music’s BAMcinématek. The festivities take place as AFF marks its 25th anniversary. 

Directed by Carey McKenzie, Cold Harbour pits township cop Sizwe—Tony Kgoroge, who won Best Actor at the 2014 Durban International Film Festival for the role—against a seedy underworld of criminals and fellow cops in his quest to investigate a smugglers’ turf war. The Opening Night reception will follow at the Frieda and Roy Furman Gallery at the Walter Reade Theater. 

WHO:    Isaach de Bankolé (supporting actor, Run); NYAFF directors Carey McKenzie (Cold Harbour), Dare Fasasi (Head Gone),Teddy Goitom (Afripedia Series), Nicole Mackinlay Hahn (Burkina, All About Women), Sandra Krampelhuber (100% Dakar – More Than Art), Nova Scott-James (Handmade in Thamaga); 
Mahen Bonetti, NYAFF founder and executive director of African Film Festival, Inc., Lesli Klainberg, FSLC executive director

http://www.africanfilmny.org/

http://www.filmlinc.com/films/series/new-york-african-film-festival-2015

THE ACADEMY PRESENTS “AN ANIMATION SHOWCASE: FROM CELLULOID TO CGI” IN NEW YORK

There were days when animation happened on papers, by drawing. Artists sat for hours and draw the pictures, by hand, each and every frame, before they could be put in motion for our eyes. Then came time of "stop motion animation", putting and moving objects. Much harder than it actually seems. But with the invention of computers, things started changing. But did it really become easier? Or much more complex, creating and generating true to life images. Or bringing to life things that we could just imagine. As a kid, we just enjoyed all those cartoons, animation and stuff but now you may wonder how those marvels really come true. Well, now you can learn about it!

The Academy of Motion Picture Arts and Sciences will present “An Animation Showcase: From Celluloid to CGI,” an animation series that takes place April 24 – May 29, 2015, in New York.  Aimed at highlighting the techniques that make up the craft of animation, the program will use a variety of panels and screenings to explain and explore hand-drawn, stop-motion and CGI animation.

The series will open with a presentation featuring the animation studio LAIKA’s creative team behind the Academy Award-nominated “Coraline” (2009), “ParaNorman” (2012) and “The Boxtrolls” (2014).  The showcase will also include an anniversary screening of Disney’s “Pinnochio,” a conversation with members of Blue Sky Studios about their CGI work, a program on the history of silent animation in New York, and will close with a sneak preview of Disney-Pixar’s upcoming film “Inside Out.”

For up to date information on “An Animation Showcase: From Celluloid to CGI,” and to purchase tickets please visit our event pages:

https://www.oscars.org/events/animation-showcase-celluloid-cgi

April 24: The Nuts and Bolts of Stop Motion: The Artistry and Ingenuity of LAIKA

May 9: The 75th Anniversary Screening of  PINOCCHIO

May 12: The Anatomy of an Animation Studio: An Evening with Blue Sky

May 19: The History of Silent and Early Sound New York Animation

May 29: A Sneak Peek of Disney-Pixar’s INSIDE OUT (at the School for the Visual Arts)

HOMEGOING Services, in honor of Pastor William Lee Bonner

“His lord said unto him, Well done, good and faithful servant; thou hast been faithful over a few things, I will make thee ruler over many things: enter thou into the joy of thy lord..”— Matthew 25:23

On Good Friday, April 3rd Bishop William Lee Bonner, beloved pastor of the renowned Greater Refuge Temple Church (GRT) in Harlem and Chief Apostle of the Church of Our Lord Jesus Christ (COOLJC), made his transition from labour to his great reward. He was 93 years young.

I can only imagine the type of faith Bishop Bonner had amassed over the years, watching the changes in the American landscape. Faith.  That power that surges through the soul and spills out, wrapping a community of believers inside a place of spiritual refuge.

93  years young, Bishop Bonner was a builder of dreams and unafraid of rolling up his sleeves and getting the hard work done. 

Bishop Bonner, affectionately known to millions around the world as “Pastor Bonner,” leaves a rich legacy that is unparalleled. Heralded as a spiritual giant by his contemporaries, Pastor Bonner was known for his ministry of preaching the true, unadulterated Gospel of Our of Lord and Savior Jesus Christ

Pastor Bonner was sent to become the pastor of the now 2,500 member GRT after the death of its founder, Bishop Robert Clarence Lawson, in 1961.

In 1961, the dream was starting. The struggle dark and taunt with trouble.  Courage was needed. Looking back maybe it appears easy but history tells the truth even if it’s uncomfortable to acknowledge. 

Upon arriving and seeing the need, he immediately set about the remodelling of the “Mother Church” and headquarters of the Church of Our Lord Jesus Christ, Refuge Temple. Yet, Pastor Bonner proved that he was more than a preacher—and literally undertook the Herculean effort of serving in the role of general contractor in order to renovate the edifice that is now known as Greater Refuge Temple today.

Building on faith—the foundation of a strong church—was something Pastor Bonner achieved from the outside and inside, creating a strong body that glued the congregation and helped the church grow. 

This ultra-modern edifice has changed the face of Harlem’s historic “7th Avenue” and is undisputedly one of the most modern structures in the community. In addition to GRT, his passion for souls—and youth in particular—led him to create a multi-million dollar youth center known as the R.C. Lawson Building, also located in Harlem. His desire and vision to build and create establishments that would benefit the Kingdom and people of God continued well into his later years. 

For over fifty years, many across the country and even in foreign lands have testified of the great miracles of healing, deliverance and breakthrough under his powerful preaching and teaching.

Millions also experienced his evangelistic ministry via “The Hour of Truth” broadcast–which aired on nationally syndicated television outlets such as BET and The Word Network—as well as radio stations across the country and via live-stream. Over the decades, Pastor Bonner has simultaneously pastored churches in New York, New York; Detroit, Michigan; Washington, D.C.; Jackson, Mississippi; and Columbia, South Carolina. Considered one of the greatest ministers of all times, Pastor Bonner was the spiritual overseer of more than 700 churches worldwide on three continents. 

Sheila Harris, Public Relations Manager of ESSENCE MAGAZINE shared this:

“Pastor Bonner meant so much to our entire congregation. Personally, he was like a second Dad to me. He was always genuinely concerned for all of us—both spiritually as well as personally. He will be greatly missed, but we know that he is in a better place.” 

Pastor Bonner was preceded in death by his wife, the late Mother Ethel Mae Bonner, and daughter, the late Ethel Mae Bonner Archer. He is survived by his son, William Lee Bonner, Jr., his grandchildren, a host of nieces and nephews and beloved family, friends and co-laborers worldwide. 

Details for the multi-city Homegoing services in New York and Detroit are below. For more information, please visit www.greaterrefugetemple.org.

thegreaterrefugetemplechurch@gmail.com

HOMEGOING Services held in honor of Pastor William Lee Bonner on MONday, April 20th at 10 AM-6 PM: Pastor Bonner will lie in state at Solomon’s Temple (2341 East 7 Mile Road, Detroit, MI, 48234).  On Tuesday, April 21st at 10 AM: “Celebration of Life” held at Solomon’s Temple (2341 East 7 Mile Road, Detroit, MI, 48234)

Thursday, April 23rd at 1 PM-6 PM: Pastor Bonner will lie in state at Greater Refuge Temple (2081 Adam Clayton Powell, Jr., Blvd, N.Y., N.Y. 10027) at 6 PM: “Pastoral Celebration of Life”—hosted by the pastors and congregations of Pastor Bonner’s churches in N.Y., Columbia, S.C., Washington, D.C., and Jackson, Miss.)—held at Greater Refuge Temple (2081 Adam Clayton Powell, Jr., Blvd, N.Y., N.Y. 10027)

Friday, April 24th 6 PM: “International Church of Our Lord Jesus Christ Homegoing Celebration” held at Greater Refuge Temple (2081 Adam Clayton Powell, Jr., Blvd, N.Y., N.Y. 10027) Saturday, April 25th at 10 AM:

Procession to final interment begins at Greater Refuge Temple (2081 Adam Clayton Powell, Jr., Blvd, N.Y., N.Y. 10027) to travel to:Woodlawn Cemetery — Webster Avenue and East 233rd Street, Bronx, N.Y. 10470

From Russia to Brooklyn – Edward Snowden, The Whistleblower!

Edward Snowden Busto New York

The world needs more whistle-blowers. This is what seems to have passed through the minds of those who placed Edward Snowden’s bust in Fort Greene’s Park. Was it really John Oliver’s interview with Snowden on ‘Last Week Tonight’, which triggered it? Or is it that America, or at least Brooklyn, decided to sing to the tunes of whistle-blowing!

The 4-foot-high, 100-pound sculpture, portraying the man who is now exiled in Russia was sneaked into the public park just before dawn at the beginning of the month. It wasn't done on April 1st, so it isn't an April’s Fools Day prank. It rather seems to be a tribute to Edward Snowden, done by a group of admirers who didn't pick by chance the Revolutionary War memorial. For instance, the activists besides hoisting the bust added to a column the name of the former contractor who had leaked classified information from the National Security Agency to the media. Although, Snowden's artistic appearance was short-lived. At daybreak, police said city parks officials ordered the sculpted Snowden removed. And by evening, his bust was being held at Brooklyn's 88th Precinct pending an investigation. The idea for the tribute was conceived by two New York City-based artists, joined by a West Coast sculptor.

Edward Snowden according to his followers is equal to those 11,000 American prisoners of war who died aboard British ships during the American Revolutionary War, which are remembered in the Prison Ship Martyrs Monument. He represents continuity: the plight of Americans who gave birth to their country and whose sacrifice slipped into anonymity. The artists who have mobilized for this action have declared: “We feel that Snowden's actions really continue that story. It is built upon a set of ideals to live freely, not be confined or posed to surveillance or monitored by your government. You can’t have freedom of expression to pursue liberty if you feel like you're doing it under a watchful eye. It’s not just about Snowden. It’s about the ideals that he was trying to work towards and push others to care about.”

Well, it does seem that this topic does need some serious and wide discussion. At least so that the American public can be informed of the truth, and can make informed decisions as to where they stand on this issue. Section 215 of the Patriot Act which has helped drive the so-called “snooping and surveillance” by NSA, expires June 1, 2015. Before or if it gets renewed again, there has to be a through review of the real benefits of the NSA’s surveillance activities, and maybe define some legitimate boundaries around what’s right, and what’s not. After all as John Oliver said, US may not give a shit about anything else, but public definitely cares about ability to freely and privately share their junk!

In the mean time, if you missed the episode of Snowden’s interview with John Oliver, enjoy it here https://youtu.be/XEVlyP4_11M

There are very few government checks on what America's sweeping surveillance programs are capable of doing. John Oliver sits down with Edward Snowden to discuss the NSA, the balance between privacy and security, and dick-pics. Connect with Last Week Tonight online...

Come, Lets's Celebrate 150th Anniversary of W.B. Yeats’ Birth!

"Happiness is neither virtue nor pleasure nor this thing nor that but simply growth, We are happy when we are growing."—William Butler Yeats (W.B. Yeats)

It's W.B. Yeats' 150th birthday. Come to his party. Like many people in this world, you often quote the immortal poet,  despite the fact that he was born in 1865 and made the transition back to the cosmos in 1939.

Mark your calendar for Sunday, April 12th from 1–4:30pm. The musical and storytelling event will also include a delicious buffet Lunch ( 1:00 - 2:00pm) with performances beginning at 2:00 - 3:30pm followed by Cocktails from 3:30 - 4:30pm.

The gala event is also part of ‘Yeats 2015—which will be a year of festivities that is being organized in Ireland and around the world.

W.B. Yeats has the luck of the Irish. He is immortal. His words ring true then, now and I suspect, they always will.

The pride of the Irish should be “up" when talking about the work of Yeats. His life was remarkable and he was more than a poet. He was also a scholar, statesman, and Nobel Prize winner; exploring his conflicted attachment to County Sligo, a striking landscape rich in history, folklore, and Irish mythology that he described as the “Land of Heart’s Desire.

Yeats advised (to), “tread softly, because you tread on my dreams,” and to that end his homeland of Ireland is celebrating the poet’s 150th birthday with an afternoon of storytelling and song. 

Oh Yeatswhat would he say about this event honoring his body of work, I think he would add:  "I think Hope and Memory have one daughter and her name is Art, and she has built her dwelling far from the desperate field where men hang out their garments upon forked boughs to be banners of battle.” 

An event raffle will support Concern Worldwide, a non-governmental humanitarian organization founded in Ireland and now operating globally to eradicate extreme poverty.  Ireland is called the 'Emerald Isle and is so green, the astronauts made notice of the lushness high above the skies canopy.

To explore the richness and legacy that is Ireland is at the core of Yeats’ Heart’s Desire. Innovation being on the top of the list, the buzz surrounding the new app Cultural Roadmapp: Irelands Wild Atlantic Way fits neatly into the program.

Cultural Roadmapp: Irelands Wild Atlantic Way is the first hands-free cultural travel app for motorists on Irelands spectacular 1500-mile driving route.

The downloadable GPS-enabled app will comprise four audio tours drawing on the music, folklore, poetry, and history of Irelands culture-laden west coast. Proceeds from ticket sales and contributions will support development of the pilot audio tour in the series. 

Its only $35.00 for an afternoon of great food and performance which includes internationally acclaimed flutist from leading Irish band Lúnasa, Vocalist-Lyricist Alisa Rose---who will compose a song just for the occasion---Kevin Crawford, Dr. James Pethica, Williams College Senior Lecturer in English and Theater, Actor Neil Bradley, known for his work portraying Yeats, Dr. Luke Gibbons, Visiting Professor of English, New York University, Deputy Editor of Irish America Magazine, Adam Farley and Popular Sligo-style fiddler Tony DeMarco.

Tickets: $35. Buy tickets online at http://www.culturalroadmapp.com

Where? At the Irish Arts Center—located at 553 W. 51st St. (at 11th Ave.) If you are driving, no issue. There is a convenient garage at  W. 51st St. (10th–11thAves.), outdoor lot on W. 51st St. (11th–12th Aves.). True blue New Yorker, take the (SUBWAY) A, C to W. 50th St.; R to W. 49th St. 

The Irish Arts Center is generously providing the venue but is not affiliated with cultural roadmap.

There are a few, interesting things about the new GPS technology, Cultural Roadmapp that make it rather unique. Although multimedia travel apps have been available for a number of years, and audio tours for museums and walks are now commonplace, not until very recently—and only in a handful of cases—have audio tours been developed for motorists, and with mixed success.

But now, with the recent advent of “geo-fencing” GPS technology, Cultural Roadmapp will be 100% hands free, allowing drivers and passengers to keep their eyes on the scenery (and road), and not on their smart phones. With cultural tourists as the fast-growing demographic in tourism and the early success of the Wild Atlantic Way (which opened to much fanfare in early 2014), this app should have major market share. 

A video featuring The ChieftainsMatt Molloy is available at http://www.culturalroadmapp.com.

Take a moment to roam around the website, click the image below.

Apple gets new stuff for New Yorkers to play with!

The legendary secrecy around all things Apple is, in itself, part of our cultural Zeitgeist.

As a cynical citizen of New York, I tend to "believe it, when I see it."

So, imagine my amusement when I walked—nay, ran into more like—into a training session.

"Oh my, are you just learning about this?" I questioned, as I inserted myself inside the colorful group.

"It's Apple.  We wait too." I waited and at the end of the presentation, the young sales team actually cheered!  Perhaps their gleeful excitement was motivated by the coming holiday season.

As I turned to leave my "myNewYorkeye" curiosity got the best if me and I asked: "what's this new watch selling for?" 

In unison, three smiling Apple staff members smiled and said: "They haven't told us yet which usually means it's very expensive."

It's a myNewYorkeye—what's in it for you, moment.

September 9, 2014. 72nd street. 2:24 pm.