NO 'Honeymoon' for Honeymoon in Vegas. Closing April 5th

Broadway isn't easy. The songs and slogans about the city hasn't changed and in fact, it's much more truthful today, in 2015, than when Frank Sinatra wrote— "If I can make it there, I'll make it anywhere. It's up to you, New York, New York,"

The critically-acclaimed new musical, Honeymoon in Vegas, will play its final performance at Broadway’s Nederlander Theater (208 West 41st Street) on Sunday, April 5, 2015, the show’s producers announced today. Lauded as “a real-live, old-fashioned, deeply satisfying Broadway musical in a way few shows are anymore,” by Ben Brantley of the New York Times, Honeymoon in Vegas is directed by Gary Griffin, features a book by Andrew Bergman, and a score by three-time Tony Award-winner Jason Robert Brown.

Those who have purchased tickets to a performance after April 5, 2015 through Ticketmaster will automatically receive credit to their accounts for their refunded tickets. All others should contact their initial point of purchase to inquire about receiving a refund for their tickets.

Honeymoon in Vegas began performances on Tuesday, November 18, 2014, and officially opened on Thursday, January 15, 2015 to rave reviews. Prior to Broadway, Honeymoon in Vegas completed a successful engagement at the Papermill Playhouse in Milburn, NJ October 6 – 27, 2013.

The cast of Honeymoon in Vegas includes Tony Award nominee Rob McClure, Brynn O'Malley, Emmy and Golden Globe nominee Tony Danza, David Josefsberg, Nancy Opel, Matthew Saldivar, Matt Allen, Tracee Beazer, Grady McLeod Bowman, Barry Busby, Leslie Donna Flesner, Gaelen Gilliland, Albert Guerzon, Sean Allan Krill, Raymond J. Lee, George Merrick, Jessica Naimy, Zachary Prince, Catherine Ricafort, Jonalyn Saxer, Brendon Stimson, Erica Sweany, Cary Tedder, and Katie Webber.

The creative team for Honeymoon in Vegas also features three-time Tony Award nominee Anna Louizos (scenic design); Emmy Award-winner Brian C. Hemesath (costume design); Tony Award-winner Howell Binkley (lighting design); Tony Award-winner Scott Lehrer & Drama Desk Award-winner Drew Levy (sound design); Tony and Grammy Award-winner Don Sebesky, Larry Blank, Jason Robert Brown, Charlie Rosen (orchestrations); Tom Murray (music director); and Charles G. LaPointe (hair and wig design).

Honeymoon in Vegas is produced on Broadway by Dena Hammerstein, Roy Gabay, Rich Entertainment Group, Dan Farah, Metro Card, King’s Leaves, Dan Frishwasser, Leslie Greif / Thom Beers, Susan Dietz & Lenny Beer, Howard Hoffman / Anna Czekaj, Important Musicals, Sharon Karmazin, L.G. Scott, and Martin Markinson.

Honeymoon in Vegas, based on the 1992 Castle Rock Entertainment Motion Picture, tells the story of Jack Singer (McClure), a regular guy with an extreme fear of marriage, who finally gets up the nerve to ask his girlfriend Betsy (O’Malley) to marry him. But when they head to Las Vegas to get hitched, smooth talking gambler Tommy Korman (Danza) - looking for a second chance at love - falls head over heels for Betsy and Jack must go to extreme heights to win back the love of his life.

AN EVENING WITH AUTHORS WITH FOOD AND DRINK

Our team loves sharing information that's free, free, free and we suspect that the brass at Theatre for a New Audience feels the same way. That's why they created the 2015 Open Books series, featuring John Lahr, Andrea Most, and Alisa Solomon and the three free evenings of lively, engaging conversation with the authors of some of American theatre's most acclaimed new books at Polonsky Shakespeare Center, 262 Ashland Place.  

Mark your calendars because Alisa Solomon, author of Wonder of Wonders: A Cultural History of Fiddler on the Roof, will speak Monday, March 23, at 7:00pm; John Lahr, long-time drama critic for The New Yorker, will discuss his biography Tennessee Williams: Mad Pilgrimage of the Flesh Monday, April 6, at 7:00pm; and Andrea Most, author of Theatrical Liberalism: Jews and Popular Entertainment in America, will take the podium Monday, May 4, at 7:00pm. 

Books. Real books will be available for purchase (and to be signed), and each evening will include a conversation with moderator Jonathan Kalb (two-time winner of the George Jean Nathan Award for Dramatic Criticism), an audience Q&A, and a meet-and-greet with the author.

Complimentary food and drink will be served.  

Reservations are encouraged, and can be made at:  www.tfana.org/openbooks

Here is a preview of what's good: 

Monday, March 23, 7:00pm

Alisa Solomon

Wonder of Wonders traces how and why the story of Tevye the milkman­the creation of the great Yiddish writer Sholem-Aleichem­was reborn as blockbuster entertainment and a cultural touchstone. Award-winning critic Alisa Solomon follows Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last Golden Age musicals, a major Hollywood picture, and far beyond. The book takes readers into the rehearsal room where Fiddler was hammered into shape, onto the stage where it was rapturously received, and out into the world where its powerful legacy continues.

"As rich and dense as a chocolate babka­so crammed with tasty layers that you have to pace yourself....As brilliant a piece of reporting as I've read this year."

The New York Times Book Review 

"An intellectually serious, playful, and insightful account of popular art's power to shape memory and transmute history into universal myth, Wonder of Wonders is a soul-stirring joy to read....The richest, deepest, most far-ranging, and delightfully surprising book about a single work of theatrical art I've ever encountered."

Tony Kushner (Angels in America)

A theater critic and general reporter for the Village Voice from 1983 to 2004, Alisa Solomon has also contributed to The New York Times, The Nation, Tablet, The Forward, Howlround.com,  killingthebuddha.com, American Theater, TDR – The Drama Review, and other publications.  Her first book, Re-Dressing the Canon: Essays on Theater and Gender, won the George Jean Nathan Award for Dramatic Criticism.

Monday, April 6, 7:00pm

John Lahr 

Tennessee Williams: Mad Pilgrimage of the Flesh follows John Lahr's other ground-breaking theatre biographies to give intimate access to the mind of one of the greatest American playwrights.  This brilliantly written, deeply researched biography sheds a light on Williams's warring family, his lobotomized sister, his guilt, his plays, his turbulent homosexual life, his misreported death, even the shenanigans of his estate.  An unforgettable portrait, Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen.

"This is by far the best book ever written about America's greatest playwright. John Lahr, the longtime drama critic for The New Yorker, knows his way around Broadway better than anyone. He is a witty and elegant stylist, a scrupulous researcher, a passionate yet canny advocate… He brings us as close to Williams as we are ever likely to get."

J.D. McClatchy, Wall Street Journal

"Could this be the best theater book I've ever read? It just might be. Tennessee Williams had two great pieces of luck:  Elia Kazan to direct his work and now John Lahr to make thrilling sense of his life."

John Guare (Six Degrees of Separation)

National Book Award finalist John Lahr is the author or editor of 11 books on theater, 6 volumes of collected theater criticism, and several novels and play adaptations.  He was the senior drama critic of The New Yorker for over two decades, and has twice won the George Jean Nathan Award for Dramatic Criticism. His biography of the murdered playwright Joe Orton, Prick Up Your Ears, was adapted for film, and he is the first critic ever to win a Tony Award (coauthor, Elaine Stritch at Liberty).

Monday, May 4, at 7:00pm

Andrea Most

In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by re-imagining key aspects of traditional Judaism as theatrical.  Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman, Most situates American popular culture in the multiple religious traditions that informed the world-views of its practitioners. With extensive scholarship and compelling evidence, Ms. Most shows how the Jewish world-view that permeates American culture has reached far beyond the Jews who created it.

"This book will transform how many plays, performances, and texts are read, discussed, taught, and performed...Theatrical Liberalism is an important, original book that gets right to the heart of why Jews have been so disproportionately involved in popular performance."

Theatre Journal 

"Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well…. [Theatrical Liberalism] will help us see better how Jews and their Jewishness did not merely 'enter' American popular culture, but did so much to invent it." 

Jonathan Boyarin, Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina 

Andrea Most is a Professor of American Literature and Jewish Studies in the Department of English at the University of Toronto. Her first book Making Americans: Jews and the Broadway Musical won the 2005 Kurt Weill Prize for distinguished scholarship on music theatre.  Her second book, Theatrical Liberalism: Jews and Popular Entertainment in America was a finalist for the National Jewish Book Award in American Jewish Culture.

In case you didn't know Theatre for a New Audience was founded in 1979 by Jeffrey Horowitz, and Theatre for a New Audience (TFANA) is a modern classic theatre. It produces Shakespeare alongside other major authors from the world repertoire, such as Harley Granville Barker, Edward Bond, Adrienne Kennedy and Wallace Shawn. It has played off- and on Broadway and toured nationally and internationally. The Theatre's productions have been honored with Tony, Obie, Drama Desk, Drama League, Callaway, Lortel and Audelco awards and nominations and reach an audience diverse in age, economics and cultural backgrounds. TFANA created and runs the largest in-depth program in the New York City Public Schools to introduce students to Shakespeare, and has served more than 127,000 students since the program began in 1984. 

Theatre for a New Audience's Humanities programs are supported in part by a permanent endowment established at the Theatre by a Challenge Grant from the National Endowment for the Humanities: Celebrating 50 Years of Excellence, with leading matching gifts provided by Robert H. Arnow, Perry and Marty Granoff, John J. Kerr and Nora Wren Kerr, and Theodore C. Rogers. Any views, findings, conclusions or recommendations expressed in these programs do not necessarily represent those of the National Endowment for the Humanities. Additional support for the Theatre's Humanities, Education, and Outreach programs also comes from The Elayne P. Bernstein Education Fund.

The Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, is easily accessible by public transit:

Get the Metrocards ready it's super easy access.

Subway: Take the 2, 3, 4, 5, B, D, N, Q, or R trains to Atlantic Avenue-Barclays Center; the C to Lafayette Avenue; or the G to Fulton Street. Check the MTA website for service changes.

Bus: The B25, B26, B38, B41, B45, B52, B63, and B67 buses all stop within a few blocks of the Polonsky Shakespeare Center.

LIRR: The Long Island Rail Road stops at Atlantic Terminal, two blocks away from the Polonsky Shakespeare Center.

“IT’S ONLY A PLAY” BEGINNING MARCH 31, 2015

T.R. KNIGHT JOINS ALL-STAR CAST OF
BROADWAY’S 
“IT’S ONLY A PLAY”
BEGINNING MARCH 31, 2015

Comedy is coming. Comedy is coming. Twitter to some that you care about because “It’s Only A Play” - beginning March 31st.

Producers Tom Kirdahy, Roy Furman, and Ken Davenport are the force behind the show which will now star T.R. Knight, Emmy Award® nominated actor. He’s joining the Broadways smash hit comedy in the role of Frank Finger on March 31, 2015, on the same day that 2-time Tony Award® winner Nathan Lane returns to the cast in the role of James Wicker, which was previously announced.

Both funny men will continue with the production through its scheduled closing date of June 7, 2015.

T.R. Knight was recently seen on Broadway opposite Sir Patrick Stewart in A Life in the Theatre.  He is perhaps best known for his role as George OMalley for four seasons on the hit ABC drama “Greys Anatomy,” for which he received an Emmy Award® nomination for ‘Outstanding Supporting Actor in a Drama Series and won the Screen Actors Guild Award® for ‘Outstanding Performance by an Ensemble in a Drama Series as a member of the cast. 

Additionally, Knight starred as Leo Frank in the musical Parade at CTG/Mark Taper Forum, directed and choreographed by Rob Ashford; the film 42, a Jackie Robinson bio-pic, starring Harrison Ford and directed by Brian Helgeland; and the television comedy "Charlie Lawrence" for CBS opposite Nathan Lane and Laurie Metcalf, as the office gopher Ryan Lemming.  Knight was born and raised in Minneapolis.

4-time Tony Award® winner Terrence McNallys hit comedy Its Only A Play currently stars Oscar® winner F. Murray Abraham, 2-time Tony® winner Matthew Broderick, Tony® and Emmy® winner Stockard Channing, 2-time Tony® winner Katie Finneran, “30 Rock” alum and SAG® winner Maulik Pancholy, Emmy® and Tony® winner Martin Short, and Micah Stock in his Broadway debut.  3-time Tony® Award winner Jack OBrien directs. 

In It's Only A Play, its opening night of Peter Austin's (Broderick) new play as he anxiously awaits to see if his show is a hit. With his career on the line, he shares his big First Night with his best friend, a television star (Short), his fledgling producer (Finneran), his erratic leading lady (Channing), his wunderkind director (Pancholy), an infamous drama critic (Abraham), and a fresh-off-the-bus coat check attendant (Stock) on his first night in Manhattan. Its alternately raucous, ridiculous and tender — and proves that sometimes the biggest laughs happen offstage.

Its Only A Play opened on Broadway on October 9, 2014, and has twice extended its run due to popular demand. It is currently scheduled through Sunday, June 7, 2015.  In December 2014, it was announced that Its Only a Play recouped its entire $3.9 million capitalization.  It currently plays at the Bernard B. Jacobs Theatre (242 West 45th Street).  Tickets are now on sale for all performances.

The design team for Its Only A Play includes scenic design by Tony® winner Scott Pask, costume design by Academy Award® and Tony® winner Ann Roth, lighting design by Philip Rosenberg, and sound design by Fitz Patton

www.ItsOnlyAPlay.com

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www.ItsOnlyAPlay.com
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BALLET HISPANICO 2015 Spring Gala "Noche Cubana" Honors Cuban Civic Leaders

Bring out your Sunday best, it’s time to go to the The Plaza Hotel on Monday, March 30, 2015 at 6:30pm to Honor Milena Alberti-Pérez & David Pérez with the Civic Inspiration Award and Ben Rodriguez-Cubeñas with the Nuestra Inspiración Award at its annual Spring Gala in The Plaza Hotel's Grand Ballroom with Ballet Hispanico.

The Plaza Hotel's Grand Ballroom, so swanky on (768) Fifth Avenue will be serving cocktails at 6:30pm and dinner and dancing commence at 7:30pm. Attire is festive black tie.

Ballet Hispanico's 2015 Spring Gala will salute three extraordinary individuals who have given voice to their Latino culture and the importance of Ballet Hispanico's work through the corporations they serve. Ballet Hispanico Board President and President and COO of Palladium Equity Partners David Pérez and Milena Alberti-Pérez, SVP and Head of Global Corporate Finance at Penguin Random House, will receive the Civic Inspiration Award for their thirteen years of leadership and dedication to Ballet Hispanico. Chair of Ballet Hispanico's Leadership Council Ben Rodriguez-Cubeñas will receive the Nuestra Inspiración Award for his unwavering advocacy for New York City's arts community and for his efforts as program director for the Rockefeller Brothers Fund. This year's Gala also celebrates "Puentes," Ballet Hispanico's education programs, and features live salsa music by Grupo Irék along with performances by the Ballet Hispanico Company and students of the Ballet Hispanico School of Dance and P.S. 87M.

"We are thrilled to recognize our visionary honorees," said Kate Lear, Chair of Ballet Hispanico's Board of Directors. "We celebrate the inspired leadership of David Pérez and Milena Alberti-Pérez, whose enthusiasm for and belief in Ballet Hispanico's mission has been a driving force behind the organization over many years.  We are equally elated to honor the exceptional efforts of Ben Rodriguez Cubeñas, who is a great friend and extraordinary advocate on behalf of Ballet Hispanico."

The event is headed by Event Chairs Jody & John Arnhold, Kate Lear & Jon LaPook, Marcos A. Rodriguez, and Greidys Gil & Luis Zaldivar, along with Event Vice Chairs Herb Scannell and Charles Wortman & Laura Baldwin. The Gala Honorary Committee is chaired by Ford Foundation President Darren Walker. Proceeds, which last year totalled just over $1M, benefit the creation of new Company works, need-based financial aid and merit scholarships in the Ballet Hispanico School of Dance, and community arts education programs. 

Since its inception in 1970, Ballet Hispanico has been recognized as the nation's premier Latino dance organization. Led by award-winning Artistic Director Eduardo Vilaro, the Ballet Hispanico Company has performed for audiences totalling over 3 million, throughout 11 countries, and on 3 continents. The Company's commitment to contemporary repertory has produced world-class, multifaceted performances that have featured master works by Nacho Duato, cutting-edge premiers by Cayetano Soto and Annabelle Lopez Ochoa, and live music collaborations with renowned artists such as Paquito D'Rivera and Ruben Blades-to name a notable few. Through the work of its professional company, school of dance, and community arts education programs, Ballet Hispanico celebrates the dynamic aesthetics of the Hispanic diaspora, building new avenues of cultural dialogue and sharing the joy of dance with all communities. For more information, visit www.ballethispanico.org.

It's a myNewYorkeye—what's in it for you—tip and it's worth $39 bucks!

39 STEPS

It's only "39" steps to a winning TONY AWARD® HIT COMEDY 

“ 3 9 S T E P S ”OPENS AT THE UNION SQUARE THEATRE

Note that all seats, for the first 39 performances are only $39 and that's very little to pay for big laughter! 

Two-time Tony Award® winning hilarious hit comedy 39 Steps will officially open on Monday, April 13th. The production, featuring the entire original creative team, will begin an open-ended run at the Union Square Theatre (100 East 17th Street) on April Fools’ Day, Wednesday, April 1st.

To celebrate 39 Steps’ return to New York, all tickets to the first 39 performances will be priced at only $39. These specially priced tickets must be purchased by March 31st by going to:

http://www.ticketmaster.com/promo/pso5uc

or calling 877-250-2929 and using special offer code: 39439

As previously announced, the cast of 39 Steps will feature original Broadway cast member Arnie Burton as Clown #2, as well as Billy Carter as Clown #1, Broadway vet Robert Petkoff as the dashing hero Richard Hannay, and Brittany Vicars as Pamela/Annabella/Margaret in her New York City stage debut.

Adapted by Tony® nominated author Patrick Barlow from an original concept by Simon Corble and Nobby Dimon, and based on the book by John Buchan and the classic 1935 Alfred Hitchcock film, 39 Steps features Tony® nominated direction by Maria Aitken, Tony® winning lighting design by Kevin Adams, Tony® winning sound design by Mic Pool, and Tony® nominated scenic and costume design by Peter McKintosh.

39 Steps is a comedic spoof of the classic 1935 film, with only 4 “insanely talented” actors portraying more than 150 characters, sometimes changing roles in the blink of an eye. The brilliantly madcap story follows our dashing hero Richard Hannay (Robert Petkoff) as he races to solve the mystery of The 39 Steps, all the while trying to clear his name. The show’s uproarious fast-paced 100 minutes promises to leave you gasping for breath… in a good way! It’s fun for everyone from 9 to 99.

39 Steps came to Broadway in January 2008 and ran over three years, playing a record-breaking 1,135 performance – the longest running play in 7 years. It received six 2008 Tony nominations, including Patrick Barlow for Best Play, winning two for Sound Design and Lighting Design, and three Drama Desk Nominations, winning two including Unique Theatrical Experience.

The production will play the following performance schedule:

  • Mondays at 7:00 PM, Wednesdays at 2:00PM and 8:00 PM, Thursdays and Fridays at 8:00 PM, Saturdays at 2:00 PM and 8:00 PM, and Sundays at 3:00 PM.

  • Tickets for the show are now on sale via www.39StepsNY.com, through Ticketmaster online and by phone at 1-877-250-2929, and also, starting March 25, in person at the Union Square Theatre box office, which opens at 1PM daily except Tuesdays and remains open until 30 minutes after show time. Tickets are priced at $39-89. Premium seats are $105. $20 tickets for students, veterans, armed forces, NYPD and FDNY are available in person at the box office with ID the day of the show.

For more information, visit www.39StepsNY.com

BROADWAY FINDS NEW MUSICAL VOICES

People ask, "where is the new talent" for Broadway especially shaped around musicals.

Revivals are always a big kick but that's not doing much for the new crop of talented but undiscovered lyricists and composers whose dream is to add their artistic contribution to theater. 

Well, the right group was listening and that group is the American Theatre Wing and today, they announced the recipients of the 2015 Jonathan Larson® Grants are writing team Tim Rosser (composer) & Charlie Sohne (composer) receiving $10,000, Sam Willmott (composer/lyricist) receiving $10,000 and a week-long residency at the Running Deer Musical Theatre Lab, and Max Vernon (composer/lyricist) receiving $10,000. This year’s recipients were selected by an expert panel consisting of Amanda Green (Hands on a Hardbody), Steven Lutvak (A Gentleman’s Guide to Love and Murder), and Ted Chapin (President and Executive Director of Rodgers & Hammerstein). The prestigious grants totalling $30,000 will be presented on Monday, March 23, 2015 at a private event at the WNYC Greene Space. The event will feature special performances of the recipients’ work.

“The Jonathan Larson Grants give us the opportunity each year to support exciting new theater makers and invest in the changing landscape of the American musical, one writer at a time.” said Heather Hitchens, President of the American Theatre Wing.

Additionally, Sam Willmott and Max Vernon will be featured in an evening of performance at Adelphi University, as part of their Larson Legacy Concert Series. The Concert Series, to be held in Fall 2015 and Winter/Spring 2016 at the Adelphi University Performing Arts Center in Garden City, NY, will help nurture and support the next generation of creative artists by one of the same organizations that supported and nurtured Jonathan Larson as an artist – thereby carrying on his creative and ground-breaking legacy.

The grants, given annually to honor emerging composers, lyricists and book writers, help to continue Tony Award®-winning composer Jonathan Larson’s dream of infusing musical theatre with a contemporary, joyful, urban vitality. Dedicated to celebrating excellence and supporting theatre, the American Theatre Wing awards the Larson Grants to artists to recognize and showcase their work with no strings attached - except to put it to the best use possible to help further the artists' creative endeavours.

Past recipients of the Larson Grants include Benj Pasek & Justin Paul (A Christmas Story), Dave Malloy (Natasha, Pierre & the Great Comet of 1812), Tom Kitt & Brian Yorkey (Next to Normal), Chad Beguelin & Matthew Sklar (The Wedding Singer), John Bucchino (A Catered Affair), Laurence O’Keefe (Bat Boy: The Musical), Michael Korie (Grey Gardens), Amanda Green (Hands on a Hardbody), Sara Cooper & Zach Redler (The Memory Show), and Shaina Taub (The Daughters). 

Tim Rosser and Charlie Sohne are 2014-15 Dramatist Guild Fellows. Together, they have written: The Boy Who Danced on Air (2013 NAMT Festival of New Works and Writers Residency Grant, 2013 Rodgers Award Finalist, 2013 ART/NY and NYTB Workshop), The Profit of Creation (2011 Yale Institute for Musical Theater, developed through ASCAP’s 2010 Johnny Mercer Songwriters Program) and the short musical Political Speeches (The Culture Project’s IMPACT Series). Their work has been seen in a sold-out 54 Below Show, at Birdland, Cutting Edge Composers at Joe’s Pub, A Little New Music at Rockwell in L.A, Contemporary Classics at Seattle Rep, The Holiday Concert at the Lincoln Center Library and others. They were members of the Advanced Class of the BMI Workshop. Separately, Charlie Sohne has developed work at New York Stage and Film, the O’Neill National Music Theater Conference, The Lark and the Cherry Lane Theater – and has had his work sung in concert at Second Stage (DCMTW’s “The Concert”) and through BMI’s Smoker and Showcase. His song “I’m Just Glad You’re Here” (music by David Gaines) was named one of the Top 25 Songs in the Directory of Contemporary Musical Theater Writers. Tim Rosser has music directed the Broadway Cares/Equity Fights AIDS benefit Broadway Backwards at the Palace and Al Hirschfeld Theaters and was the Associate Music Director of I am Harvey Milk at Avery Fischer Hall.  He has played keyboards for Rocky, The Addams Family on Broadway, Carrie at the Lucille Lortel, and he's played rehearsals for A Gentleman’s Guide to Love and Murder on Broadway, and City Center's Encores series.

Sam Willmott is a NYC-based composer/lyricist, whose projects include Bhangin' It (with Rehana Lew Mirza and Mike Lew); Yo, Vikings! (with Marcus Stevens, published by Samuel French); the mini-musical Scarlet Takes a Tumble; and Standardized Testing - The Musical!!!! (published by Playscripts, Inc.), among others. He is the recipient of the 2013 ASCAP Foundation Harold Adamson Award for Lyrics, the 2012 Fred Ebb Award, the 2012 John Wallowitch Award, and the 2009 Kennedy Center ACTF Musical Theater Award, and has been a writer-in-residence at Goodspeed Musicals (2014, 2013) and the Eugene O'Neill Theater Center (2013).  Sam is also a proud contributor for English Egg, a Korea-based children's language program.  For more information, check outsamwillmott.com

Max Vernon is a composer/lyricist, playwright, and performer. Described by the New Yorker as "equal parts bohemia and Broadway," his work has been performed and developed at Ars Nova, Theatreworks USA, Naked Angels, New Dramatists, Two River Theater (NJ), Dixon Place, Woodshed Collective, Ma-Yi, LaMaMa, and Pride Films and Plays (Chicago), among others. This past year he was a Dramatist Guild Theatre Fellow, an artist in residence at Rhinebeck Writer's Retreat, a JFund award recipient, and also finished his first commission for Disney Creative Entertainment. He is currently a member of Ars Nova's Uncharted, as well as the Civilians R&D Group. He has performed over a hundred concerts in New York City, including sold out shows at Joe's Pub (Frisk Me: The Songs of Max Vernon) and The Metropolitan Museum of Art (The Civilians' Let Me Ascertain You). His musicals include The View UpStairs (NYU, Pride Films and Plays) and WIRED (Ars Nova) Developing: Co-Op (Ars Nova, Naked Angels Radio); Aesop's Fables (Theatreworks USA); WAM! Entertainment (Ars Nova/Ma-Yi); Show & Tell (Jerome Foundation, Civilians R&D Group) MFA: NYU-Graduate Musical Theatre Writing Program. www.maxvernon.com

The American Theatre Wing (William Ivey Long, Chairman, Board of Trustees; Heather Hitchens, President) is dedicated to advancing artistic excellence and nurturing theatre’s next generation: on the stage, behind the scenes, and in the audience. For nearly a century, the Wing has pursued this mission with programs that span the nation to invest in the growth and evolution of American Theatre. Traditionally, the Wing has encouraged members of the theatre community to share their off-stage time and talent directly with the theatre audience at large--whether it was singing for the troops in the Stage Door Canteen of the 1940's, or sharing their stories on a podcast today.  As the founders of The Tony Awards®, the American Theatre Wing has developed the foremost national platform for the recognition of theatrical achievement on Broadway. Yet the Wing's reach extends beyond Broadway and beyond New York. The Wing develops the next generation of theatre professionals through the SpringboardNYC and Theatre Intern Network programs, incubates innovative theatre across the country through the National Theatre Company Grants, fosters the song of American theatre through the Jonathan Larson Grants, honors the best in New York theatrical design with the Henry Hewes Design Award, and illuminates the creative process through the “Working in the Theatre” program and media archive. The American Theatre Wing has also entered into a long-term partnership with The Village Voice to co-present The OBIE Awards, Off Broadway’s Highest Honor, beginning this year, which will mark the Award’s 60th Anniversary in May 2015.  Visitors toamericantheatrewing.org can get inspired and gain insight into the artistic process through the Wing’s extensive media collection, and learn more about its programming for students, aspiring and working professionals, and audiences.

Follow the Wing on:

Facebook.com/TheAmericanTheatreWing 

Twitter.com/TheWing.

Luis Dreams and Bam-like Magic-he lights up a stage

Luis Salgado is a role model to many. He is a role model for me. This story teller dreamed it, a long time ago as a little boy, visiting from Puerto Rico and strolling the lights of Broadway. 

Can you imagine how big the city looked through his eyes? 

So - it’s an awesome task to share that Luis Salgado, who won Best Director for the world premiere production of "Zuccotti Park The Musical," at the Venus/Adonis Festival, will direct a brand-new, Spanish-language production of David Mamet's explosive contemporary classic "Speed-the-Plow."

Luis Salgado’s vision of a brand-new translation, will premiere on August 13th, 2015, for a limited run at the historic 18th Century Corralón de San José in Old San Juan. 

A replica of the Corral de Comedias de Almagro (the oldest theater still standing in Spain, built in 1628), the Corralón is one of the oldest performance-spaces still operating as a theater in the western hemisphere.

"I am thrilled about the most recent nomination for best director, and am very focused on the task of re-creating one of David Mamet's most enduring and talked-about works, in one of the most unique performance-spaces in the Americas", said Salgado (In The Heights, Rocky, Women on the Verge), who also recently took part in the developmental lab for the new Gloria Estefan musical On Your Feet

"I am not only excited about going back to Puerto Rico as a Director after 13 years since the last show I produced and directed there... I'm inspired about the open-air setting that we will have, combined with the intimacy and stunning features of the centuries-old structure. Add to that the brilliance of Mamet's script, and the fascinating way in which it comes across in Spanish, with a multicultural cast, and we are-in for a Speed-the-Plow unlike we have not seen it before, A LO BORICUA".

The production will play four performances only, August 13-16, 8:30pm, at Corralón de San José, 109 San José Street, Old San Juan.  The cast will feature Éric-Dominique Pérez, Javier E. Gómez and Emmanuelle Bordas. The performances will be free to the public as part of Corralón de San José's Theater Access and Cultural Collaborations Initiative. Rehearsals will begin in New York City on July 7, 2015.

The Spanish-language San Juan production of Speed-the-Plow is produced by High Pitch, Inc. and Dead Jíbaros Productions, in partnership with Amigos del Corralón (Josean Ortiz, Artistic Director), Instituto de Cultura Puertorriqueña, Salgado Productions and Tony L. D'Anzica.

Mr. Salgado’s other credits include winning Best Director Award at the Thespis Festival for "Song of Solomon."  Other directing credits include "Amigo Duende, The Musical" (music and lyrics by Joshua Henry, book by Henry, Salgado and Heather Hogan), "Aniversario Sin-Cuenta" and "Candela Fuerza y Pasión" (both in Lima, Peru), and "Zuccotti Park" (music by Vatrena King, book and lyrics by Catherine Hurd), which played its last performance at the Venus/Adonis Festival on March 4th.

DANCE WITH BALLET HISPANICO

What’s not to love about dance?  Nothing that’s what—nothing and with a special matinee for Children and Families that’s a big “go” sign to plan a New York family day!

This year, Ballet Hispanico, recognized as the nation's leading Latino dance organization since 1970, returns to the Joyce Theater from April 14-26, 2015 with 15 performances featuring five dynamic programs. The tickets are reasonable starting at $10 with the World Premiere of Conquer by Miguel Mancillas; a New York Premiere of Show.Girl by Rosie Herrera, Joyce Premiere of Evening-Length CARMEN.maquia and a Special Matinee for Children and Families on Saturday, April 18.

Under the brilliant eye of Artistic Director Eduardo Vilaro, Ballet Hispanico has melded its Latino roots with an eclectic, sleekly modern style that has made it "one of the best contemporary repertory ensembles" (The New York Times).

Highlights of this year's Joyce season include a raw and athletic world premiere by Mexico-based choreographer Miguel Mancillas and the dazzling New York premiere of Show.Girl. by Miami-based, Princess Grace Award-winning choreographer Rosie Herrera. Other highlights include the Joyce Premiere of Gustavo Ramírez Sansano's CARMEN.maquia, a contemporary spin on the iconic story about a passionate gypsy with set design by Luis Crespo and costumes by fashion designer David Delfin; Sombrerísimo, choreographed by Annabelle Lopez Ochoa and commissioned by New York City Center for the 10th anniversary of the Fall for Dance Festival; and El Beso, choreographed by Gustavo Ramírez Sansano, with original costumes by Venezuelan fashion designer Angel Sanchez. 

For the first time during its New York Season, Ballet Hispanico will also offer a 90-minute matinee on Saturday, April 18 that is specially curated for children and families featuring excerpts from Ballet Hispanico's diverse repertory and a Q&A with the dancers.

Hosted by Artistic Director Eduardo Vilaro and Education Director AnaMaria Correa, Ballet Hispanico's fun, interactive and educational Performances for Young People-now celebrating 30 years-give families a glimpse into the beauty of the arts and Latino culture.   

"Our New York Season truly offers something for everyone," said Eduardo Vilaro, Artistic Director of Ballet Hispanico. "The works this season highlight the full breadth of the company's powerful ability to interpret the many shades of the Latino cultural experience. From raw human expression to stylized theatrical seduction, each work is a chapter in the past, present and future of our American experience. And, I am particularly excited to offer our beloved and signature Performances for Young People to family audiences through a special Saturday matinee."

Ballet Hispanico's New York Season at The Joyce Theater - April 14-26, 2015

Conquer (2015) - World Premiere

Choreography by Miguel Mancillas

A raw and athletic world premiere by Mexico-based choreographer Miguel Mancillas that explores, through notions of power and possession, the ways in which we seek to conquer spaces and people. Mr. Mancillas's work came to fruition through Ballet Hispanico's Instituto Coreográfico, an innovative choreography lab program for Latino dance makers.

Show.Girl. (2014) - New York Premiere

Choreography by Rosie Herrera 

A dazzling New York premiere by Miami-based, award-winning choreographer Rosie Herrera, Show.Girl. uses the Cuban cabaret aesthetic to explore the Latina female identity. Ms. Herrera's work was commissioned in part by American Dance Festival and came to fruition through Ballet Hispanico's Instituto Coreográfico, an innovative choreography lab program for Latino dance makers.

CARMEN.maquia (2014) - Joyce Premiere

Choreography by Gustavo Ramírez Sansano

Hailed as a "masterpiece" by the Chicago Sun-Times, CARMEN.maquia is a Picasso-inspired contemporary take on Bizet's beloved classic. The physically charged and sensual choreography fuses contemporary dance with nods to the Spanish paso doble and flamenco. A stunning set design by Luis Crespo and minimalist black-and-white costumes by fashion designer David Delfin evoke the paintings of Pablo Picasso. Highly original and full of elaborate partnering, CARMEN.maquia is a bold and electrifying reimagining of this tragic tale. 

Sombrerísimo (2013) 

Choreography by Annabelle Lopez Ochoa

An absorbing exploration of identity, Sombrerísimo references the surrealist world of the Belgian painter René Magritte, famous for his paintings of men in bowler hats. This athletic work for six male dancers was commissioned by New York City Center for the 10th anniversary of the Fall for Dance Festival. 

El Beso (2014)

Choreography by Gustavo Ramírez Sansano

Spaniard Gustavo Ramírez Sansano's first work for Ballet Hispanico is a spirited look at the nuances of a kiss set to Spanish Zarzuela music and featuring original costumes by Venezuelan fashion designer Angel Sanchez. 

Asuka (2011) 

Choreography by Eduardo Vilaro Asuka is a celebration of the music of Celia Cruz through the lens of the Latino experience. Cruz, renowned as the "Queen of Salsa," captured the heart of Latinos the world over and became a symbol of perseverance for many. Through rich imagery and humor, Eduardo Vilaro explores the struggles of departure from one's homeland and the exuberance of success experienced by a community. 

Good Night Paradise (1994)

Choreography by Ramón Oller Catalan lyrics, haunting tableaus, and relationships that stem from the dark side of the heart shape this powerful and highly physical piece of dance theater by Catalan modernist Oller. 

PERFORMANCE SCHEDULE 

Program A:  Show.Girl., Conquer,El Beso 

Tue 4/14, Wed 4/15 at 7:30pm; Thu 4/16, Fri 4/17, Sat 4/18 at 8pm, Sun 4/19 at 7:30pm 

Program B:  CARMEN.maquia 

Tue 4/21, Wed 4/22 at 7:30pm; Thu 4/23, Fri 4/24, Sat 4/25 at 8pm 

Program C:  Conquer, Sombrerísimo, El Beso 

Sun 4/19 at 2pm; Sat 4/25 at 2pm 

Program D:  Show.Girl., Good Night Paradise, Sombrerísimo, Asuka 

Sun 4/26 at 2pm*

*Specially programmed to celebrate retiring Ballet Hispanico dancer Jessica Alejandra Wyatt 

SATURDAY EN FAMILIA Program: 

Sat 4/18 at 2pm 

Excerpts from Asuka, CARMEN.maquia, Sombrerísimo, El Beso

Bring the whole family to a 90-minute, fun-filled journey through Latin American dance and culture featuring excerpts from Ballet Hispanico's diverse repertory and a Q&A with the dancers. Hosted by Ballet Hispanico Artistic Director Eduardo Vilaro and Education Director AnaMaria Correa, our fun, interactive and educational Performances for Young People-now in their 30th year-give families a glimpse into the beauty of the arts and Latino culture. All tickets $25.

ONE NIGHT ONLY AND FREE!!

Our myNewYorkeye has a tip and it's free-kind of-

ONE NIGHT ONLY. “C A R M I L L A”

The reading is open to the public with a suggested donation of $5.00.

The York Theater Company Developmental Reading Series will present—one night only— for one night only performance, March 3 at  3:00PM.

The York Theatre Company (James Morgan, Producing Artistic Director; Andrew Levine, Executive Director), and its acclaimed Developmental Reading Series, will present a staged reading of the new musical “Carmilla,” with book & lyrics by Joel Gross, and music & lyrics by Paul Aleman at The York Theatre Company at Saint Peter’s (619 Lexington Avenue, entrance on East 54th Street, just east of Lexington Avenue).

Directed by Gabriel Barre, music direction by Nathan Patten, and music supervision & arrangements by James Abbott, the cast will feature Leenya Rideout in the title role, with Julia Burrows as Vanessa Warwick, Michael Minarik as Dr. Johan Hoffman, Kaye Tuckerman as Countess Moreth, and Nick Wyman as Colonel Warwick. 

The ensemble will feature Liz Kimball, Darren Matthias, Michael Padgett, Kristin Parker, Clifton Samuels, Eveline Suter, and Erica Sweany.  The creative team also includes, Drew Feldman (Assistant Director) and Marci Skolnick (Stage Manager).

“Carmilla," a new musical, is inspired by the eponymous 1871 novel by Joseph Sheridan Le Fanu. Vanessa, an adorable young Englishwoman, lives with her father in an inherited Gothic castle in Central Europe, surrounded by superstitious peasants. Vanessa  is about to marry a handsome Viennese doctor, when passion comes into her life for the first time in the form of Carmilla, a beautiful, supernatural, irresistible  presence.

The York presented readings of Gross and Aleman's previous musical, Dillinger: Public Enemy Number One, in 2008 and 2009. ONE PERFORMANCE ONLY: Tuesday, March 3, 2015 at 3:00 p.m

Reservations can be made by visiting the website at www.yorktheatre.org 

The Developmental Reading Series presents some 40 readings and workshops of new musicals by emerging and established authors throughout the year, a vital part of the writing process. The series serves as an incubator for shows to be considered for Main-stage productions, thus serving the York's unique mission of taking new musicals through the complete development process to full production.

The York Theatre Company offers the 54th Street Membership Program, an exclusive membership package for as low as $54.00 - with elite benefits that includes a 30% discount on tickets to York Theatre Productions (2 per membership), exclusive member pre-sale opportunities, 50% off on all lobby concessions, 20% off on all lobby merchandise, in addition to special member only receptions.

York Memberships may be purchased online at www.yorktheatre.org/membership, or by calling the York Theatre Company Box Office.

BROADWAY and the JERSEY BOYS come Home

The Midtown Men - Jersey Boys

CROON WITH THE JERSEY BOYS. MARK YOUR CALENDAR FOR JUNE 20TH !!

Turn the clock back and enjoy the signature sound of the Jersey Boys and you can thank the The Midtown Men, the vocal group comprised of four stars from the Original Broadway Cast of Jersey Boys, for the opportunity to enjoy nostalgia with music.

It’s their long awaited New York City Homecoming concert on June 20th, 2015 at New York’s famed Beacon Theatre (2124 Broadway, NYC).

The Midtown Men have been performing nearly 400 concerts across North America, the group’s leading men include Tony Award-winner Christian Hoff, Michael Longoria, Daniel Reichard, and Tony Award-nominee J. Robert Spencer. 

The Midtown Men know how to put on a show and that’s using their celebrated arrangements of the greatest hits of the 1960s. This June performance, at the Beacon, will be their final show of this year’s tour.

During their time in the mega-hit musical Jersey Boys, these four talented artists shared the stage for over a thousand performances.  Since forming in 2010 as The Midtown Men, they have played in concert halls from coast to coast and have sung with over 20 major symphonies, including the National Symphony Orchestra at the Kennedy Center. In 2012, The Men released their first radio single, “All Alone on Christmas,” written and produced by rock icon Steven Van Zandt and backed by Van Zandt’s bandmates from Bruce Springsteen’s E Street Band as a fundraiser for the Red Cross after Hurricane Sandy. They were honored to perform the song at the White House for the National Tree Lighting Ceremony in Washington DC that year. Wrapping up their fifth national tour in 2015, the “Men” continue to sell-out venues across the U.S. and Canada.

Promoted by Live Nation, tickets for The Midtown Men’s NYC Homecoming can be purchased by visiting www.ticketmaster.com or by calling 1-800-745-3000. If fans wish to receive their tickets by pledging to public television, they can visit www.thirteen.org/ticketbooth or call 1-800-468-9913.

The group's PBS/Thirteen television pledge drive special will air on WNET (New York), NJTV (New Jersey), and WLIW (Long Island) starting February 28th at 5 p.m. in NYC. Please check your local listings for additional airings.

For more information on The Midtown Men, Visit :

www.themidtownmen.com 

www.oandmco.com 

www.twitter.com/oandmco

Oh New York, it's time to raise your "Hand to God"

Broadway will get a humorous dose of puppetry and religion with the Broadway opening of Hand to God on April 7, 2015 at the Booth Theatre (222 West 45th Street).

It's a Broadway debut of playwright Robert Askins. Hand to God is being directed by Moritz von Stuelpnagel in his Broadway debut too.

The previews of the exciting firsts for both creatives begin Saturday, March 14, 2015 ahead of the April 7th opening. Take a moment to review the hilarious content @www.HandToGodBroadway.com.

The subject of this new provocative comedy, Hand to God centers on shy, inquisitive student Jason, who finds an outlet for his burgeoning creativity at the Christian Puppet Ministry in the devoutly religious, relatively quiet small town of Cypress, Texas.

Jason’s complicated relationships with the town pastor, the school bully, the girl next door and—most especially—his mother are thrown into further upheaval when Jason’s hand puppet Tyrone—once soft-spoken—takes on a shocking and dangerously irreverent personality all its own. As Tyrone’s influence over Jason steadily grows, Hand to God explores the startlingly fragile nature of faith, morality, and the ties that bind us.

Hand to God will feature the complete cast of the hit 2014 MCC Theater production: Steven Boyer as Jason/Tyrone; Geneva Carr, in her Broadway debut, as Margery; Tony® Award nominee Marc Kudisch as Pastor Greg; Sarah Stiles as Jessica; and Michael Oberholtzer, in his Broadway debut, as Timmy.

Hand to God is produced on Broadway by Kevin McCollum, whose credits include Rent, Avenue Q and In the Heights—each the winner of the Tony® Award for Best Musical; as well as The Drowsy Chaperone and Motown the Musical, among many others.

Curtains a peek at Broadway News

Broadway makes money for some and sinks others into despair but for producers Tom Kirdahy, Roy Furman, and Ken Davenport these saver producers reported that the Broadway production of It’s Only a Play has recouped its $3.9 million capitalization.

It’s Only A Play was breaking house records at the Gerald Schoenfeld Theatre (236 West 45th Street) since opening in October, and now becomes the first show of the 2014-15 Broadway season to recoup.

“We are delighted that Broadway audiences have embraced the laughter and hijinks of It’s Only A Play.  We knew, with Terrence, Jack and this phenomenal cast, we had something special, but these results exceeded our expectations,” producer Tom Kirdahy said.

It’s Only A Play (Terrence McNally) recently welcomed 1/17) Tony® and Emmy® winner Martin Short, Two-time Tony® winner Katie Finneran, and “30 Rock” alum Maulik Pancholy, into the original cast which includes F. Murray Abraham, Matthew Broderick, Stockard Channing and Micah Stock. Three-time Tony® Award winner Jack O’Brien directs.

It’s Only A Play ( www.ItsOnlyAPlay.com).

In news that Hollywood is now coming to Broadway - let’s settle on the new musical about rock it’s quirky paring School of Rock—The Musical, with the producers the Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization and The Nederlander Organization. This combo might actually make a hit from the movie.

Previews will begin on Monday, November 2, 2015 at the Winter Garden Theatre, with an opening set for Sunday, December 6.

It’s based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian Fellowes. School of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables).

Produced by Paramount Pictures, the 2003 film was directed by Richard Linklater and starred Jack Black in a career-defining performance. The film received universal critical acclaim and was hailed by The New York Times as an “irresistible comic postscript to the rock revolution.” The film went on to gross more than $130 million worldwide.

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

Unique point of fact, Jack Black will be performing at the 87th Oscars in a top, top, top secret performance that may or may not include something with director Richard Linklater whose “BoyHood,” is being favoured to win a few gold men!

Three-time Grammy Award-winner Rob Cavallo also joins the creative team. Cavallo is one of the top-selling record producers in the world, has been involved in albums that have sold more than 150 million units and has worked with Green Day, My Chemical Romance, Paramore, Goo Goo Dolls, Phil Collins, Cary Clark Jr., among others.

Cavallo said "School of Rock is a wonderful film, a rock and roll story that transcends the genre with passion and heart. To be able to creatively collaborate with Andrew Lloyd Webber, Glenn Slater, Julian Fellowes and the rest of the team is a once-in-a-lifetime opportunity, and I can't wait to see School of Rock take on a whole new life."

Co-producers The Shubert Organization and The Nederlander Organization issued a joint statement: “This partnership is an extension of a long-standing and productive relationship between our two organizations, and it gives us the exciting opportunity to work with Andrew again.  We are thrilled to be on the producing team with The Really Useful Group and Warner Music Group to bring School of Rock – The Musical to Broadway.”

“I am excited to be working on bringing Jack Black and Mike White's iconic movie to the stage,” said Andrew Lloyd Webber. “It is a joy for me to return to my Jesus Christ Superstar roots – when Deep Purple's Ian Gillan was recording Jesus for Tim Rice and me at London's Olympic Studios, Led Zeppelin was recording next door and a glimpse of a Stone or two was routine! School Of Rock is hugely about how music can empower kids. Tim Rice and my first performed piece, Joseph and the Amazing Technicolor Dreamcoat, was written for a school.  Ever since then I and my Art Foundation have been actively involved in music education back home in Britain. It will be a joy to discover and work with talented musical kids in the USA and, who knows, maybe discover a rock star or three of the next generation.”

School of Rock will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, and Sound Design by Mick Potter. Nina Lannan serves as Executive Producer.

Casting for the show will begin in January in cities across the country, including New York, Chicago and Los Angeles.

Just in case your under a rock and don’t know the heavy hitters involved in this new Broadway musical take a look below:

Andrew Lloyd Webber (Composer) is the composer of some of the world’s best known musicals including Cats, Evita, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, The Phantom of the Opera and  Sunset Boulevard. As theatre producer he has presented not only his own shows but others, including the Olivier award-winning La Bete and Daisy Pulls It Off. As composer he has received many awards including seven Tonys, seven Oliviers, a Golden Globe, an Oscar, two International Emmys, the Praemium Imperiale, the Richard Rodgers Award for Excellence in Musical Theatre, a BASCA Fellowship, the Kennedy Center Honor and a Grammy for Best Contemporary Classical Composition for Requiem, his setting of the Latin Requiem mass which contains one of his best known compositions, “Pie Jesu.” He owns six London theatres including the Theatre Royal, Drury Lane and the London Palladium.  He was knighted by Her Majesty The Queen in 1992 and created an honorary member of the House of Lords in 1997. The Andrew Lloyd Webber Foundation has become one of Britain’s leading charities supporting the arts and music. For information about the pioneering music in education work supported by the Foundation in the UK please visit: www.andrewlloydwebberfoundation.com

Glenn Slater (Lyrics) co-created Disney’s 2010 worldwide smash Tangled (2011 Grammy Winner, 2010 Oscar and Golden Globe nominee), as well as the Broadway and international hit musicals Sister Act (2011 Tony nominee – Best Score) and The Little Mermaid (2008 Tony nominee – Best Score, Grammy nominee – Best Cast Album). With longtime collaborator Alan Menken he has also written songs for the Disney animated film Home On The Range (2004) and Broadway musical Leap of Faith (Tony nominee – Best Musical, 2012), as well as acting as both songwriters and executive producers of the medieval musical comedy television series  “Galavant,” premiering January 2015 on ABC-TV. In the West End, Glenn provided both book and lyrics for Andrew Lloyd Webber’s Love Never Dies (2010 Olivier nominee – Best Musical), the sequel to Phantom of the Opera. Other work includes an Emmy-nominated song for the ABC-TV comedy “The Neighbors” (2013), and the stage revue Newyorkers at The Manhattan Theatre Club (Lucille Lortel, Drama Desk, Outer Critics Circle nominations). Glenn is the recipient of the prestigious Kleban Award for Lyrics, the ASCAP/Richard Rogers New Horizons Award, and the Jonathan Larson Award.  He is an alumnus of the BMI Musical Theatre Workshop, and a member of both ASCAP and the Dramatists’ Guild.   Glenn lives in New York City with composer/lyricist/wife Wendy Leigh Wilf and sons Benjamin and Daniel.

Julian Fellowes (Book) is a prolific actor, writer, director, and producer.  As an actor, he is probably best known for the BBC series, “Aristocrats,” and for his portrayal of Lord Kilwillie in the BBC’s popular series, “Monarch of the Glen.” On the big screen, he has been seen in many films, including Shadowlands, Damage, Place Vendôme, Fellow Traveller, and Tomorrow Never Dies. As a writer for television, he produced the scripts of “Little Lord Fauntleroy” (winner of an International EMMY, 1995) and “The Prince and the Pauper” (nominated for a BAFTA, 1997) which he also produced.  His first screenplay was Gosford Park, directed by Robert Altman, which won him several prizes, including the Oscar for Best Original Screenplay.

Laurence Connor (Director).  Laurence's directorial credits include: Les Miserables (Broadway), Miss Saigon (London), Jesus Christ Superstar (UK and Australian Arena Tour and released for DVD), the entirely new stage production of The Phantom of the Opera (US and UK), Oliver! (UK Tour) and Miss Saigon (UK Tour and Worldwide), which received critical acclaim for two years and won the Manchester Evening News Award for Best Touring Musical, Best New Foreign Production (Korea), Best Ensemble in a Musical (Korea) and the Green Room Award for Best Director of a Musical (Australia). Laurence is also the Co-Director of the new version of Les Miserables which has enjoyed worldwide success including Broadway, UK and US Tours and won awards including Best Musical at the prestigious Manchester Evening News Awards and Best Director of a Musical in Korea.  Laurence directed the 25th anniversary concert of The Phantom of the Opera at the Royal Albert Hall and the 25th Anniversary concert of Les Miserables at the O2 in London both of which were simultaneously broadcast in cinemas worldwide and subsequently released on DVD. Laurence has also been associated with the London productions of The Phantom of the Opera (Her Majesty's Theatre), Oliver! (Drury Lane), The King and I (London Palladium) and A Slice of Saturday Night (Liverpool Empire). Cinema and Television: Jesus Christ Superstar (Cinema Streaming Worldwide and DVD), Phantom of the Opera (Cinema Streaming Worldwide and DVD), Les Miserables at the O2 London (Cinema Streaming Worldwide and DVD) Current projects include: The Sound of Music Live for ITV.

JoAnn M. Hunter (Choreography) has recently been in development of a new rock musical about the life of Genya Raven, Cheesecake Girl.  Other recent credits include Harmony by Barry Manilow and Bruce Sussman at the Ahmanson Theatre, LA,  and the world premiere of Marvin Hamlisch and Rupert Holmes’ The Nutty Professor directed by Jerry Lewis.  Broadway credits include: On A Clear Day You Can See Forever, She Loves Me (Roundabout Gala), and Broadway Bound.  Off Broadway credits include: Dedalus Lounge and The Twelve (workshop). National Tour/Regional credits include: Chitty Chitty Bang Bang, Grease (PMP), Oliver (PMP), and Curtains (PMP/TUTS). She directed Debra Monk in her one woman show in February of 2014 with special guests Ron Rifkin, Andrea Martin, Victor Garber, Charlotte D’Amboise, Jimmy Newman, Brandon Victor Dixon and David Hyde Pierce.  She also choreographed The Drama League Galas honoring Angela Lansbury, Kristen Chenoweth and Neil Patrick Harris.  She served as Associate Broadway Choreographer for Spring Awakening, Curtains, The Wedding Singer, and All Shook Up.

Anna Louizos (Scenic and Costume Design) received Tony Award nominations for The Mystery of Edwin Drood, In the Heights, and High Fidelity. Other Broadway designs include Honeymoon in Vegas; Rodgers and Hammerstein’s Cinderella (and US tour); Avenue Q (also US tour, Paris, London & Las Vegas); The Performers; Irving Berlin’s White Christmas (US &UK tours); Curtains; Baby It’s You; All About Me; To Be Or Not To Be; Steel Magnolias; Golda’s Balcony. Many notable Off-Broadway/regional theatres including Roundabout Theatre;  Second Stage; 5th Avenue Theatre; Ahmanson; Dallas Theater Center; Stratford; world premier productions of tick. Tick…BOOM and Altar Boyz. Art Direction film/TV: “Sex and the City” (HBO).

Natasha Katz (Lighting Design) has designed extensively for the theatre, opera and dance.   Recent Broadway credits include The Glass Menagerie (Tony Award), Once  (Tony Award), Aladdin, Motown, Follies, Sister Act, Coast of Utopia: Salvage (Tony Award),  Aida  (Tony Award), and Beauty and the Beast. She has designed shows Off-Broadway, at American regional theatres, concerts, Las Vegas and permanent installations. Her work with opera and ballet companies include: The Royal Ballet, The Metropolitan Opera, NYC Opera, American Ballet Theatre, and City Ballet.  Awards: Tony, Drama Desk, Outer Critics, Hewes Award, Whatsonstage, Joseph Jefferson Award, Ruth Morely Design Award, National Broadway Theatre Award. Upcoming Broadway: An American in Paris and Skylight.

Mick Potter (Sound Design). Mick has designed over 100 productions worldwide including the West End and Broadway musicals Saturday Night Fever, Bombay Dreams, The Woman in White, Evita, The Phantom of the Opera, Les Miserables, Love Never Dies, and Miss Saigon. Awards include an Olivier for The Woman in White (London 2005), Parnelli Award for The Phantom of the Opera (Las Vegas 2006), Helpmann Award nominee and Green Room Award for Love Never Dies (Australia 2011) and a Tony nomination for Les Miserables (Broadway 2014).

The Really Useful Group (Producer) is Andrew Lloyd Webber’s theatre producing and rights licensing company that controls the theatrical rights for all of his works, including The Phantom of the Opera, Cats, Jesus Christ Superstar, Evita and Sunset Boulevard.  The Really Useful Group reached over 20 million people across the globe last year from live theatre and concert audiences, cinema goers, television viewers and music fans, to social media and art lovers.  2014 sees The Really Useful Group continue to work across film, television and theatre as it produces and develops new projects and partnerships worldwide alongside its ongoing work in education, amateur licensing and music publishing. 

Warner Music Group (Producer).  With its broad roster of new stars and legendary artists, Warner Music Group is home to a collection of the best-known record labels in the music industry including Asylum, Atlantic, Big Beat, East West, Elektra, Fueled By Ramen, Nonesuch,  Parlophone, Reprise, Rhino, Roadrunner, Rykodisc, Sire, Warner Bros., Warner Classics, Warner Music Nashville and Word, as well as Warner/Chappell Music, one of the world's leading music publishers, with a catalog of more than one million copyrights worldwide.

The Shubert Organization (Producer) has been at the forefront of the American theatre since the start of the 20th century. The Organization currently owns and operates seventeen Broadway theatres.  Under the leadership of Philip J. Smith, Chairman and Robert E. Wankel, President, the firm continues to be involved in the presentation of distinguished theatrical presentations. Notable Shubert productions and co-productions include Cats, Sunday in the Park with George, Dreamgirls, The Heidi Chronicles, Jerome Robbins' Broadway, Amadeus, Children of a Lesser God, The Grapes of Wrath, Ain’t Misbehavin’, A Few Good Men, God of Carnage, Hedwig and the Angry Inch, Lucky Guy, Nice Work if You Can Get It,  and Spamalot.

The Nederlander Organization (Producer) is a family owned business founded in 1912. The company is one of the largest and most experienced managers of legitimate venues and entertainment properties in the world today.  Under the leadership of James M. and James L. Nederlander, the company oversees an enterprise that encompasses the ownership and/or management of nine Broadway theaters and venues across the country, as well as theatrical producing, concert presentation and patron services. The Nederlanders’ are prolific producers of over 100 distinguished, award-winning musicals and plays. Notable productions currently include The Elephant Man starring Bradley Cooper; The Last Ship, and Kinky Boots.  Their long list of credits include:  I'll Eat You Last with Bette Midler;  Annie; Evita; Fiddler on the Roof; Grease; La Cage aux Folles; Movin’ Out; Noises Off;  The Life and Adventures of Nicholas Nickleby; West Side Story; Who's Afraid of Virginia Wolf?; Next to Normal; The 25th Annual Putnam County Spelling Bee; Les Liaisons Dangereuses; as well as many others. Currently working on the production of My Fair Lady and On Your Feet the Gloria and Emilio Estefan Story.  The Nederlanders’ are also co-founders of The National High School Musical Award, named “The Jimmy Award,” a national program that celebrates outstanding student performances in high school musical productions across the United States.

Nina Lannan (Executive Producer). Nina Lannan’s career spans more than 50 major shows on Broadway and includes two years as Chair of The Broadway League where she was the first female to occupy that position in the organization’s 80-year history.  She is delighted to renew her association with Andrew Lloyd Webber and The Really Useful Company which began in 1980 and includes the shows CATS, Song and Dance, Starlight Express, Sunset Boulevard, Joseph and the Amazing Technicolor Dreamcoat, and Whistle Down The Wind.  She is the founding partner of Bespoke Theatricals and a board member of Broadway Cares/Equity Fights Aids.

¿Le Gusta Musica?: M¡longa Brings The Tango to NYC

If you love Argentinian Tango; you need to be here. If you've never seen Argentinian Tango; you need to be here.

If Dancing With The Stars is your only experience of world class ballroom dancing, take advantage of what's right outside your doorstep. Award-winning choreographer, Sidi Larbi Cherkaoui puts his foot into it (literally), with m¡longa. He captures the sultry world of Buenos Aires tango and brings it to NYC. The passionate, erotic, and tantalizing production featuring 10 tango dancers from Buenos Aires, two contemporary dancers from Europe and an Argentinian tango band of five musicians will pack four powerful performances from February 26th-March 1st at the New York City Center. The New York City Center is no stranger to hosting attention-grabbing productions. As Manhattan's first performing arts center, NYC Center strives to make the best in theater, music, and dance affordable to all its audiences. M¡longa will be the second production in a 3-week Latin dance festival, A Bailar: Dance at the Center taking place Feb.18-March 7. Free pre-show events will precede, including dance lessons and discussion panels exploring Latin culture through a variety of lenses. Did we mention that it's free? This is not an event you'll want to miss. Experience Latin culture without needing a passport. Join Sidi and his fantastic and amazingly talented crew and let them entertain you.

Showtimes run:

Thursday, February 26, Friday, February 27, and Saturday, February 28 at 8 pm; and Sunday, March 1 at 2 pm. Tickets start at $25 and can be purchased online at www.NYCityCenter.org, by calling CityTix® at (212) 581- 1212, or at the City Center Box Office at 131 W. 55th St. (between 6th & 7th Aves). For more information, please visit www.NYCityCenter.org

¡Nos Vemos!

Broadway remembers Joe Franklin

New Yorkers’ are sentimental and our myNewYorkeye team will debate anyone who feels differently.

We value history and we especially value the creative elders that have helped shape the character and texture of the city.

Non-New Yorkers’ may not understand that just because we don't wear big grins that we aren't smiling on the inside.

Broadway producers Tom Kirdahy, Roy Furman, and Ken Davenport are dedicating todays’ 

Wednesday matinee of It’s Only a Play to the memory of television pioneer, Joe Franklin, who passed away on January 24, 2015.

A “characters’-character” Mr. Joe Franklin was a legendary New York City radio and TV show host, credited with pioneering the behind-the-desk celebrity interview that has come to define modern late-night talk shows. He began hosting “The Joe Franklin Show” in 1950, interviewing the likes of including Woody Allen, Barbra Streisand Al Pacino and Liza Minnelli, to name just a few of the thousands of stars he sat across from over the years.  An icon of the industry for decades, Franklin was often parodied on “Saturday Night Live” by Billy Crystal, and appeared as himself in the classic films Manhattan, Ghostbusters, 29th Street, and Broadway Danny Rose.

In a statement, playwright Terrence McNally said, “Joe Franklin was a true New York treasure, and he loved, supported and promoted theater people for decades.  We dedicate today's matinee performance of It’s Only A Play to his memory.”

On the evening prior to his passing, Mr. Franklin was expected as a guest of the ‘Re-Opening Night’ of It’s Only A Play, which on January 23rd celebrated the production’s move from its original home, the Schoenfeld Theatre, next door to its new home, the Jacobs Theatre (242 West 45th Street),  where it is currently scheduled through March 29, 2015.

Terrence McNally’s It’s Only A Play recently welcomed Tony® and Emmy® winner Martin Short, 2-time Tony® winner Katie Finneran, and “30 Rock” alum Maulik Pancholy, who join original cast members F. Murray Abraham, Matthew Broderick, Stockard Channing and Micah Stock. 3-time Tony® Award winner Jack O’Brien directs.

THE SCHOOL OF ROCK is ROCKING TO BROADWAY MASSIVE OPEN CALL FOR YOUNG PERFORMERS

THE SCHOOL OF ROCK is ROCKING TO BROADWAY MASSIVE OPEN CALL FOR YOUNG PERFORMERS @BROADWAY’S WINTER GARDEN THEATRE SATURDAY, JANUARY 24

Here is an opportunity to get your kid a part on Broadway -- maybe -- because School of Rock—The Musical is launching a coast-to-coast search for its new, Broadway-bound class of pint-sized rock stars, offering the once-in-a-lifetime chance to join the most famous kid band of all time.

A massive open casting call will take place in New York on Saturday, January 24 at Broadway’s Winter Garden Theatre (1634 Broadway), on the stage where the show is set to have its world premiere later this year.  

Additional open casting calls for young performers will take place in Los Angeles on January 17 at Screenland Studios (10501 Burbank Blvd.) and Chicago on Saturday, January 24 at Actor’s Equity Association (557 W. Randolph Street).  All open calls begin at 10:00 a.m. (local time), with sign-in at 9:00 a.m.

This has hint written all over it because of the star power crafting the new musical. When the production was first announced last month, Andrew Lloyd Webber said “School Of Rock is hugely about how music can empower kid. … It will be a joy to discover and work with talented musical kids in the USA and, who knows, maybe discover a rock star or three of the next generation.”

This is an open call for kids aged 9-15.  Adults, they should bring a picture and resume (if available) and a pop/rock song he/she loves to sing.  (An accompanist will be provided.)  

Better news, if the hopefuls that play guitar, bass, or cello they are encouraged to bring along their instruments and be prepared to rock out!  Hopefuls that play the piano should prepare a rocking tune, and hopefuls that play the drums are encouraged to bring along their sticks.  

There will also be an open casting call for the role of Dewey (late 20’s t0 30’s: “an original guy with a high pop/rock voice”) in Los Angeles on Sunday, January 18 at 2:00 p.m. (sign-in at 1:00 p.m.).

School of Rock—The Musical will have its world premiere on Broadway later this year.  Previews will begin on Monday, November 2, 2015 at the Winter Garden Theatre, with an opening set for Sunday, December 6.  

Based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian Fellowes.  School of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables). 

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

School of Rock—The Musical will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, Sound Design by Mick Potter, and Music Supervision by Ethan Popp.

School of Rock—The Musical is produced on Broadway by The Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization, and The Nederlander Organization.  Nina Lannan serves as Executive Producer.

www.SchoolOfRockTheMusical.com

L’s BROADWAY

Hey families, it’s time to go to the theater and bring a friend!  

The Broadway League and NYC&Co invite you to experience Broadway Week in New York City! 

Twenty-two Broadway shows are offering 2-for-1 ticket deals for selected performances January 20-February 5. 

Visit the Broadway Week page at NYCGo.com to purchase your tickets and for important details and restrictions.

Shows participating in Broadway Week Winter 2015:*

Aladdin

Beautiful: The Carole King Musical

Cabaret

Chicago The Musical

The Curious Incident of the Dog in the Night-time

A Delicate Balance

Disgraced

A Gentleman’s Guide to Love and Murder

Honeymoon in Vegas

If/Then

It’s Only a Play

Jersey Boys

Kinky Boots

Les Misérables

The Lion King

Mamma Mia!

Matilda the Musical

On the Town

The Phantom of the Opera

The River

Wicked

You Can’t Take it With You

*Subject to availability. Blackout dates may apply.

PS. Reminder – Kids’ Night on Broadway® takes place from January 9-15! Kids age 18 and younger can see a participating Broadway show for free when accompanied by a full-paying adult. 

Tickets are still available at KidsNightonBroadway.com

Hey Kids—-let’s put on a show!

Casting call for the kids in your life that love to rock out!  School of Rock—The Musical is launching a coast-to-coast search for its new, Broadway-bound class of pint-sized rock stars, offering the once-in-a-lifetime chance to join the most famous kid band of all time.  

A massive open casting call will take place in New York on Saturday, January 24 at Broadway’s Winter Garden Theatre (1634 Broadway), on the stage where the show is set to have its world premiere later this year.  

Additional open casting calls for young performers will take place in Los Angeles on January 17 at Screenland Studios (10501 Burbank Blvd.) and Chicago on Saturday, January 24 at Actor’s Equity Association (557 W. Randolph Street).  All open calls begin at 10:00 a.m. (local time), with sign-in at 9:00 a.m.  

Based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian FellowesSchool of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables). 

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

School of Rock—The Musical will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, Sound Design by Mick Potter, and Music Supervision by Ethan Popp.

School of Rock—The Musical is produced on Broadway by The Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization, and The Nederlander Organization Nina Lannan serves as Executive Producer.

www.SchoolOfRockTheMusical.com

SIDE SHOW has the next big thing and it’s not conjoined twins!

David St. Louis

When I was invited to see the wonderful new musical Broadway revival of SIDE SHOW which dazzles under the masterful hands of director Bill Condon, with music by Bill Russell and Henry Krieger, I recevied an unexpected treat— that chill that goes through the body when you see a new talent that has the “it” factor.

You know the “it” factor. It’s that unseen yet powerful energy that sets someone apart.  

Billed around the true story of people with “unusual” abilities, this story focuses on the real life of conjoined twins twins Daisy and Violet Hilton— Emily Padgett and Erin Davie —and their search for love and fame.

In the first act, in walks the actor David St. Louis, who plays Jake who, like the conjoined twins, worked in the side show as “freaks.”

In the opening sequence the character Jake is shackled and billed as a “wild man”and using his color and race as a card of horror and fear, he ran among roaring, biting and causing a fitful scene.

That was the show.  Curtains down and the patrons gone, the loving Jake is the protect of the fragile twins and has a soft spot for Violet, who also shares the same warm feeling.

Violet never allows herself to love Jake because during that era, to be married to a Black woman would have made her more of a target, a fate that she would not venture. 

I caught up, briefly, with David St. James between matinees of SIDE SHOW and here is what he had to share:

myNewYorkeye: David, you have “it.”  How long have you been mastering your craft?

David St. Louis: Thank you for your kind words.  Well, I was a voice major at Oberlin Conservatory but I decided I wanted more from the stage. I decided to study acting at Howard and I found my love, my calling. Since, I could already sing, I focused in musical theater. I kept my nose to the grind and worked, landed TV work and when I left university, I had all of my union cards and a special thing, as well, which is a Helen Hayes award.

myNewYorkeye: Your no stranger to Broadway, new to me but you’ve been in RENT and a few others.  What was your favorite production?

David St. Louis: Favorite? This one definitely (SIDE SHOW) and the New York production of HARLEM SONG.

myNewYorkeye: Your singing voice is deep and rich but your speaking voice, well, it’s not the same (laughing).

David St. Louis: (affecting a deeper tone) “No? It’s not the same?” My voice is a big tricky because most composers write for tenor.  I love when people work against that idea.

myNewYorkeye:  I was very uncomfortable about how the character, Jake, is first seen on stage. A black man, in chains and being called such despicable things. OMG.

David St. Louis:  I understand but you must remember the year these events occurred and pay mind to the historical accuracy.  What I enjoy most about my character is that’s he’s a bridge to the very “weird” world for the audience.  He has no physical affliction, so, in that way I become their respersentatve in the show.

myNewYorkeye:  Your right. I found myself always looking for Jake to explain it me!  What do you love about the magic of being in theater?  I was impressed by the costumes and the lighting!

David St. Louis: The crew is exceptional but the costumes are a neat trick.  It’s not your ordinary costume rack show.  It is the result of a truly imaginative team.  The music is good too!

myNewYorkeye: In closing, what is it about NYC and Broadway that gives you that extra “kick?"

David St. Louis: This is a city that crackles with vitality.  You know, I like the hub going on in the lobby and outside the theater.  That’s become a part of my ritual but each show is so different for me.  That’s what makes being in NYC so special, it’s always changing.

Website: http://davidstlouis.com/

MAN ON STAGE

Name: Equiano Mosieri

What part of the city do You call home?: Spread love, it's the Brooklyn way.

Occupation:

Professional human being that knows how to bartend when needed.

What’s project are you currently working on?:

I am currently in the latest installment of the psychological World War One story, 'In Fields Where They Lay'. It's being put up by New Ohio Theatre 12/5 to 12/27 at 154 Christopher St. 

Favorite spot in the city that most New Yorkers’ don’t even know?:

Barricou... A little French bar in Brooklyn that has Hot Toddy's that warm your heart, Irish Coffees that sing and crunchy French toast with berries that force you to wonder why you haven't heard of the place till now.

Why do You love what you do?:

Well, I try to enjoy everything I do, whether it be acting, making music, or going to the beach. I suppose the main joy from acting is the work that goes into building a well-oiled ensemble; one that share ideas with each other to achieve a common goal. Plus the amount of time it takes to get to the finished product, makes the experience a little more treasured than my going to the beach. Though if I could do theater on the beach and incorporate the music my collaborators and I come up with, then we're cooking with gas!

Give us your Best subway story!  If you got one— :

Last year, around midnight on a January night, freezing cold outside, the A-train I was taking home was packed. Everyone was glum, as one is at midnight in the middle of a New York winter. The car doors opened up and a guy gets on and begins his pitch to receive money. He says his name is A-train, because he sleeps on the A-train. At first people have this 'oh not again" expression in their bodies, except A-Train has a certain spin on his woes. He is telling jokes on the train; and he is hilarious! He talks to everyone, not one person is left out of his improvisational ramble, and not one face is without a child-like smile. He even tells jokes in different languages: Mandarin, German, French. It's incredible! People are missing their stops so they could continue hearing his bit. I miss my Nostrand Ave stop and finally get off at Euclid Ave! He was a bloody riot. 
At the end people are trying to give him $20 as a donation, but he refuses that much money and settles for $5 as the ceiling. One of the great sets and done on a moving train... underground.

What’s in your Netflix cue?:

Peaky Blinders season 2, Lilyhammer season3, A Fish Called Wanda, 20ft From Greatness, Juice 

What’s on your book shelf?  Do you prefer hard cover books or digital?:

Revolution by Russell Brand
The Brief Wondrous Life of Oscar Wao by Junot Diaz

Moonwalking with Einstein by Joshua Foer

... and so many others.
I prefer hard covers over digital, because digital hurts my eyes. What can I say, I'm a sensitive type.

Three favorite songs?:

Right now I'm vibing with Les Nubians, James Blake, William Onyeabor, Gill Scott-Heron, Ghostpoet, Spleen and a good friend introduced me to Stromae.

Dream job?  (Example: would you like to be Mayor of NYC?):

The CEO of my own hammock, on my own patio.

Finish this sentence “when I grow up, I want to be?":

... laughing at a great joke I just heard.

Finish this line - New York has my heart because ….?:

Haha I have a 6 year running joke with a friend over which city is the "greatest city in the world". As a fellow New Yorker he would love that you asked me this question. Now, I love New York, but she's more of a loyal and passionate friend with quirky mood swings than the owner of my heart. 

If you could plan a dinner party for 15 of the coolest folks in the industry, Who would be at your table?:

Only because they're cool: Liz Morgan, Jarrett Key, Lisa Maree Dowling, CJ Wilson, Kevin O'Donnell, Steve McQueen, Johnny Lee Davenport, Zillah Glory, Ariana Natale, Vivek Tulsee, Tamiko Robinson, Anastasia Frenkel, Adrian Brody, Idris Elba, Isabella Rossellini and Cillian Murphy

What are you eating and drinking?:

Nigerian food from Buka. Desert from Sweet and Shiny. Drinks from Pouring Ribbons

Whose entertaining?

We're entertaining ourselves with conversation, stories, live music and DJing.

What’s Your New Years’ Resolution?:

No more resolutions, just a better life style.

 

Social Media Information:

www.mrequiano.com

https://twitter.com/Equianinios

https://www.facebook.com/equianomosieri

http://instagram.com/unitedkingdomofafrica

Links to any projects:www.mrequiano.com

MAN ON STAGE

Equiano Mosieri

Name: Equiano Mosieri

What part of the city do You call home?: Spread love, it's the Brooklyn way.

Occupation:

Professional human being that knows how to bartend when needed.

What’s project are you currently working on?:

I am currently in the latest installment of the psychological World War One story, 'In Fields Where They Lay'. It's being put up by New Ohio Theatre 12/5 to 12/27 at 154 Christopher St. 

Favorite spot in the city that most New Yorkers’ don’t even know?:

Barricou... A little French bar in Brooklyn that has Hot Toddy's that warm your heart, Irish Coffees that sing and crunchy French toast with berries that force you to wonder why you haven't heard of the place till now.

Why do You love what you do?:

Well, I try to enjoy everything I do, whether it be acting, making music, or going to the beach. I suppose the main joy from acting is the work that goes into building a well-oiled ensemble; one that share ideas with each other to achieve a common goal. Plus the amount of time it takes to get to the finished product, makes the experience a little more treasured than my going to the beach. Though if I could do theater on the beach and incorporate the music my collaborators and I come up with, then we're cooking with gas!

Give us your Best subway story!  If you got one— :

Last year, around midnight on a January night, freezing cold outside, the A-train I was taking home was packed. Everyone was glum, as one is at midnight in the middle of a New York winter. The car doors opened up and a guy gets on and begins his pitch to receive money. He says his name is A-train, because he sleeps on the A-train. At first people have this 'oh not again" expression in their bodies, except A-Train has a certain spin on his woes. He is telling jokes on the train; and he is hilarious! He talks to everyone, not one person is left out of his improvisational ramble, and not one face is without a child-like smile. He even tells jokes in different languages: Mandarin, German, French. It's incredible! People are missing their stops so they could continue hearing his bit. I miss my Nostrand Ave stop and finally get off at Euclid Ave! He was a bloody riot. 
At the end people are trying to give him $20 as a donation, but he refuses that much money and settles for $5 as the ceiling. One of the great sets and done on a moving train... underground.

What’s in your Netflix cue?:

Peaky Blinders season 2, Lilyhammer season3, A Fish Called Wanda, 20ft From Greatness, Juice 

What’s on your book shelf?  Do you prefer hard cover books or digital?:

Revolution by Russell Brand
The Brief Wondrous Life of Oscar Wao by Junot Diaz

Moonwalking with Einstein by Joshua Foer

... and so many others.
I prefer hard covers over digital, because digital hurts my eyes. What can I say, I'm a sensitive type.

Three favorite songs?:

Right now I'm vibing with Les Nubians, James Blake, William Onyeabor, Gill Scott-Heron, Ghostpoet, Spleen and a good friend introduced me to Stromae.

Dream job?  (Example: would you like to be Mayor of NYC?):

The CEO of my own hammock, on my own patio.

Finish this sentence “when I grow up, I want to be?":

... laughing at a great joke I just heard.

Finish this line - New York has my heart because ….?:

Haha I have a 6 year running joke with a friend over which city is the "greatest city in the world". As a fellow New Yorker he would love that you asked me this question. Now, I love New York, but she's more of a loyal and passionate friend with quirky mood swings than the owner of my heart. 

If you could plan a dinner party for 15 of the coolest folks in the industry, Who would be at your table?:

Only because they're cool: Liz Morgan, Jarrett Key, Lisa Maree Dowling, CJ Wilson, Kevin O'Donnell, Steve McQueen, Johnny Lee Davenport, Zillah Glory, Ariana Natale, Vivek Tulsee, Tamiko Robinson, Anastasia Frenkel, Adrian Brody, Idris Elba, Isabella Rossellini and Cillian Murphy

What are you eating and drinking?:

Nigerian food from Buka. Desert from Sweet and Shiny. Drinks from Pouring Ribbons

Whose entertaining?

We're entertaining ourselves with conversation, stories, live music and DJing.

What’s Your New Years’ Resolution?:

No more resolutions, just a better life style.

 

Social Media Information:

www.mrequiano.com

https://twitter.com/Equianinios

https://www.facebook.com/equianomosieri

http://instagram.com/unitedkingdomofafrica

Links to any projects: www.mrequiano.com