ONE NIGHT ONLY AND FREE!!

Our myNewYorkeye has a tip and it's free-kind of-

ONE NIGHT ONLY. “C A R M I L L A”

The reading is open to the public with a suggested donation of $5.00.

The York Theater Company Developmental Reading Series will present—one night only— for one night only performance, March 3 at  3:00PM.

The York Theatre Company (James Morgan, Producing Artistic Director; Andrew Levine, Executive Director), and its acclaimed Developmental Reading Series, will present a staged reading of the new musical “Carmilla,” with book & lyrics by Joel Gross, and music & lyrics by Paul Aleman at The York Theatre Company at Saint Peter’s (619 Lexington Avenue, entrance on East 54th Street, just east of Lexington Avenue).

Directed by Gabriel Barre, music direction by Nathan Patten, and music supervision & arrangements by James Abbott, the cast will feature Leenya Rideout in the title role, with Julia Burrows as Vanessa Warwick, Michael Minarik as Dr. Johan Hoffman, Kaye Tuckerman as Countess Moreth, and Nick Wyman as Colonel Warwick. 

The ensemble will feature Liz Kimball, Darren Matthias, Michael Padgett, Kristin Parker, Clifton Samuels, Eveline Suter, and Erica Sweany.  The creative team also includes, Drew Feldman (Assistant Director) and Marci Skolnick (Stage Manager).

“Carmilla," a new musical, is inspired by the eponymous 1871 novel by Joseph Sheridan Le Fanu. Vanessa, an adorable young Englishwoman, lives with her father in an inherited Gothic castle in Central Europe, surrounded by superstitious peasants. Vanessa  is about to marry a handsome Viennese doctor, when passion comes into her life for the first time in the form of Carmilla, a beautiful, supernatural, irresistible  presence.

The York presented readings of Gross and Aleman's previous musical, Dillinger: Public Enemy Number One, in 2008 and 2009. ONE PERFORMANCE ONLY: Tuesday, March 3, 2015 at 3:00 p.m

Reservations can be made by visiting the website at www.yorktheatre.org 

The Developmental Reading Series presents some 40 readings and workshops of new musicals by emerging and established authors throughout the year, a vital part of the writing process. The series serves as an incubator for shows to be considered for Main-stage productions, thus serving the York's unique mission of taking new musicals through the complete development process to full production.

The York Theatre Company offers the 54th Street Membership Program, an exclusive membership package for as low as $54.00 - with elite benefits that includes a 30% discount on tickets to York Theatre Productions (2 per membership), exclusive member pre-sale opportunities, 50% off on all lobby concessions, 20% off on all lobby merchandise, in addition to special member only receptions.

York Memberships may be purchased online at www.yorktheatre.org/membership, or by calling the York Theatre Company Box Office.

BROADWAY and the JERSEY BOYS come Home

The Midtown Men - Jersey Boys

CROON WITH THE JERSEY BOYS. MARK YOUR CALENDAR FOR JUNE 20TH !!

Turn the clock back and enjoy the signature sound of the Jersey Boys and you can thank the The Midtown Men, the vocal group comprised of four stars from the Original Broadway Cast of Jersey Boys, for the opportunity to enjoy nostalgia with music.

It’s their long awaited New York City Homecoming concert on June 20th, 2015 at New York’s famed Beacon Theatre (2124 Broadway, NYC).

The Midtown Men have been performing nearly 400 concerts across North America, the group’s leading men include Tony Award-winner Christian Hoff, Michael Longoria, Daniel Reichard, and Tony Award-nominee J. Robert Spencer. 

The Midtown Men know how to put on a show and that’s using their celebrated arrangements of the greatest hits of the 1960s. This June performance, at the Beacon, will be their final show of this year’s tour.

During their time in the mega-hit musical Jersey Boys, these four talented artists shared the stage for over a thousand performances.  Since forming in 2010 as The Midtown Men, they have played in concert halls from coast to coast and have sung with over 20 major symphonies, including the National Symphony Orchestra at the Kennedy Center. In 2012, The Men released their first radio single, “All Alone on Christmas,” written and produced by rock icon Steven Van Zandt and backed by Van Zandt’s bandmates from Bruce Springsteen’s E Street Band as a fundraiser for the Red Cross after Hurricane Sandy. They were honored to perform the song at the White House for the National Tree Lighting Ceremony in Washington DC that year. Wrapping up their fifth national tour in 2015, the “Men” continue to sell-out venues across the U.S. and Canada.

Promoted by Live Nation, tickets for The Midtown Men’s NYC Homecoming can be purchased by visiting www.ticketmaster.com or by calling 1-800-745-3000. If fans wish to receive their tickets by pledging to public television, they can visit www.thirteen.org/ticketbooth or call 1-800-468-9913.

The group's PBS/Thirteen television pledge drive special will air on WNET (New York), NJTV (New Jersey), and WLIW (Long Island) starting February 28th at 5 p.m. in NYC. Please check your local listings for additional airings.

For more information on The Midtown Men, Visit :

www.themidtownmen.com 

www.oandmco.com 

www.twitter.com/oandmco

Oh New York, it's time to raise your "Hand to God"

Broadway will get a humorous dose of puppetry and religion with the Broadway opening of Hand to God on April 7, 2015 at the Booth Theatre (222 West 45th Street).

It's a Broadway debut of playwright Robert Askins. Hand to God is being directed by Moritz von Stuelpnagel in his Broadway debut too.

The previews of the exciting firsts for both creatives begin Saturday, March 14, 2015 ahead of the April 7th opening. Take a moment to review the hilarious content @www.HandToGodBroadway.com.

The subject of this new provocative comedy, Hand to God centers on shy, inquisitive student Jason, who finds an outlet for his burgeoning creativity at the Christian Puppet Ministry in the devoutly religious, relatively quiet small town of Cypress, Texas.

Jason’s complicated relationships with the town pastor, the school bully, the girl next door and—most especially—his mother are thrown into further upheaval when Jason’s hand puppet Tyrone—once soft-spoken—takes on a shocking and dangerously irreverent personality all its own. As Tyrone’s influence over Jason steadily grows, Hand to God explores the startlingly fragile nature of faith, morality, and the ties that bind us.

Hand to God will feature the complete cast of the hit 2014 MCC Theater production: Steven Boyer as Jason/Tyrone; Geneva Carr, in her Broadway debut, as Margery; Tony® Award nominee Marc Kudisch as Pastor Greg; Sarah Stiles as Jessica; and Michael Oberholtzer, in his Broadway debut, as Timmy.

Hand to God is produced on Broadway by Kevin McCollum, whose credits include Rent, Avenue Q and In the Heights—each the winner of the Tony® Award for Best Musical; as well as The Drowsy Chaperone and Motown the Musical, among many others.

Curtains a peek at Broadway News

Broadway makes money for some and sinks others into despair but for producers Tom Kirdahy, Roy Furman, and Ken Davenport these saver producers reported that the Broadway production of It’s Only a Play has recouped its $3.9 million capitalization.

It’s Only A Play was breaking house records at the Gerald Schoenfeld Theatre (236 West 45th Street) since opening in October, and now becomes the first show of the 2014-15 Broadway season to recoup.

“We are delighted that Broadway audiences have embraced the laughter and hijinks of It’s Only A Play.  We knew, with Terrence, Jack and this phenomenal cast, we had something special, but these results exceeded our expectations,” producer Tom Kirdahy said.

It’s Only A Play (Terrence McNally) recently welcomed 1/17) Tony® and Emmy® winner Martin Short, Two-time Tony® winner Katie Finneran, and “30 Rock” alum Maulik Pancholy, into the original cast which includes F. Murray Abraham, Matthew Broderick, Stockard Channing and Micah Stock. Three-time Tony® Award winner Jack O’Brien directs.

It’s Only A Play ( www.ItsOnlyAPlay.com).

In news that Hollywood is now coming to Broadway - let’s settle on the new musical about rock it’s quirky paring School of Rock—The Musical, with the producers the Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization and The Nederlander Organization. This combo might actually make a hit from the movie.

Previews will begin on Monday, November 2, 2015 at the Winter Garden Theatre, with an opening set for Sunday, December 6.

It’s based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian Fellowes. School of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables).

Produced by Paramount Pictures, the 2003 film was directed by Richard Linklater and starred Jack Black in a career-defining performance. The film received universal critical acclaim and was hailed by The New York Times as an “irresistible comic postscript to the rock revolution.” The film went on to gross more than $130 million worldwide.

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

Unique point of fact, Jack Black will be performing at the 87th Oscars in a top, top, top secret performance that may or may not include something with director Richard Linklater whose “BoyHood,” is being favoured to win a few gold men!

Three-time Grammy Award-winner Rob Cavallo also joins the creative team. Cavallo is one of the top-selling record producers in the world, has been involved in albums that have sold more than 150 million units and has worked with Green Day, My Chemical Romance, Paramore, Goo Goo Dolls, Phil Collins, Cary Clark Jr., among others.

Cavallo said "School of Rock is a wonderful film, a rock and roll story that transcends the genre with passion and heart. To be able to creatively collaborate with Andrew Lloyd Webber, Glenn Slater, Julian Fellowes and the rest of the team is a once-in-a-lifetime opportunity, and I can't wait to see School of Rock take on a whole new life."

Co-producers The Shubert Organization and The Nederlander Organization issued a joint statement: “This partnership is an extension of a long-standing and productive relationship between our two organizations, and it gives us the exciting opportunity to work with Andrew again.  We are thrilled to be on the producing team with The Really Useful Group and Warner Music Group to bring School of Rock – The Musical to Broadway.”

“I am excited to be working on bringing Jack Black and Mike White's iconic movie to the stage,” said Andrew Lloyd Webber. “It is a joy for me to return to my Jesus Christ Superstar roots – when Deep Purple's Ian Gillan was recording Jesus for Tim Rice and me at London's Olympic Studios, Led Zeppelin was recording next door and a glimpse of a Stone or two was routine! School Of Rock is hugely about how music can empower kids. Tim Rice and my first performed piece, Joseph and the Amazing Technicolor Dreamcoat, was written for a school.  Ever since then I and my Art Foundation have been actively involved in music education back home in Britain. It will be a joy to discover and work with talented musical kids in the USA and, who knows, maybe discover a rock star or three of the next generation.”

School of Rock will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, and Sound Design by Mick Potter. Nina Lannan serves as Executive Producer.

Casting for the show will begin in January in cities across the country, including New York, Chicago and Los Angeles.

Just in case your under a rock and don’t know the heavy hitters involved in this new Broadway musical take a look below:

Andrew Lloyd Webber (Composer) is the composer of some of the world’s best known musicals including Cats, Evita, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, The Phantom of the Opera and  Sunset Boulevard. As theatre producer he has presented not only his own shows but others, including the Olivier award-winning La Bete and Daisy Pulls It Off. As composer he has received many awards including seven Tonys, seven Oliviers, a Golden Globe, an Oscar, two International Emmys, the Praemium Imperiale, the Richard Rodgers Award for Excellence in Musical Theatre, a BASCA Fellowship, the Kennedy Center Honor and a Grammy for Best Contemporary Classical Composition for Requiem, his setting of the Latin Requiem mass which contains one of his best known compositions, “Pie Jesu.” He owns six London theatres including the Theatre Royal, Drury Lane and the London Palladium.  He was knighted by Her Majesty The Queen in 1992 and created an honorary member of the House of Lords in 1997. The Andrew Lloyd Webber Foundation has become one of Britain’s leading charities supporting the arts and music. For information about the pioneering music in education work supported by the Foundation in the UK please visit: www.andrewlloydwebberfoundation.com

Glenn Slater (Lyrics) co-created Disney’s 2010 worldwide smash Tangled (2011 Grammy Winner, 2010 Oscar and Golden Globe nominee), as well as the Broadway and international hit musicals Sister Act (2011 Tony nominee – Best Score) and The Little Mermaid (2008 Tony nominee – Best Score, Grammy nominee – Best Cast Album). With longtime collaborator Alan Menken he has also written songs for the Disney animated film Home On The Range (2004) and Broadway musical Leap of Faith (Tony nominee – Best Musical, 2012), as well as acting as both songwriters and executive producers of the medieval musical comedy television series  “Galavant,” premiering January 2015 on ABC-TV. In the West End, Glenn provided both book and lyrics for Andrew Lloyd Webber’s Love Never Dies (2010 Olivier nominee – Best Musical), the sequel to Phantom of the Opera. Other work includes an Emmy-nominated song for the ABC-TV comedy “The Neighbors” (2013), and the stage revue Newyorkers at The Manhattan Theatre Club (Lucille Lortel, Drama Desk, Outer Critics Circle nominations). Glenn is the recipient of the prestigious Kleban Award for Lyrics, the ASCAP/Richard Rogers New Horizons Award, and the Jonathan Larson Award.  He is an alumnus of the BMI Musical Theatre Workshop, and a member of both ASCAP and the Dramatists’ Guild.   Glenn lives in New York City with composer/lyricist/wife Wendy Leigh Wilf and sons Benjamin and Daniel.

Julian Fellowes (Book) is a prolific actor, writer, director, and producer.  As an actor, he is probably best known for the BBC series, “Aristocrats,” and for his portrayal of Lord Kilwillie in the BBC’s popular series, “Monarch of the Glen.” On the big screen, he has been seen in many films, including Shadowlands, Damage, Place Vendôme, Fellow Traveller, and Tomorrow Never Dies. As a writer for television, he produced the scripts of “Little Lord Fauntleroy” (winner of an International EMMY, 1995) and “The Prince and the Pauper” (nominated for a BAFTA, 1997) which he also produced.  His first screenplay was Gosford Park, directed by Robert Altman, which won him several prizes, including the Oscar for Best Original Screenplay.

Laurence Connor (Director).  Laurence's directorial credits include: Les Miserables (Broadway), Miss Saigon (London), Jesus Christ Superstar (UK and Australian Arena Tour and released for DVD), the entirely new stage production of The Phantom of the Opera (US and UK), Oliver! (UK Tour) and Miss Saigon (UK Tour and Worldwide), which received critical acclaim for two years and won the Manchester Evening News Award for Best Touring Musical, Best New Foreign Production (Korea), Best Ensemble in a Musical (Korea) and the Green Room Award for Best Director of a Musical (Australia). Laurence is also the Co-Director of the new version of Les Miserables which has enjoyed worldwide success including Broadway, UK and US Tours and won awards including Best Musical at the prestigious Manchester Evening News Awards and Best Director of a Musical in Korea.  Laurence directed the 25th anniversary concert of The Phantom of the Opera at the Royal Albert Hall and the 25th Anniversary concert of Les Miserables at the O2 in London both of which were simultaneously broadcast in cinemas worldwide and subsequently released on DVD. Laurence has also been associated with the London productions of The Phantom of the Opera (Her Majesty's Theatre), Oliver! (Drury Lane), The King and I (London Palladium) and A Slice of Saturday Night (Liverpool Empire). Cinema and Television: Jesus Christ Superstar (Cinema Streaming Worldwide and DVD), Phantom of the Opera (Cinema Streaming Worldwide and DVD), Les Miserables at the O2 London (Cinema Streaming Worldwide and DVD) Current projects include: The Sound of Music Live for ITV.

JoAnn M. Hunter (Choreography) has recently been in development of a new rock musical about the life of Genya Raven, Cheesecake Girl.  Other recent credits include Harmony by Barry Manilow and Bruce Sussman at the Ahmanson Theatre, LA,  and the world premiere of Marvin Hamlisch and Rupert Holmes’ The Nutty Professor directed by Jerry Lewis.  Broadway credits include: On A Clear Day You Can See Forever, She Loves Me (Roundabout Gala), and Broadway Bound.  Off Broadway credits include: Dedalus Lounge and The Twelve (workshop). National Tour/Regional credits include: Chitty Chitty Bang Bang, Grease (PMP), Oliver (PMP), and Curtains (PMP/TUTS). She directed Debra Monk in her one woman show in February of 2014 with special guests Ron Rifkin, Andrea Martin, Victor Garber, Charlotte D’Amboise, Jimmy Newman, Brandon Victor Dixon and David Hyde Pierce.  She also choreographed The Drama League Galas honoring Angela Lansbury, Kristen Chenoweth and Neil Patrick Harris.  She served as Associate Broadway Choreographer for Spring Awakening, Curtains, The Wedding Singer, and All Shook Up.

Anna Louizos (Scenic and Costume Design) received Tony Award nominations for The Mystery of Edwin Drood, In the Heights, and High Fidelity. Other Broadway designs include Honeymoon in Vegas; Rodgers and Hammerstein’s Cinderella (and US tour); Avenue Q (also US tour, Paris, London & Las Vegas); The Performers; Irving Berlin’s White Christmas (US &UK tours); Curtains; Baby It’s You; All About Me; To Be Or Not To Be; Steel Magnolias; Golda’s Balcony. Many notable Off-Broadway/regional theatres including Roundabout Theatre;  Second Stage; 5th Avenue Theatre; Ahmanson; Dallas Theater Center; Stratford; world premier productions of tick. Tick…BOOM and Altar Boyz. Art Direction film/TV: “Sex and the City” (HBO).

Natasha Katz (Lighting Design) has designed extensively for the theatre, opera and dance.   Recent Broadway credits include The Glass Menagerie (Tony Award), Once  (Tony Award), Aladdin, Motown, Follies, Sister Act, Coast of Utopia: Salvage (Tony Award),  Aida  (Tony Award), and Beauty and the Beast. She has designed shows Off-Broadway, at American regional theatres, concerts, Las Vegas and permanent installations. Her work with opera and ballet companies include: The Royal Ballet, The Metropolitan Opera, NYC Opera, American Ballet Theatre, and City Ballet.  Awards: Tony, Drama Desk, Outer Critics, Hewes Award, Whatsonstage, Joseph Jefferson Award, Ruth Morely Design Award, National Broadway Theatre Award. Upcoming Broadway: An American in Paris and Skylight.

Mick Potter (Sound Design). Mick has designed over 100 productions worldwide including the West End and Broadway musicals Saturday Night Fever, Bombay Dreams, The Woman in White, Evita, The Phantom of the Opera, Les Miserables, Love Never Dies, and Miss Saigon. Awards include an Olivier for The Woman in White (London 2005), Parnelli Award for The Phantom of the Opera (Las Vegas 2006), Helpmann Award nominee and Green Room Award for Love Never Dies (Australia 2011) and a Tony nomination for Les Miserables (Broadway 2014).

The Really Useful Group (Producer) is Andrew Lloyd Webber’s theatre producing and rights licensing company that controls the theatrical rights for all of his works, including The Phantom of the Opera, Cats, Jesus Christ Superstar, Evita and Sunset Boulevard.  The Really Useful Group reached over 20 million people across the globe last year from live theatre and concert audiences, cinema goers, television viewers and music fans, to social media and art lovers.  2014 sees The Really Useful Group continue to work across film, television and theatre as it produces and develops new projects and partnerships worldwide alongside its ongoing work in education, amateur licensing and music publishing. 

Warner Music Group (Producer).  With its broad roster of new stars and legendary artists, Warner Music Group is home to a collection of the best-known record labels in the music industry including Asylum, Atlantic, Big Beat, East West, Elektra, Fueled By Ramen, Nonesuch,  Parlophone, Reprise, Rhino, Roadrunner, Rykodisc, Sire, Warner Bros., Warner Classics, Warner Music Nashville and Word, as well as Warner/Chappell Music, one of the world's leading music publishers, with a catalog of more than one million copyrights worldwide.

The Shubert Organization (Producer) has been at the forefront of the American theatre since the start of the 20th century. The Organization currently owns and operates seventeen Broadway theatres.  Under the leadership of Philip J. Smith, Chairman and Robert E. Wankel, President, the firm continues to be involved in the presentation of distinguished theatrical presentations. Notable Shubert productions and co-productions include Cats, Sunday in the Park with George, Dreamgirls, The Heidi Chronicles, Jerome Robbins' Broadway, Amadeus, Children of a Lesser God, The Grapes of Wrath, Ain’t Misbehavin’, A Few Good Men, God of Carnage, Hedwig and the Angry Inch, Lucky Guy, Nice Work if You Can Get It,  and Spamalot.

The Nederlander Organization (Producer) is a family owned business founded in 1912. The company is one of the largest and most experienced managers of legitimate venues and entertainment properties in the world today.  Under the leadership of James M. and James L. Nederlander, the company oversees an enterprise that encompasses the ownership and/or management of nine Broadway theaters and venues across the country, as well as theatrical producing, concert presentation and patron services. The Nederlanders’ are prolific producers of over 100 distinguished, award-winning musicals and plays. Notable productions currently include The Elephant Man starring Bradley Cooper; The Last Ship, and Kinky Boots.  Their long list of credits include:  I'll Eat You Last with Bette Midler;  Annie; Evita; Fiddler on the Roof; Grease; La Cage aux Folles; Movin’ Out; Noises Off;  The Life and Adventures of Nicholas Nickleby; West Side Story; Who's Afraid of Virginia Wolf?; Next to Normal; The 25th Annual Putnam County Spelling Bee; Les Liaisons Dangereuses; as well as many others. Currently working on the production of My Fair Lady and On Your Feet the Gloria and Emilio Estefan Story.  The Nederlanders’ are also co-founders of The National High School Musical Award, named “The Jimmy Award,” a national program that celebrates outstanding student performances in high school musical productions across the United States.

Nina Lannan (Executive Producer). Nina Lannan’s career spans more than 50 major shows on Broadway and includes two years as Chair of The Broadway League where she was the first female to occupy that position in the organization’s 80-year history.  She is delighted to renew her association with Andrew Lloyd Webber and The Really Useful Company which began in 1980 and includes the shows CATS, Song and Dance, Starlight Express, Sunset Boulevard, Joseph and the Amazing Technicolor Dreamcoat, and Whistle Down The Wind.  She is the founding partner of Bespoke Theatricals and a board member of Broadway Cares/Equity Fights Aids.

Broadway remembers Joe Franklin

New Yorkers’ are sentimental and our myNewYorkeye team will debate anyone who feels differently.

We value history and we especially value the creative elders that have helped shape the character and texture of the city.

Non-New Yorkers’ may not understand that just because we don't wear big grins that we aren't smiling on the inside.

Broadway producers Tom Kirdahy, Roy Furman, and Ken Davenport are dedicating todays’ 

Wednesday matinee of It’s Only a Play to the memory of television pioneer, Joe Franklin, who passed away on January 24, 2015.

A “characters’-character” Mr. Joe Franklin was a legendary New York City radio and TV show host, credited with pioneering the behind-the-desk celebrity interview that has come to define modern late-night talk shows. He began hosting “The Joe Franklin Show” in 1950, interviewing the likes of including Woody Allen, Barbra Streisand Al Pacino and Liza Minnelli, to name just a few of the thousands of stars he sat across from over the years.  An icon of the industry for decades, Franklin was often parodied on “Saturday Night Live” by Billy Crystal, and appeared as himself in the classic films Manhattan, Ghostbusters, 29th Street, and Broadway Danny Rose.

In a statement, playwright Terrence McNally said, “Joe Franklin was a true New York treasure, and he loved, supported and promoted theater people for decades.  We dedicate today's matinee performance of It’s Only A Play to his memory.”

On the evening prior to his passing, Mr. Franklin was expected as a guest of the ‘Re-Opening Night’ of It’s Only A Play, which on January 23rd celebrated the production’s move from its original home, the Schoenfeld Theatre, next door to its new home, the Jacobs Theatre (242 West 45th Street),  where it is currently scheduled through March 29, 2015.

Terrence McNally’s It’s Only A Play recently welcomed Tony® and Emmy® winner Martin Short, 2-time Tony® winner Katie Finneran, and “30 Rock” alum Maulik Pancholy, who join original cast members F. Murray Abraham, Matthew Broderick, Stockard Channing and Micah Stock. 3-time Tony® Award winner Jack O’Brien directs.

THE SCHOOL OF ROCK is ROCKING TO BROADWAY MASSIVE OPEN CALL FOR YOUNG PERFORMERS

THE SCHOOL OF ROCK is ROCKING TO BROADWAY MASSIVE OPEN CALL FOR YOUNG PERFORMERS @BROADWAY’S WINTER GARDEN THEATRE SATURDAY, JANUARY 24

Here is an opportunity to get your kid a part on Broadway -- maybe -- because School of Rock—The Musical is launching a coast-to-coast search for its new, Broadway-bound class of pint-sized rock stars, offering the once-in-a-lifetime chance to join the most famous kid band of all time.

A massive open casting call will take place in New York on Saturday, January 24 at Broadway’s Winter Garden Theatre (1634 Broadway), on the stage where the show is set to have its world premiere later this year.  

Additional open casting calls for young performers will take place in Los Angeles on January 17 at Screenland Studios (10501 Burbank Blvd.) and Chicago on Saturday, January 24 at Actor’s Equity Association (557 W. Randolph Street).  All open calls begin at 10:00 a.m. (local time), with sign-in at 9:00 a.m.

This has hint written all over it because of the star power crafting the new musical. When the production was first announced last month, Andrew Lloyd Webber said “School Of Rock is hugely about how music can empower kid. … It will be a joy to discover and work with talented musical kids in the USA and, who knows, maybe discover a rock star or three of the next generation.”

This is an open call for kids aged 9-15.  Adults, they should bring a picture and resume (if available) and a pop/rock song he/she loves to sing.  (An accompanist will be provided.)  

Better news, if the hopefuls that play guitar, bass, or cello they are encouraged to bring along their instruments and be prepared to rock out!  Hopefuls that play the piano should prepare a rocking tune, and hopefuls that play the drums are encouraged to bring along their sticks.  

There will also be an open casting call for the role of Dewey (late 20’s t0 30’s: “an original guy with a high pop/rock voice”) in Los Angeles on Sunday, January 18 at 2:00 p.m. (sign-in at 1:00 p.m.).

School of Rock—The Musical will have its world premiere on Broadway later this year.  Previews will begin on Monday, November 2, 2015 at the Winter Garden Theatre, with an opening set for Sunday, December 6.  

Based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian Fellowes.  School of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables). 

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

School of Rock—The Musical will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, Sound Design by Mick Potter, and Music Supervision by Ethan Popp.

School of Rock—The Musical is produced on Broadway by The Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization, and The Nederlander Organization.  Nina Lannan serves as Executive Producer.

www.SchoolOfRockTheMusical.com

L’s BROADWAY

Hey families, it’s time to go to the theater and bring a friend!  

The Broadway League and NYC&Co invite you to experience Broadway Week in New York City! 

Twenty-two Broadway shows are offering 2-for-1 ticket deals for selected performances January 20-February 5. 

Visit the Broadway Week page at NYCGo.com to purchase your tickets and for important details and restrictions.

Shows participating in Broadway Week Winter 2015:*

Aladdin

Beautiful: The Carole King Musical

Cabaret

Chicago The Musical

The Curious Incident of the Dog in the Night-time

A Delicate Balance

Disgraced

A Gentleman’s Guide to Love and Murder

Honeymoon in Vegas

If/Then

It’s Only a Play

Jersey Boys

Kinky Boots

Les Misérables

The Lion King

Mamma Mia!

Matilda the Musical

On the Town

The Phantom of the Opera

The River

Wicked

You Can’t Take it With You

*Subject to availability. Blackout dates may apply.

PS. Reminder – Kids’ Night on Broadway® takes place from January 9-15! Kids age 18 and younger can see a participating Broadway show for free when accompanied by a full-paying adult. 

Tickets are still available at KidsNightonBroadway.com

Hey Kids—-let’s put on a show!

Casting call for the kids in your life that love to rock out!  School of Rock—The Musical is launching a coast-to-coast search for its new, Broadway-bound class of pint-sized rock stars, offering the once-in-a-lifetime chance to join the most famous kid band of all time.  

A massive open casting call will take place in New York on Saturday, January 24 at Broadway’s Winter Garden Theatre (1634 Broadway), on the stage where the show is set to have its world premiere later this year.  

Additional open casting calls for young performers will take place in Los Angeles on January 17 at Screenland Studios (10501 Burbank Blvd.) and Chicago on Saturday, January 24 at Actor’s Equity Association (557 W. Randolph Street).  All open calls begin at 10:00 a.m. (local time), with sign-in at 9:00 a.m.  

Based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian FellowesSchool of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables). 

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

School of Rock—The Musical will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, Sound Design by Mick Potter, and Music Supervision by Ethan Popp.

School of Rock—The Musical is produced on Broadway by The Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization, and The Nederlander Organization Nina Lannan serves as Executive Producer.

www.SchoolOfRockTheMusical.com

SIDE SHOW has the next big thing and it’s not conjoined twins!

David St. Louis

When I was invited to see the wonderful new musical Broadway revival of SIDE SHOW which dazzles under the masterful hands of director Bill Condon, with music by Bill Russell and Henry Krieger, I recevied an unexpected treat— that chill that goes through the body when you see a new talent that has the “it” factor.

You know the “it” factor. It’s that unseen yet powerful energy that sets someone apart.  

Billed around the true story of people with “unusual” abilities, this story focuses on the real life of conjoined twins twins Daisy and Violet Hilton— Emily Padgett and Erin Davie —and their search for love and fame.

In the first act, in walks the actor David St. Louis, who plays Jake who, like the conjoined twins, worked in the side show as “freaks.”

In the opening sequence the character Jake is shackled and billed as a “wild man”and using his color and race as a card of horror and fear, he ran among roaring, biting and causing a fitful scene.

That was the show.  Curtains down and the patrons gone, the loving Jake is the protect of the fragile twins and has a soft spot for Violet, who also shares the same warm feeling.

Violet never allows herself to love Jake because during that era, to be married to a Black woman would have made her more of a target, a fate that she would not venture. 

I caught up, briefly, with David St. James between matinees of SIDE SHOW and here is what he had to share:

myNewYorkeye: David, you have “it.”  How long have you been mastering your craft?

David St. Louis: Thank you for your kind words.  Well, I was a voice major at Oberlin Conservatory but I decided I wanted more from the stage. I decided to study acting at Howard and I found my love, my calling. Since, I could already sing, I focused in musical theater. I kept my nose to the grind and worked, landed TV work and when I left university, I had all of my union cards and a special thing, as well, which is a Helen Hayes award.

myNewYorkeye: Your no stranger to Broadway, new to me but you’ve been in RENT and a few others.  What was your favorite production?

David St. Louis: Favorite? This one definitely (SIDE SHOW) and the New York production of HARLEM SONG.

myNewYorkeye: Your singing voice is deep and rich but your speaking voice, well, it’s not the same (laughing).

David St. Louis: (affecting a deeper tone) “No? It’s not the same?” My voice is a big tricky because most composers write for tenor.  I love when people work against that idea.

myNewYorkeye:  I was very uncomfortable about how the character, Jake, is first seen on stage. A black man, in chains and being called such despicable things. OMG.

David St. Louis:  I understand but you must remember the year these events occurred and pay mind to the historical accuracy.  What I enjoy most about my character is that’s he’s a bridge to the very “weird” world for the audience.  He has no physical affliction, so, in that way I become their respersentatve in the show.

myNewYorkeye:  Your right. I found myself always looking for Jake to explain it me!  What do you love about the magic of being in theater?  I was impressed by the costumes and the lighting!

David St. Louis: The crew is exceptional but the costumes are a neat trick.  It’s not your ordinary costume rack show.  It is the result of a truly imaginative team.  The music is good too!

myNewYorkeye: In closing, what is it about NYC and Broadway that gives you that extra “kick?"

David St. Louis: This is a city that crackles with vitality.  You know, I like the hub going on in the lobby and outside the theater.  That’s become a part of my ritual but each show is so different for me.  That’s what makes being in NYC so special, it’s always changing.

Website: http://davidstlouis.com/

MAN ON STAGE

Name: Equiano Mosieri

What part of the city do You call home?: Spread love, it's the Brooklyn way.

Occupation:

Professional human being that knows how to bartend when needed.

What’s project are you currently working on?:

I am currently in the latest installment of the psychological World War One story, 'In Fields Where They Lay'. It's being put up by New Ohio Theatre 12/5 to 12/27 at 154 Christopher St. 

Favorite spot in the city that most New Yorkers’ don’t even know?:

Barricou... A little French bar in Brooklyn that has Hot Toddy's that warm your heart, Irish Coffees that sing and crunchy French toast with berries that force you to wonder why you haven't heard of the place till now.

Why do You love what you do?:

Well, I try to enjoy everything I do, whether it be acting, making music, or going to the beach. I suppose the main joy from acting is the work that goes into building a well-oiled ensemble; one that share ideas with each other to achieve a common goal. Plus the amount of time it takes to get to the finished product, makes the experience a little more treasured than my going to the beach. Though if I could do theater on the beach and incorporate the music my collaborators and I come up with, then we're cooking with gas!

Give us your Best subway story!  If you got one— :

Last year, around midnight on a January night, freezing cold outside, the A-train I was taking home was packed. Everyone was glum, as one is at midnight in the middle of a New York winter. The car doors opened up and a guy gets on and begins his pitch to receive money. He says his name is A-train, because he sleeps on the A-train. At first people have this 'oh not again" expression in their bodies, except A-Train has a certain spin on his woes. He is telling jokes on the train; and he is hilarious! He talks to everyone, not one person is left out of his improvisational ramble, and not one face is without a child-like smile. He even tells jokes in different languages: Mandarin, German, French. It's incredible! People are missing their stops so they could continue hearing his bit. I miss my Nostrand Ave stop and finally get off at Euclid Ave! He was a bloody riot. 
At the end people are trying to give him $20 as a donation, but he refuses that much money and settles for $5 as the ceiling. One of the great sets and done on a moving train... underground.

What’s in your Netflix cue?:

Peaky Blinders season 2, Lilyhammer season3, A Fish Called Wanda, 20ft From Greatness, Juice 

What’s on your book shelf?  Do you prefer hard cover books or digital?:

Revolution by Russell Brand
The Brief Wondrous Life of Oscar Wao by Junot Diaz

Moonwalking with Einstein by Joshua Foer

... and so many others.
I prefer hard covers over digital, because digital hurts my eyes. What can I say, I'm a sensitive type.

Three favorite songs?:

Right now I'm vibing with Les Nubians, James Blake, William Onyeabor, Gill Scott-Heron, Ghostpoet, Spleen and a good friend introduced me to Stromae.

Dream job?  (Example: would you like to be Mayor of NYC?):

The CEO of my own hammock, on my own patio.

Finish this sentence “when I grow up, I want to be?":

... laughing at a great joke I just heard.

Finish this line - New York has my heart because ….?:

Haha I have a 6 year running joke with a friend over which city is the "greatest city in the world". As a fellow New Yorker he would love that you asked me this question. Now, I love New York, but she's more of a loyal and passionate friend with quirky mood swings than the owner of my heart. 

If you could plan a dinner party for 15 of the coolest folks in the industry, Who would be at your table?:

Only because they're cool: Liz Morgan, Jarrett Key, Lisa Maree Dowling, CJ Wilson, Kevin O'Donnell, Steve McQueen, Johnny Lee Davenport, Zillah Glory, Ariana Natale, Vivek Tulsee, Tamiko Robinson, Anastasia Frenkel, Adrian Brody, Idris Elba, Isabella Rossellini and Cillian Murphy

What are you eating and drinking?:

Nigerian food from Buka. Desert from Sweet and Shiny. Drinks from Pouring Ribbons

Whose entertaining?

We're entertaining ourselves with conversation, stories, live music and DJing.

What’s Your New Years’ Resolution?:

No more resolutions, just a better life style.

 

Social Media Information:

www.mrequiano.com

https://twitter.com/Equianinios

https://www.facebook.com/equianomosieri

http://instagram.com/unitedkingdomofafrica

Links to any projects:www.mrequiano.com

In Fields Where They Lay

You can’t throw a stone, in this city, and not find a great theatrical treat!  The holidays are especially packed with goodies and In Fields Where They Lay, with music by Ricardo Pérez González and directed by Brad Raimondo, is getting strong buzz!

The play playing at the  New Ohio Theatre, (154 Christopher St) opened on 12/5 and runs until 12/27.

In Fields Where They Lay  commemorates the 100th anniversary of the Christmas Truce, the spontaneous ceasefire that occurred all along the Western Front, during the first year of the war.  

The casting is the result of director, Brad Raimondo’s keen vision.  

That included selecting British born, Nigerian actor Equiano Mosieri, who we profiled last week.  

In regard to the casting choices, Raimondo shared this: “In Fields Where They Lay has always been a very tricky play to cast because it's an epic story told on a very human scale. So we need an ensemble that can bring the intimacy and immediacy, while capturing a sense of the period and the grandeur of this incredible moment in time,” he says. “That's why I'm so pleased that we've assembled a cast with so much Shakespearean experience -- veterans from Hudson Valley Shakespeare Festival (Jeff Gonzalez), Shakespeare Theatre of New Jersey (Jeff Gonzalez), and Alabama Shakespeare (Joe Kolbow). Because although this play is very contemporary, it also asks a lot of the same things of an actor that Shakespeare does.”

The bright cast also includes Stephen James Anthony, who rose from puppeteer to assume the role of Billy Narracott, in the Tony-winning production of War Horse, playing Private Thomas Pfeiffer.  

His character is loosely based on Harry Patch, Britain’s last surviving WWI soldier who passed away in 2009 at the ripe old age of 111.  Spencer Davis Milford, who played Ronnie Winslow in the critically acclaimed Roundabout Theater revival of the Old Vic Production of The Winslow Boy, opposite Elizabeth Mastrantonio and Michael Rees, plays Private Theodore “Teddy” Jones, a 16-year-old who enlists for battle by falsifying his age.

The Christmas Truce, according to those who witnessed it, began with a spontaneous outbreak of Christmas Carols across “No Man’s Land”, five months into the War to End All Wars, on Christmas Eve 1914.  Playwright Ricardo Pérez González has beautifully captured this singular moment in time, when the sounds of war were silenced.  

In Fields Where They Lay will be presented as part of New Ohio Hosts, New Ohio Theatre’s curated rental program, which provides subsidized theatre space to innovative, not-for-profit theatre companies and independent theatre artists.

Tickets for In Fields Where They Lay are now on sale at www.dreamscapetheatre.org  or by calling, 888-596-1027.

“ F U N  H O M E ” 

Fun Home, the acclaimed Broadway is coming this Spring!

It’s time for fun with the new musical Fun Home coming to Broadway this Spring.  The performances begin at Circle in the Square on March 27, 2015 and the big opening day, with all it’s bells and whistles is April 19th.

The savvy producers, Fox Theatricals (Kristin Caskey, Mike Isaacson) and Barbara Whitman know the value of having a Tony® Award-winnesr on board, so they cast a few to make Fun Home — fun!  

Tony® Award-winning Michael Cerveris (‘Bruce Bechdel’), three time Tony® Award nominee Judy Kuhn(‘Helen Bechdel’), join Beth Malone (‘Alison’), Obie Award-winner Sydney Lucas (‘Small Alison’),and Emily Skeggs (‘Medium Alison’)

Returning to the cast is Joel Perez and Roberta Colindrez  with Zell Morrow and Oscar Williams joining the production as Alison’s brothers John and Christian respectively. With music by four-time Tony® Award nominee Jeanine Tesori, a book and lyrics by Tony® Award nominee Lisa Kron and direction by Drama Desk nominee Sam Gold.

Pronounced “a beautiful, heartbreaker of a musical” by the New York TimesFun Home is the groundbreaking new Broadway musical based on Alison Bechdel’s best-selling graphic memoir.  

Rummaging through a box of her father’s stuff, the memories of Alison’s uniquely dysfunctional family – her mother, brothers, and her volatile, brilliant, enigmatic father – connect with her in surprising, powerful and revealing new ways. Named “Best Musical of the Year” by the New York TimesNew York MagazineDaily News and more, Fun Home is a refreshingly honest coming-of-age story about seeing your parents through grown-up eyes.

Fun Home opened to rave reviews at The Public Theater in October 2013, and was quickly extended four times due to popular demand. It was named Best Musical by the New York Drama Critics Circle, and received the OBIE, Lucille Lortel, Outer Critics Circle and Off Broadway Alliance Awards in the 2013-2014 season; the musical was also a finalist for the Pulitzer Prize for Drama.

The creative team of Fun Home also includes Danny Mefford (Choreography), David Zinn (Set and Costume Design), Ben Stanton (Lighting Design), Kai Harada (Sound Design) and Chris Fenwick (Music Direction).

Fun Home will be produced on Broadway by Fox Theatricals (Kristin Caskey, Mike Isaacson) and Barbara Whitman, along with Carole Shorenstein Hays, Tom Casserly, Paula Marie Black, Latitude Link, Terry Schnuck/Jack Lane, Nathan Vernon, Elizabeth Armstrong, JAM Theatricals and Scott M. Delman.

The Original Cast Recording of Fun Home is now available on PS Classics. 

 Critics’ Pick!

“A beautiful heartbreaker of a musical.  Fun Home finds a shining clarity that lights up the night!

-- The New York Times 

“Warm, Funny, Heartbreaking!”
-- Variety

“A collaboration to cherish! Lisa Kron knows precisely how to mix the demands of a musical and the brilliance of Bechdel’s memoir. Jeanine Tesori finds just the right voices.”

-- Newsday

Remembering Theater's Grand Dame Marian Seldes

Marian Seldes, who passed away after a three-year slide into darkness, told me once: "One of the most enthralling moments for me in every play I do, is crossing from Stage Left to Stage Right, or vice versa, depending on where the stage door is, and ravishing a moment there - just me and the ghost light."

For anyone who knew Miss Seldes, and for hundreds of you who may have just run into her on the street or in a supermarket aisle and said, "Hello," you can hear her dulcet whisper as she spoke, not at a distance, but really up-close- and-personal as if you were one of her beloved friends.

One evening in November, 2005, Miss Seldes was walking across West 12th Street, on her way to dinner at a friend's apartment. On my way there, I ran into her on the corner of Sixth Avenue as she was embroiled in a lengthy conversation with a tall, elegantly clothed woman in colorful tribal African fabrics and the most amazing turban. I stood aside to escort Miss Seldes the rest of the way. The woman had seen her that summer opposite Nathan Lane in Primary Stages' production of Terrence McNally's Dedication or the Stuff of Dreams at 59E59.

The conversation didn't seem to be winding down. I gently nudged Miss Seldes who greeted me, as often was the case with anyone she met, even total strangers, effusively. I told her that we were going to be late. They exchanged long goodbyes and Miss Seldes gave one of her customary curtesies. As we walked away, Miss Seldes said, "Darling, I'm sorry I didn't introduce you, but I don't know her." I replied, "You don't?" "No," she replied, "but she knew me." [BTW, this play was the one in which Miss Seldes famously uttered the F-word.]

Miss Seldes was so fond of Lane that she very much wanted to see him in TheAddams Family. It was November 2010, during a period when Miss Seldes wasn't always having an easy time getting about. Tickets were arranged and a note was left for Lane, who was known to frequently sneak out the lobby doors. As we left Miss Seldes' building on Central Park South, I ran ahead to hail a cab. No luck there. Miss Seldes tapped me on shoulder and said, "Darling, here comes the Number Seven bus." We boarded, and then I found there was no stop at 46th Street.

While Miss Seldes animatedly chatted away with people on the bus, a number of whom recognized her, I asked the driver if there was a way he'd left us off there. He wasn't sure who she was, but said she was a Number Seven regular. He let us exit at the 46th Street corner, but it wasn't so easy to get Miss Seldes off, as she was in the midst of entertaining her fans.

We were greeted warmly by the Lunt-Fontanne house manager, who escorted us to the seats, even brought refreshments at intermission. She told us she'd have us escorted backstage. As the curtain calls ended, we were being taken to the far right exit door, where the BC/EFA bucket brigade was collecting. I pulled out my wallet to donate. Not to embarrass myself in Miss Seldes presence, I went to donate a fiver. Miss Seldes turned to me aghast, handed me her purse. "Darling, grab a twenty. I'm on the board!"

The ensemble member collecting was so excited to meet Miss Seldes, who joined her in rapturous conversation, that she forgot she was colleting. Finally, out the door, where the stage doorman was waiting for her, Miss Seldes was recognized by a number of people in the line. In a New York minute, it was like Miss Seldes was the star of the show. She was being photographed and signing autographs. We finally were able to get her into the Green Room, where she was seated in quite the regal chair that befitted her. Members of the cast came by to visit.

Marian Seldes, Nathan LaneIt was explained that Lane was taking a shower and would be down soon. When he arrived, it was a love feast. As he embraced Miss Seldes and knelt before her, she appraised his performance, actually one of the saving graces of the show, as if he was Olivier/Gielgud/Lunt reincarnated. Lane was unabashedly moved and seemed in no hurry to run.

Afterward, Miss Seldes announced she was hungry. The reservation I made was scratched in favor of going to Sardi's, where, when we entered, it was like one of Miss Seldes' opening nights.

In his appraisal of her career, Ben Brantley wrote inThe New York Times: "When Marian Seldes served ham, it always tasted like caviar. More than any stage performer of her generation, this enduringly vital actress ... made overacting feel like a deeply elegant craft, wrought in carefully carved flourishes and filigree."

I have a feeling Miss Seldes would have thought that to be a supreme compliment.

~ ~ ~ ~ ~

Marian Seldes: Career Highlights

Studied acting under renowned acting instructor Sanford Meisner, New York's Neighborhood Playhouse;
1949, Featured in TV production, Macbeth;
1954, Film debut, The Lonely Night, a TV docudrama produced by the U. S. Public Health Service on mental health;
1963, Obie Award, The Ginger Man;
1967 to 1991, faculty member, Juilliard School of Drama, where her students included Christine Baranski, Kelsey Grammer, Kevin Kline, Laura Linney, Patti LuPone, Kevin Spacey, Robin Williams;
1967 Tony Award, Best Featured Actress, Edward Albee's A Delicate Balance;
1970s, Recurring guest on CBS Radio's Mystery Theater;
1971, Tony Award and Drama Desk Award nominations, Actress (Play), Father's Day;
1974, Equus;
1977, Obie Award, Isadora Duncan Sleeps with the Russian Navy;
1978, Co-starred in Deathtrap, never missing a performance over five years - an achievement that won her entry into the Guinness Book of World Records;
1978, Tony Award nomination, Best Featured Actress, Play, Deathtrap;
1978, Published autobiography, The Bright Lights;
1983, Outer Critics Circle Award, Painting Churches;
1994, Co-starred in Albee's Three Tall Women, Outer Critics Circle Award;
1996, Inducted into the Theater Hall of Fame;
1998, Drama Desk nomination, Outstanding Featured Actress, Ivanov;
1999, Tony Award nomination, Best Actress, Play, for the revival of Ring Round the Moon;
2001, Drama Desk nomination, Outstanding Actress (Play), Albee's The Play About the Baby;
2000, The Madge Evans & Sidney Kingsley Award for Excellence in Theater;
2001, Obie Award for Sustained Achievement.
2001 and 2005, Fordham University faculty;
2003, Nominated for her fifth Tony Award, Best Featured Actress, Play, for LCT's
 Dinner at Eight [2002; a last-minute replacement for ailing Dorothy Loudon in the role of Carlotta Vance];
2003, Beckett/Albee, opposite Brian Murray;
2003, Edwin Booth Award;
2004, The first annual Seldes-Kanin Fellowship Awards;
2005-2007, Honorary Chair, Theater Hall of Fame;
2005, Dedication or The Stuff of Dreams, opposite Nathan Lane
2006, Co-chair, 35th Anniversary, Theater Hall of Fame benefit.
2007, Duece, opposite Angela Lansbury

Film highlights: Mona Lisa Smile, The Haunting, Celebrity, Town and Country, Home Alone 3, Affliction, Tom and Huck, The Gun in Betty Lou's Handbag, Digging to China, The Greatest Story Ever Told [a memorable Herodias], The Big Fisherman, The Light in the Forest, Crime and Punishment U.S.A. and The True Story of Jesse James.

TV roles include: Club House, If These Walls Could Talk 2, Truman, Gertrude Stein and a Companion. Guest appearances: Remember WENN, Cosby, Wings, Murphy Brown, Murder She Wrote, Law & Order, Othello [Emilia to Walter Matthau's Iago], General Electric Theater, Hallmark Hall of Fame, Alfred Hitchcock Presents, Perry Mason and Gunsmoke.

Music as weaponry! Performance as protest! "Finding Fela" opens August 1

"Finding Fela—" a look inside the mesmerizing life of steadfast activist/musician/ Fela Kuti under Award-winning director Alex Gibney’s keen cinematic eye is a joyful adventure that's creatively supported by hypnotic music and skillfully coupled with heart wrenching politics and personal insight into the life of the man that became legend—Fela.

"Finding Fela" is executive produced by New York businessman Stephen Hendel and his wife Ruth Hendel who also produced the 2009 Tony Award winning play, FELA! directed by McArthur Fellowship-winning choreographer and director Bill T. Jones.

Gibney’s pairing with the footage of the "making of the Broadway musical" (FElA!) is a artistic stroke of genius.

"Finding Fela" is just as the film title suggests, a journey of discovery and an appreciation of just how difficult it is to put this man’s life on stage, while witnessing an authentic jumble of characters all of whom share their poignant views and personal stories.

One of the most riveting and contemporary parts in the film is provided by Seun Kuti (31) the youngest son who inherited his father’s extraordinary Egypt 80 orchestra after his death.

Gibney doesn't romance Fela's life nor flinch from sharing the documented facts surrounding his uncontrollable womanizing in the name of free love, his indifference towards his children and his irresponsibility with sexual health. He died of AIDS- related illness in 2007.

Gibney achieves that alchemic balance choosing to use the music to highlight the bravery and conscience of a man who risked his life (daily) in the face of a brutal Nigerian military who would constantly beat and harass him.

Fela is not deified in any way and no critic could argue that this is a classics biopic. It isn't like Kevin Macdonald’s "Marley" or Martin Scorsese's "The Last Waltz"—it's better—and I wouldn't be surprised if it earns a 2015 Oscar like Morgan Neville’s euphoric "20 Feet From Stardom."

Gibney’s "Finding Fela" speaks eloquently to his constant search for identity. The film handpicks key moments in Fela’s life: his decision to reject medicine and study music, listening to James Brown, witnessing the Black Panthers – all of which crystallized his views which enriched his music and, stone-by-stone, helped paved his path to iconic status.

Music is everywhere and Afrobeat and Jazz fans will not walk away unserved!

Yes, the politics is raw and urgent and the storytelling immensely thoughtful but it's the sound that will make "Finding Fela" successful.

Music as weaponry and an uniting force that cruelty can't extinguish.

Protest as performance. The struggle continues and the message—like music—keeps hope alive!

"Finding Fela" opens in theaters on August 1, 2014.

"Can you achieve your goals? Yes or yes!"— Luis Salgado. "Song of Solomon" to be directed by Luis Salgado

The very first words that I heard from Broadway star/theatrical producer/stage director Luis Salgado were aimed at a group of sweaty kids, stuffed like happy sardines inside a smelly rehearsal studio"Can you achieve your life's goals?," Salgado shouted, bouncing around the Broadway space like a live fire cracker. "Can you make your dreams come true? Yes or Yes!" 

The question, poignantly constructed around  the subject of achieving growth and putting faith in action, in his creative mind, only had one answer: yes or yes! 

Yes.

 Luis Salgadowho is a recent Harlem resident and first time father is one of my creative inspirations.  I'm tickled "the full color of the rainbow" to add that we're becoming creative friends.

Four years ago, when I  stumbled into that crammed rehearsal space, I didn't realize that I would leave with a vigor and a new mantra"yes or yes!"

The brainchild and force behind the assembly was Luis Salgado's "Dare to Go Beyond" Children's Performing Arts Camp, which just completed their 7th year.

It's  presented by  Salgado's R.Evolución Latina (RL), an organization that's affiliated with Broadway Cares.  Their mission is to empower the artistic community, and inspire growth within the Latino community through educational programs, productions and partnerships. 

The news about the closing of the musical "Rocky," in which he appeared, was sad news, for many, but as that curtain dropped another one was raised and that project was the world premiere of  "Song of Solomon," which Salgado directed. 

Created by Andrew Beall & Neil Van Leeuwen, "Song of Solomon" is a tragic, epic romance, based on the Biblical Song of Songs. 

Set in ancient Israel, the musical follows the secret romance between King Solomon and a brilliant young vineyard girl, Almah, who inspires the most famous love poetry of all time. The stakes are Solomon's life, the woman he loves, and the fate of Israel. 

"It's a great challenge" says Luis Salgado, "This show is an epic music journey from beginning to end and as part of the festival we are challenged to take away over an hour of the script and still allow the audience to experience the deep catharsis that these great writers are seeking. I am thrilled to be collaborating with such a smart group of creative minds who are very passionate about these piece" 

This will be his directing debut for the NYC Thespis Festival. Salgado's other directing credits include successful shows in Peru such as" Candela Fuerza y Pasion" and "Aniversario Sin Cuenta."  He made his directorial debut in NYC with the family musical "Amigo Duende." 

"Song of Solomon" opened  at The Actor's Temple (339 West 47th Street) in August.  A Broadway run is expected, in 2015!

The cast includes Evan McCormack, Ann McCormack, Danicah Waldo, Casey Manning, Levin Valayil, Jonathan D. Morales, Rocio Lopez, Shannen Rae, Alessandra Baldacchino in leading roles as well as key ensemble members Lindsay Bayer, Anthony Logan Cole, Aaron Dalla Villa, Dylna C. Digel, Tim Fitzsimons, Leslie Kyle Hudson, Andrea Nevil, Jennifer O'Neill, Tony Paterniti, Hannah Rable, Megan Tischhauser, & Greg Uliasz

For more information visit www.salgadoproductions.com

For tickets: http://www.brownpapertickets.com/event/782981

"I challenge you not to leave the film singing!"

Clint Eastwood: "I challenge you not to leave the film singing!"

The great film-maker Clint Eastwood has a habit of delivering pleasurable movies, filled with strong actors and wrapped up neatly in a satisfying cinematic experience. He's so gosh, darn great at delivering the quality goods, it's hard for most to single out one of their favourites Eastwood film.

His newest, "Jersey Boys," isn't his best but all-in-all it's not a bad film.  It just isn't Clint Eastwood great.

The film lifts a page directly from the Tony awarding winning play (Jersey Boys) which is the compelling story of the rise and rocky road to success of Frankie Valli and the Four Seasons.

Eastwood employed a trick Broadway producers often forgot, no doubt influenced by the high produced by triple digit ticket prices: Leave them "hungry" and wanting more.

No stranger to exploring street tough characters, burdened by their machismo pride, he anchors those early scenes of street crime and bar life with welcome weight.

Their misadventures are scrappy and these young men of a era were desperate.  It was a crap shootfameand when the band starts racking up No. 1s fights over girls and money despite being woefully predictable, does feel momentous.

Two of the Four Seasons were serious musicians, GOD gifted and dedicated to pop-music craftsmanship; two were regular "right place at the right time" guys from a mobbed up neighbourhood who made every effort to stay feeling outclassed.

There are many moments where the music saves the movie, much like it saved the men singing under a city street-light.

It's especially fine when John Lloyd Young (the Tony-winner who originated the Valli role on Broadway) uncorks that falsetto, and the sound of his voice washes away the film's minor infelicities.

In the third act, when the original Four Seasons reunite at the Rock and Roll Hall of Fame, the sentiments that Frankie Valli shared, about the moment that meant most to his chart topping career he stated for history: "Four guys under a street lamp, when it was all still ahead of us, the first time we made that sound — our sound."

That's also one of the best moments in "Jersey Boys" and I challenge you not to leave the film singing and walking "like a man" because frankly " big girls don't cry."

Directed by Clint Eastwood. Written by Marshall Brickman and Rich Elice. Starring John Lloyd Young, Erich Bergen, Michael Lomenda, Vincent Piazza, Christopher Walken, Mike Doyle, and Renee Marino.

TONY nominated and granting wishes!

Photo credit: Lapacazo Sandoval, Paramount Hotel.

Dust off your tap shoes, polish your tiara and send your best tuxedo to the fancy dry cleaners; it's the annual Tony Awards celebration, also affectingly coined the "gayest award show in earth."  The word "gay" being open to your own definition and persuasion. 

The continued creative contributions of African, Hispanic and African-American artists help shape the high standard that marks a Broadway experience. 

Despite whatever stylized or contextual means "our" people appear on stage, we shine and audiences savor and bask in that special, nay magical, illumination. 

Above, that is the handsome face that had been granting wishes, singing and dancing and along the way, earning his first Tony nod (Best Performance by an Actor in a Featured Role). 

His name is James Monroe Iglehart and he's nominated for his work in the Musical "Aladdin" which racked up five nominations:  Best Musical, Best Book of a Musical - Chad Beguelin; Best Original Score (Music and/or Lyrics) Written for the Theatre - Alan Menken, Howard Ashman, Tim Rice and Chad Beguelin including

 Iglehart aforementioned nod.

We connected at the Tony nominee event (hosted at the Paramount hotel) where the impressively tall Iglehart keeping bending down to shake hands and soak up the heart felt congratulations---coming at him with the speed of a looney tunes' Tommy gun---with ease and a comforting grace.

He's a man with a strong presence no doubt why he was originally cast in the role.  When he smiled at me, well, I felt like I was was being hugged by a cool teddy bear.

"I'm sorry that I don't have time to sit down and really chat," said the smiling Iglehart. "The pre-Tony days are buzzing by so quickly. When my wife and I heard my name called, wow, it was one of those moments right out of a movie.Time stood still and then ... well...she and I were just beaming." 

"Judging by your fans in this room," I offered and continued. " Mr. James Monroe Iglehart you might want to start crafting a speech at the very least, brother, your a genie, grant yourself a wish!"

"Too kind.," quipped Iglehart. "I started watching the Tony Awards at 17," shared the towering nominee.  "As the years passed, I grew to know many nominees and performers.  My wife and I have been together since high school.  We met at show choir.  She turned to me and said 'you know, aside from saying our vows and I do, this is the best moments of our lives.' And you know what is.  It really is." 

The Tony Awards will be broadcast live on June 8, on CBS, at Radio City Musical Hall. www.TonyAwards.xom

Sheldon Best is the "best thing " about "The Long Distance Runner" at Atlantic Theater Company.

Even if, God forbid, you were deaf, mute and blind you could still identify that Sheldon Best is a superlative artist and will, if duplicating a marathon runners pace and steely determination, achieve a career that will richly reward him.

He's got that magical "something" that turns a first glance turn into a serious gaze. 

Currently, Best is starring in the Atlantic Theater Company's new stage adaptation of The Loneliness of the Long Distance Runner. 

As re-imagined by British playwright Roy Williams (based on Alan Sillitoe's original 1959 short story and adapted for film in 1962), the Atlantic Theater company does what they do best, take risks and spring board new and exciting talent.

The taunt drama (set in the early 70's) centers on racial tension in class-obsessed London.  A world where young Colin, an angry and aimless youth with a yearning for long-distance running, reluctantly calls home.

He's short on ambition and long on seething resentment. That aimless energy finds him imprisoned and therefore more confined but everything bad falls away when Colin is running.  Coerced by the prison warden to enter a race , against a posh school, Colin is allowed free time to train outside the prison walls.

He pushes his body to go forward funneling his jagged disappointment into each stride.

If Colin could switch heaven for an unending running path he would contemplate bliss while in eternal, perpetual motion.

There's a hibernating intellect brewing in Best. Paradoxically his performance scared me and comforted me.

Closing on Feb 9th, I strongly suggest you witness Best's eye opening performance.

Some of his credits include Classical Theater of Harlem: A Midsummer Nights Dream (Puck) and Ma-Yi & Vampire Cowboys: Geek!

Here's what Sheldon Best had to share about his spot on London accent and why he loves Brooklyn.

myNewYorkeye: Sheldon where is that dangerously sexy Brit accent?  OMG your not British?!

Sheldon Best: (Slipping into the missing accent) I'm not?  My parents are from the islands (Jamaica and Barbados). I was raised in Brooklyn.  The Brit accent is loosely formed from all of the cultural influences that have shaped London.  I also get to speak patois in the play. My Spanish is decent along with my French.

myNewYorkeye: Wicked: How did you convince director, Leach C. Gardiner, to trust (and pardon me for this) "a Yankee" for this essentially British role?

Sheldon Best: I went on a campaign to acquire the role which drove my agent nuts.  I'm a fan of the Atlantic Theater Company so I immersed myself.   When the audition finally materialized I was ready to accept the challenge.

myNewYorkeye: You are running for most of the play.  How long have you been a long distance runner?

Sheldon Best: I'm not a marathoner runner. 

myNewYorkeye: Not British and not a runner.  Your body is ripped and slender:  nike said "just do it" and you obeyed.

Sheldon Best: (laughing) I enjoy roles that demand key physical acts from my character(s).  I've played a boxer on stage and now I'm a long-distance runner.  Next, I hope will be an action/adventure film that pushes me even more.

myNewYorkeye: What do you love about our city?

Sheldon Best: The diversity that changes from subway stop to subway stop.  Each borough has its own sound, smell and other world feeling.  Brooklyn is home to me.

myNewYorkeye: Brooklyn rocks.  Where's your favorite place to eat and re-charge?

Sheldon Best: Definitely inside my mothers' kitchen.  All of my big decisions have been made over her home made Jamaican stew peas with dumplings.

THE LONELINESS OF THE LONG DISTANCE RUNNER by Alan Sillitoe. Stage adaptation by Roy Williams, directed by Leach C. Gardiner.  US Premiere.  Atlantic Stage 2, 330 W 16th St. Closing 2/9. 80 mins.