The Conjuring 2, special screening at Los Angeles Film Festival 2016

Continuing the "tradition" of screening the Conjuring films, the Los Angeles Film Festival had a special screening of the second movie in the franchise, The Conjuring-2, at the TCL Chinese Theatre in Hollywood. The star studded screening was attended by the cast including Patrick Wilson, Vera Fermiga, the producers and the director James Wan. Also in presence were the real family, on who the film is based on.

After a welcome and introduction from Stephanie Allain (president of the LA film festival), the producers brought the director James Wan on stage. He introduced the movie stating how excited he was to return back to his love, horror films (he directed Furious 7 earlier). And how he wanted this movie to be different, but real, inspiring from the last Conjuring film. We also talked to Patrick Wilson he shared his excitement about the film, and his role. A fun fact - He's an East Coater, and our neighbor from Montclair, NJ. He gave his love to us East Coasters!

So, what makes The Conjuring movies more scary, is the fact that they are based on supposedly true stories. It raises the stakes for most people. So we see test after 7 yrs from the first film, Ed and Lorraine Warren, who are almost struggling to continue in their profession. People do not believe them, Lorraine is having demonic visions which are pushing her to stop. But they still want to keep helping people in need.

This leads them to Enfield in London, where a family needs there help. The Church asks them to go investigate, and find out if it's true or a hoax. The house in this family seems possessed, terrorising the 3 kids and their single mother. But it's not sure if is real or made-up by the kid. Or if is just a spirit, or something a lot more dangerous. The stakes get higher and the drama gets bigger!

It's good to see the Ed & Lorraine team back, and they are back in action. There is interesting drama there as well. Both Patrick & Vera give wonderful performances and make their characters believable. Frances O'Connor makes the role of a scared single mother, very beilievable. Madison Wolfe is amazing and the other kids give a brilliant performance. The movie is well cast with good performances.

But the true magic is in direction, camera work and the sound-music. James Wan, returning to the franchise, keeps the movie fresh. It's not your usual jump cuts, jumpy music, shocks, and makeups etc etc. This movie keeps it real. Emotions are strong, camera zooms in & out smoothly, and no sudden loud noises to scare you. Instead, the movie builds its tension through great scenes and amazing scenery. The editing could be little tighter at places, and the first half seems to stretch a little. But for the most part, James has kept the movie moving, building tension and concern for characters, culminating the story to an appropriate climax.

SO... If you are not into horror or scary film, you may stay away from this movie. But if you are into horror and scary films you should definitely watch it!

In theaters June 10, 2016! http://TheConjuring2.com https://www.facebook.com/TheConjuringMovie/ The supernatural thriller brings to the screen another real case from the files of renowned demonologists Ed and Lorraine Warren. Reprising their roles, Oscar nominee Vera Farmiga and Patrick Wilson star as Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

18th Annual Brooklyn Film Festival Wraps, Announces Winners

Wildlike, Sweaty BettyFunny BunnyFrame By Frame and But Not For Me Nab Multiple Awards

***

The 18th annual Brooklyn Film Festival wrapped up on Sunday with a gala evening at new BFF venue, the Wythe Hotel, handing out a total of $50,000 in products and film services. A grand time was had for all, with filmmakers, guests and staff celebrating into the night. 

Joseph Frank and Zachary Reed picked up the Best Feature Film award, as well as the Grand Chameleon Award for Sweaty Betty, while Alison Bagnall’s Funny Bunny also nabbed two awards, best actor for Olly Alexander (shared with Ágúst Örn B. Wigum for Whale Valley) and Best Editing, for Kentucker Audley, David Barker, and Caleb Johnson.

Wildlike nabbed three awards, including Best Actor (female) for Ella PurnellBest Screenplay for director Frank Hall Green and Best Producer for Julie Christeas, Green, Joseph Stephans, and Schuyler Weiss while world premiere New York City film But Not For Me nabbed the Audience Award for Best Feature Narrative, as well as the Best Original Score award for Rafael Leloup with Ryan Carmichael, Marcus Carl Franklin, Quazzy Faffle and Elena Urioste.

Alexandria Bombach and Mo Scarpelli’s Frame by Frame nabbed the festival’s Spirit Award for documentary and shared the Audience Award with Neal Broffman’s film Help Us Find Sunil Tripathi.

“We’re so pleased with this year’s festival,” said Director of Programming Bryce J. Renninger. “The films, filmmakers, audiences and sponsors all truly exemplify the diversity and spirit of Brooklyn and we look forward to the BFF continuing to be a vibrant part of Brooklyn’s cultural landscape.”

“This year we brought more filmmakers with their first or second film to New York audiences than ever before. We staged the festival in all new venues and neighborhoods, and it proved to be a great success,” said Marco Ursino, BFF’s Executive Director. “After 18 years, the festival feels as fresh as ever.”

This year’s event screened 108 features and shorts from 26 countries and over 70 filmmakers attended, performing Q&A sessions after their screenings, supporting the work of other artists, and attending the festival’s various panels and parties. 

This year’s prizes were generously sponsored by Panavision, Abelcine, Xeno Lights, Media Services, Film Friends, Digital Bolex, Mik Cribben Steady-Cam, Cinecall Soundtracks, Windmill Studios, New York Film Academy, Noble Jewelry.

Complete list of Winners:

GRAND CHAMELEON AWARD

Best Feature Film: Joseph Frank and Zachary Reed for Sweaty Betty

BEST IN CATEGORY

Best Animation: Sol Friedman for Day 40

Best Experimental film: Clayton Allis & Alfie Lee for In The Future Love Will Also 

Best Short Subject: Bartek Konopka for From Bed Thou Arose

Best Short Documentary: Danya Abt for Eric, Winter To Spring

Best Documentary: Florian Schewe and Katharina Von Schroeder for We Were Rebels

Best Feature Film: Joseph Frank and Zachary Reed for Sweaty Betty

AUDIENCE AWARDS

Audience Award in the Animation Category: Bob Blevins & Bradly Werley for T.P.

Audience Award in the Experimental Film Category: Clayton Allis & Alfie Lee for In the Future Love Will Also

Audience Award in the Narrative Short Category: Daisy Zhou for How to Be a Black Panther

Audience Award in the Short Documentary Category: Sean Ryon and Lea Scruggs for Born Into This

Audience Award in the Documentary Category (tie): Neal Broffman for Help Us Find Sunil Tripathi and Alexandria Bombach and Mo Scarpelli forFrame by Frame

Audience Award in the Feature Length Narrative Category: Ryan Carmichael for But Not for Me

SPIRIT AWARDS | Festival’s Favorite

Spirit Award in the Narrative Short Category: Graham Chychele Waterston for And It Was Good

Spirit Award in the Exp. Film Category: Janna Kyllästinen & Anne-Katrine Hansen for Division Avenue

Spirit Award in the Short Doc Category: Dir: Elizabeth Lo & Melissa Langer for Treasure Island

Spirit Award in the Documentary Category: Alexandria Bombach and Mo Scarpelli for Frame by Frame

Spirit Award in the Animation Category: Melissa Johnson and Robertino Zambrano for Love in the Time of March Madness

Spirit Award in the Feature Category: Vinko Moderndorfer for Inferno

Best Brooklyn Project: Harvey Mitkas for Devil Town

CERTIFICATES OF ACHIEVEMENT

Best Actor (male): Ágúst Örn B. Wigum for Whale Valley and Olly Alexander for Funny Bunny

Best Actor (female): Ella Purnell for Wildlike

Original Score: Rafael Leloup with Ryan Carmichael, Marcus Carl Franklin Quazzy Faffle and Elena Urioste for But Not for Me

Best Editing Award: Kentucker Audley, David Barker, and Caleb Johnson for Funny Bunny

Best Cinematography Award: Robert Machoian for God Bless the Child

Best Screenplay Award: Frank Hall Green for Wildlike

Best Producer Award: Julie Christeas, Frank Hall Green, Joseph Stephans, and Schuyler Weiss for Wildlike

Best New Director Award: Robert Gregson for The Refrigerator

#nyaff15 | THE 14th NEW YORK ASIAN FILM FESTIVAL- Initial details announced!

THE 14th NEW YORK ASIAN FILM FESTIVAL
June 26 – July 11, 2015

***

Director Ringo Lam will be presented with the 2015 Lifetime Achievement Award, superstar Aaron Kwok with the 2015 Star Asia Award, and Japanese actor Shota Sometani with the 2015 Screen International Rising Star Award 
***
Film lineup to include the North American premieres of Nobuhiro Yamashita's La La La at Rock Bottom and Yim Soon-rye's The Whistleblower and the international premiere of Namewee’s Banglasia, which was banned in Malaysia
***
 A spotlight on Myung Films and Korean women filmmakers and a joint film tribute to Japanese legends Ken Takakura and Bunta Sugawara are among the notable sidebars

***

The New York Asian Film Festival (NYAFF), North America’s leading festival of popular Asian Cinema, is back for its 14th edition. Co-presented with Film Society of Lincoln Center and Subway Cinema, the festival will run from June 26 to July 11. The festival takes place from June 26 to July 8 at the Film Society and July 9 to 11 at SVA Theatre (333 W. 23rd Street). Initial details include notable awards to be presented to director Ringo Lam, superstar Aaron Kwok, and actor Shota Sometani. The festival will also host a slew of North American film premieres, as well as spotlight the works of Korean female directors and honor the memory of Japanese legends Ken Takakura and Bunta Sugawara with a joint tribute.

Hong Kong’s legendary director Ringo Lam (City on Firewill receive the 2015 Lifetime Achievement Award. One of Hong Kong’s most influential directors, Lam was directing comedies when City on Fire was released in 1987, fusing the social-protest movie with kinetic action filmmaking. It was followed by the massive hit Prison on Fire later that year, and then School on Fire, a movie so unblinking that nervous Hong Kong censors sliced it to ribbons. Lam became one of the city’s best action filmmakers, and one of the few local directors to be so deeply concerned with the price of progress, the corrosive influence of money on human relationships, and the lives of the little people crushed beneath the wheels of change. In 2003, he directed what was to be his final feature and went into semi-retirement, only to be lured out again in 2015 with Wild City, in which Lam’s tooth-and-claw vision of modern urban living remains untamed.

Hong Kong’s superstar actor-singer Aaron Kwok (Divergence, After This Our Exile, Cold Warwill receive the festival’s 2015 Star Asia Award on June 26. One of Hong Kong’s Four Heavenly Kings of Cantopop, Kwok has won dozens of awards for his chart-topping albums. For over 30 years, he has performed steadily both on television and in movies and is respected for his box-office star power as well as his outstanding acting chops. Kwok has worked with some of Hong Kong’s finest directors, like Johnnie To, Jacob Cheung, Andrew Lau, and Patrick Tam. His self-described Method acting was rewarded in 2005 and 2006 when he won back-to-back Golden Horse awards for Best Actor, a feat previously achieved only by Jackie Chan. Kwok was awarded his first Best Actor prize was for his performance in 2005’sDivergence, but it was his work in the 2006 After This Our Exile, for which he won his second award, that blew audiences away. In that film, Kwok’s fearless portrayal of a gambling addict exhibited a serious commitment to his craft as well as a complete lack of vanity. He then went on to give a series of startling performances in films like Yim Ho’s Floating City, the blockbuster Cold War, as well as his upcoming tour de force, Port of Call.

Japanese actor Shota Sometani will attend the festival on July 4, on the occasion of the New York premiere of Kabukicho Love Hotel, to receive the Screen International Rising Star Award. Director Ryuichi Hiroki will also be in attendance. This marks the second year of a partnership with Screen International, with whom the NYAFF will honor an emerging talent in the East Asian film world each year. At age 22, Sometani is already a leading man in both blockbusters and indie gems and has earned critical acclaim on the international film festival circuit. In 2011, he received the Marcello Mastroianni Award for Best New Young Actor at the Venice Film Festival for his performance in Himizu, along with his co-star Fumi Nikaido (last year’s recipient of the Screen International Rising Star Award).

Notable NYAFF titles this year will include the North American premieres of Nobuhiro Yamashita's La La La at Rock Bottom and Yim Soon-rye's The Whistleblower and the international premiere of Namewee’s Banglasia, which was banned in Malaysia, its home country.
The festival will also feature a section on Korea’s production company Myung Films, highlighting a few of their major works—Cart, The President’s Last Bang, The Isle, and Waikiki Brothers—as part of a greater focus on women who work behind the camera. Producer Shim Jae-myung and directors Yim Soon-rye (The Whistleblower) and Boo Ji-young (Cart) will be in attendance.

Japanese film legends Ken Takakura and Bunta Sugawara, both of whom passed away last November, will be the subject of the first joint tribute outside of Japan, which will feature the brand-new digital remaster of the 1973 classic Battles Without Honor and Humanity—screened for the time in North America—among others.


Tickets: 

  • Tickets will go on sale on June 9 for Film Society Members and June 11 for general public, both at the box office and online.
  • Discounts are available for Film Society members. Read more about the Film Society of Lincoln Center.
  • Screenings will be held at the Film Society of Lincoln Center's Walter Reade Theater (165 West 65th Street, between Amsterdam and Broadway), and SVA Theatre (333 West 23rd Street, between 8th and 9th Avenues).

For more information, please visit:

Panorama Europe Film Festival Starts Next Week!

Panorama Europe Film Festival Returns for its Seventh Year,

with a Slate of Sixteen Outstanding New Movies

FESTIVAL to Run from May 29 – June 14, 2015 at Museum of the Moving Image and Bohemian National Hall

Festival Kick-Off Event and Party at Tribeca Cinemas on Thursday, May 28

Panorama Europe 2015, the seventh edition of this vital festival of new European cinema (formerly known as Disappearing Act), presented by Museum of the Moving Image and the European Union National Institutes for Culture (EUNIC), returns to the Museum and the Bohemian National Hall with a slate of sixteen new features from May 29 through June 14.

The opening weekend includes special screenings of GODS (Poland, 2014), with director Lukasz Palkowski in person on Friday, May 29, and BOTA(THE WORLD) (Albania, 2014), with co-director Iris Elezi in person, on Sunday, May 31. Both screenings will be followed by conversations with the filmmakers, and receptions. Other festival titles include films from Austria, Belgium, Croatia, Czech Republic, Estonia, France, Germany, Greece, Hungary, Lithuania, Slovenia, and Spain.

The festival informally kicks off on Thursday, May 28, at 7:30 p.m. with a screening of short European films at Tribeca Cinemas, followed by a party, as part of the NY Portuguese Short Film Festival (NYPSFF). 

The Closing Night film is Bas Devos’s award-winning VIOLET (Belgium, 2014), which screened as part of this year’s New Directors/New Films series. The screening will be preceded by live musc by the Flemish band St. Grandson in the Museum’s courtyard and followed by a reception.
The festival continues its mission of showcasing the best in European filmmaking by introducing a wide-ranging selection of contemporary cinema in varying genres that cover many current social and cultural themes. Panorama Europe offers New York audiences what may be their only chance to see these acclaimed films on the big screen. Some of the highlights of this year’s edition include Petr Václav’s 2015 Czech Lion best film THE WAY OUT, Panos H. Koutras’s multiple award-winning XENIA (Greece), Virág Zomborácz’s AFTERLIFE (Hungary), Ignas Jonynas’s THE GAMBLER (Lithuania), with star Oona Mekas attending, and BREATHE (RESPIRE) (France), the sophomore feature directed by the actress Mélanie Laurent (INGLORIOUSBASTERDS , BEGINNERS).

The full lineup of Panorama Europe 2015:

  • Bota (The World), Albania, Dir. Iris Elezi, Thomas Logoreci / Opening Weekend Film & Reception
  • GodsPoland, Dir. Lukasz Palkowski / Opening Weekend Film & Reception
  • Violet, Belgium, Dir. Bas Devos / Closing Night Film & Reception
  • Afterlife, Hungary, Dir. Virág Zomborácz
  • Age of Cannibals, Germany, Dir. Johannes Naber
  • Breathe, France, Dir. Mélanie Laurent
  • CowboysCroatia, Dir. Tomislav Mrsic
  • The Gambler, Lithuania, Dir. Ignas Jonynas
  • I Can Quit Whenever I Want, Italy, Dir. Sydney Sibilia
  • In the Basement, Austria. Dir. Ulrich Seidel and the short film Exterior Extended
  • In the Crosswind, Estonia, Dir. Martti Helde
  • Magical Girl, Spain, Dir. Carlos Vermut
  • The Tree, Slovenia, Dir. Sonja Prosenc
  • The Unexpected Life, Spain, Dir. Jorge Torregrossa
  • The Way Out, Czech Republic, Dir. Petr Václav
  • Xenia, Greece, Dir. Panos H. Koutras

OPENING WEEKEND FILM

  • Gods

With Lukasz Palkowski in person, followed by reception
FRIDAY, MAY 29, 7:00 P.M.
Poland. Dir. Lukasz Palkowski. 2014, 120 mins. With Tomasz Kot, Piotr Glowacki, Szymon Piotr Warszawski. This enormously entertaining biopic chronicles the groundbreaking work of Zbigniew Religa, the pioneering Polish surgeon who defied the Communist bureaucracy of the 1980s to perform the country’s first heart transplant. Told with wit, verve, and a fastidious attention to period detail, Gods is an engrossing portrait of a larger-than-life personality.


  • Afterlife

SATURDAY, MAY 30, 2:00 P.M.
Also showing: Thursday, June 4, 7:00 p.m. at Bohemian National Hall
Hungary. Dir. Virág Zomborácz. 2014, 93 mins. With Márton Kristóf, László Gálffi, Eszter Csákányi. A pastor and son with a strained relationship get a shot at reconciliation—after the older man’s unexpected death. Part tender coming-of-age tale, part darkly comic ghost story, Afterlife is a surprising, poignant fable from one of the most distinctive new voices in Hungarian cinema.


  • The Tree

SATURDAY, MAY 30, 4:00 P.M.
Slovenia. Dir. Sonja Prosenc. 2014, 90 mins. With Katarina Stegnar, Jernej Kogovsek, Lukas Matija. A mother and her two sons live as prisoners in their own home. But what is it about the outside world they fear? Told from three points of view, a riveting family tragedy gradually reveals itself in this acclaimed Slovenian chamber drama, which masterfully maintains an air of steadily mounting tension. 


  • I Can Quit Whenever I Want

SUNDAY, MAY 31, 2:00 P.M.
Italy. Dir. Sydney Sibilia. 2014, 100 mins. With Edoardo Leo, Valeria Solarino, Valerio Aprea. A group of underemployed academics hope to earn quick cash by entering the drug racket. But when their new designer drug turns out to be all the rage, can they handle the success? One of the funniest Italian comedies in years, this ultra-entertaining box office smash plays like Breaking Bad meets Reservoir Dogs.


  • Xenia

SUNDAY, MAY 31, 4:00 P.M.
Greece. Dir. Panos H. Koutras. 2014, 128 mins. With Kostas Nikouli, Nikos Gelia, Aggelos Papadimitriou. A gay teen and his older brother journey across Greece in search of their estranged father in this alternately surreal and stirring road movie. Juxtaposing the realities of present-day Greece with imaginative slips into dream logic, this bold coming-of-age saga swept this year’s Hellenic Film Academy Awards, winning Best Picture and six other awards.

OPENING WEEKEND FILM 

  • Bota (The World)

With co-director Iris Elezi in person; followed by reception
SUNDAY, MAY 31, 7:00 P.M. 
Albania. Dir. Iris Elezi, Thomas Logoreci. 2014, 104 mins. With Flonja Kodheli, Artur Gorishti, Fioralba Kryemadhi. The intersecting lives of three people working at an offbeat café in a small village form a captivating portrait of modern day Albania in this poetic drama, which confronts a particularly troubling chapter of the country’s Communist past.


  • The Way Out

FRIDAY, JUNE 5, 7:00 P.M.
Also showing: Tuesday, June 2, 7:00 p.m. at Bohemian National Hall 
Czech Republic/France. Dir. Petr Václav. 2014, 102 mins. With Klaudia Dudová, David Ištok, Sára Makulová. The Way Out follows a young Romany woman who perseveres in the face of anti-gypsy racism to find steady employment. This heartrending drama, shown in competition at Cannes, is rendered with admirable understatement and an almost documentary-like realism. The Way Out, winner of the Czech Film Critics Award,
was named Best Film at the Czech Lion awards.  New York Premiere.


  • Cowboys

SATURDAY, JUNE 6, 2:00 P.M.
Croatia. Dir. Tomislav Mrsic. 2013, 107 mins. With Sasa Anocic, Zivko Anocic, Matija Antolic. The Wild West and Eastern Europe collide in this infectious Croatian comedy, in which a prominent theater director mounts a hilariously bizarre cowboy musical in a bleak industrial town. Croatia’s Academy Awards entry for Best Foreign Language Film “is a nifty blend of social drama and absurdist comedy” (Variety).


  • In the Crosswind

SUNDAY, JUNE 7, 2:00 P.M.
Estonia. Dir. Martti Helde. 2014, 87 mins. With Ingrid Isotamm, Laura Peterson, Mirt Preegel, Einar Hillep, Tarmo Song. This startlingly original “landmark film” (The Hollywood Reporter) recounts one woman’s harrowing, true-life tale of survival in the midst of Stalin’s ethnic cleansing of the Baltic region. Told via stunning, monochrome tableaux vivants that freeze characters in time and space, In the Crosswind is both a visually and emotionally overwhelming experience.


  • The Gambler

With actress Oona Mekas in person
SUNDAY, JUNE 7, 4:00 P.M.
Lithuania. Dir. Ignas Jonynas. 2013, 109 mins. With Vytautas Kaniusonis, Oona Mekas, Rimas Blockis. This twisted, ultra-stylish thriller serves up a shocking premise: Vincentas, a paramedic with a gambling addiction, collects big time when he starts taking bets on whether his patients live or die. As the scheme spreads throughout the hospital, Vincentas begins raking in the money—but has he sold his soul? The Gambler is a noirish plunge into the darkest depths of amorality, and was Lithuania’s Oscar submission for Best Foreign Language film.


  • In the Basement

SUNDAY, JUNE 7, 7:00 P.M.
Austria. Dir. Ulrich Seidl. 2014, 85 mins. With Fritz Lang, Alfreda Klebinger, Manfred Ellinger. Best known for his “Paradise” narrative trilogy, Seidl returns to the documentary form by visiting the basements of middle-class Austrians to share the odd, disturbing, and touching findings in these intimate private spaces. Preceded by Exterior Extended (Austria. Dir. Siegfried A. Fruhauf. 2013, 8 mins. 35mm).


  • Breathe (Respire)

SATURDAY, JUNE 13, 2:00 P.M.
France. Dir. Mélanie Laurent. 2014, 91 mins. With Joséphine Japy, Lou de Laâge, Isabelle Carré. Two teenage girls’ seemingly perfect friendship turns toxic in this gripping sophomore feature from actress-turned-director Mélanie Laurent (Inglourious BasterdsBeginners). Boasting standout, César Award-nominated performances from its lead actresses, Respire captures the turbulence of the adolescent years with raw emotional honesty.


  • The Unexpected Life

SATURDAY, JUNE 13, 4:00 P.M.
Spain. Dir. Jorge Torregrossa. 2014, 107 mins. With Javier Cámara, Raúl Arévalo, Tammy Blanchard. An actor and Spanish ex-pat living in Manhattan bonds with his more conventional cousin in this bittersweet comedy. A charming valentine to New York City, The Unexpected Life offers wise and witty insights into what it means to be a foreigner in a new country.


  • Magical Girl

SUNDAY, JUNE 14, 12:00 P.M.
Spain. Dir. Carlos Vermut, 2014, 127 mins. With Marina Andruix, Julio Arrojo, Luis Bermejo. This mind-bending neo-noir begins as a tale of a father desperate to fulfill his dying daughter's last wish: to own an extravagantly expensive dress from her favorite Japanese anime. The lengths to which he goes to secure the garment lead him down a rabbit hole of depravity. The film won the Golden Shell award for Best Film and the Silver Shell for Best Director at the 62nd International Film Festival in San Sebastian, Spain. 


  • Age of Cannibals

SUNDAY, JUNE 14, 3:00 P.M.
Also showing: Tuesday, June 9, 7:00 p.m. at Bohemian National Hall
Germany. Dir. Johannes Naber. 2014, 93 mins. With Sebastian Blomberg, Devid Striesow, Katharina Schüttler. Passed over for a promotion, two slimy international business consultants head for a breakdown of epic proportions in this scorching satire of capitalism at its dirtiest. Propelled by tour-de-force performances, Age of Cannibals goes to extremes to expose the dehumanizing effects of the corporate rat race. The film won multiple German Film Critics Awards, including Best Feature Film, among others.

CLOSING NIGHT FILM

  • Violet

Preceded by live music by the Flemish band St. Grandson in the Museum Courtyard (5.45 – 6:45 pm ) 
Followed by reception offered by The General Representation of the Government of Flanders to the U.S.

SUNDAY, JUNE 14, 7:00 P.M.
Belgium. Dir. Bas Devos. 2014, 82 mins. With César De Sutter, Raf Walschaerts, Mira Helmer. This “intensely stylized, highly original and utterly mesmerizing” (Variety) film viscerally evokes the disorientation of grief as a troubled teen deals with the emotional fallout of witnessing his friend’s murder. Stunningly shot partly in 65mm, Violet favorably recalls Gus Van Sant’s portraits of teenage angst as it builds towards a heart-stopping climax.

For more information and to order tickets, visit http://www.movingimage.us/panorama-europe