Jurassic World (3/4)

Jurassic World - Official Trailer (HD) The Park is Open - June 12 http://www.jurassicworldmovie.com/ Steven Spielberg returns to executive produce the long-awaited next installment of his groundbreaking Jurassic Park series, Jurassic World. Colin Trevorrow directs the epic action-adventure based on the novel "Jurassic Park" by Michael Crichton.

Similar to the Terminator, you and many of others have been fan of Jurassic Park. The first movie in the series was breakthrough in special effects and animatronix, setting up bench mark for many future movies and pushing films into a new era of visuals. Also, the movie made dinosaurs a household thing. Almost all of us had our dinosaur crazy days!

This movie is a definite reminder of those good old days, and that good old movie. Almost so it feels like a rehash, but a good rehash. Amazing effects, great visuals, good performances and not too bad storyline either. It makes for a fun entertaining movie.

***spoilers***

Similar to original, the movie is about a newer better dinosaur theme park owned by Mr Masrani, played by none other than the new Hollywood A-lister from India, Irrfan Khan. Bryce Dallas Howard works for him and looks over and manages yeh park. Chris Pratt is the raptor trainer, and dinosaur lover. All is hunky-dory until the latest crazy dinosaur which is hybrid of T-Rex and raptors among others creatures, sets lose. He's a man made intelligent dinosaur, who just wants to destroy and kill. It's up to our couple and her 2 nephew kids (mother played by completely wasted Judy Greer. Why does she only gets such roles?), to save the day. Well, it's not just that simple but a good way to some it up!

***spoiler ends***

You should definitely watch this movie, if you're a Jurassic fan or dinosaur fan. Or even if you want to watch a fun summer entertainer. You can ignore it if you don't care about Hollywood summer entertainers!

FSLC & Met Opera co-present FREE outdoor screening of WEST SIDE STORY | @filmlinc

The Film Society of Lincoln Center and the Metropolitan Opera announced that they are co-presenting a free outdoor screening of Jerome Robbins & Robert Wise’s Academy Award–winning film West Side Story on the Lincoln Center Plaza in front of the opera house on Friday, August 28 at 7:45pm. The 1961 classic is a bold, beloved adaptation of the 1957 Broadway musical of the same name, which was originally inspired by William Shakespeare’s Romeo and Juliet. The free screening, running 2 hours and 30 minutes, is open to the public and seating is first-come, first-served. The event is a special tease, serving to kick off the Met Opera’s popular Summer HD Festival.


Before Lincoln Center became the place to hear Plácido Domingo sing “La donna è mobile” or witness Anna Netrebko deliver Lucia di Lammermoor’s mad scene, the Upper West 60s was imagined in this film as a gritty, blue-collared neighborhood where Tony belted out “Something’s Coming,” Maria declared “I Feel Pretty,” and the Jets danced to “Gee, Officer Krupke.” Natalie Wood stars as good girl Maria (dubbed vocally by Marni Nixon), who falls in love with handsome Tony, played by Richard Beymer, who happens to be the leader of the gang facing off against the faction led by Maria’s brother. Rita Moreno and George Chakiris complete the principal cast (both winning supporting Oscars). The real star of the show, though, is Bernstein’s glorious score. From “Maria” to “Tonight” to “America” to “Somewhere,” West Side Story features one unforgettable tune after another (not to mention song lyrics by a twentysomething Stephen Sondheim), along with dazzling emotional choreography. The story of impossible love and violent death should set the stage ideally for Bizet’s Carmen—the opening opera of the festival the very next night on Saturday, August 29.

The much-praised box-office blockbuster received 11 Academy Award nominations and won all but one. Oscars include Best Picture, Best Director (Wise and Robbins—the first time that award went to co-directors), Best Supporting Actor and Actress (George Chakiris in his first major film role and Rita Moreno), Best Color Cinematography, Best Color Art Direction/Set Decoration, Best Sound, Best Scoring of a Musical Picture, Best Film Editing, and Best Color Costume Design.

For more information, visit www.filmlinc.com

FSLC announces 2015 Free Summer Talks for June & July

SPECIAL GUESTS INCLUDE: Julie Taymor, Alan Rickman, Joshua Oppenheimer & more

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The Film Society of Lincoln Center announced the initial June and July lineup for the popular FREE Film Society Talks series, sponsored by HBO. The returning summer series kicks off on Monday, June 15 with director, writer, and producer Julie Taymor, who will discuss the filmed version of her critically acclaimed stage production of A Midsummer Night’s Dream. The upcoming events will include a combination of clips, trailers, and extended conversations, with questions also taken from the audience. Additional information on moderators and talks will be announced at a later date so stay tuned and visit filmlinc.com for more information. Talks will take place in the Amphitheater at the Elinor Bunin Munroe Film Center, 144 West 65th Street. 

Additional guests include British director and actor Alan Rickman, who will discuss his romantic drama A Little Chaos on Tuesday, June 16. Cannes sensation The Tribe bowed at New Directors/New Films earlier this year and will be spotlighted on Wednesday, June 17 with director Myroslav Slaboshpytskiy and actress Yana Novikova in attendance to talk about how the strictly sign-language thriller was made with a cast of deaf, non-professional actors. Award-winning directors Matthew Heineman (Cartel Land) and Joshua Oppenheimer (The Look of Silence) will be on hand on Tuesday, June 30 and Wednesday, July 18, respectively, to discuss their searing new documentaries. 

Free tickets will be distributed at the Elinor Bunin Munroe Film Center box office (144 West 65th Street, between Broadway and Amsterdam) on a first-come, first-served basis starting one hour prior to the talks. Limit one ticket per person, subject to availability.

**For those unable to attend, video from the event will be available online at filmlinc.com.

DESCRIPTIONS & SCHEDULE

Julie Taymor 
A Midsummer Night’s Dream
Julie Taymor is an Oscar-nominated and Emmy-winning director, writer, and producer whose visionary work has also extended to the stage with The Magic Flute and the Broadway smash-hit The Lion King. Taymor’s big-screen credits include Titus, Frida, Across the Universe, and The Tempest. Her latest project blends the worlds of cinema and theater, presenting a multi-camera film that captures a 2014 live performance of A Midsummer Night’s Dream at the Theatre for a New Audience’s Polonsky Shakespeare Center in Brooklyn. Starring David Harewood (Homeland, Blood Diamond), Kathryn Hunter (Harry Potter and the Order of the Phoenix), Tina Benko (The Avengers), and Max Casella (Blue Jasmine), Julie Taymor’s A Midsummer Night’s Dream opened to rave reviews at last year’s Toronto International Film Festival and will hit select theaters June 22. 

Taymor’s production of Shakespeare’s most phantasmagorical play is visually breathtaking, funny, sexy, and darkly poetic. Ealing Studios, Londinium Films, in association with Theatre for a New Audience and producers Lynn Hendee (Ender’s Game, The Tempest) and Ben Latham-Jones (Nina, The D-Train) have joined forces with Taymor to create this exclusive filmed production. Featuring cinematography by Academy Award nominee Rodrigo Prieto (The Wolf of Wall Street, Argo) and music by Academy Award–winning composer Elliot Goldenthal (Frida, Heat), this immersive, inventive cinematic experience allows audiences from around the world to witness this critically lauded, sold-out show. Taymor will share her experiences about bringing A Midsummer Night’s Dream to the big screen.
Monday, June 15, 5:00pm

Alan Rickman 
A Little Chaos

British actor and filmmaker Alan Rickman will appear at the Film Society to discuss his second feature as a director, in which he appears opposite Matthias Schoenaerts, Kate Winslet, Stanley Tucci, Jennifer Ehle, and Helen McCrory. Following a string of standout supporting roles in such films as Die Hard and Sense and Sensibility, Rickman won both an Emmy and a Golden Globe for his lead role in TV’s Rasputin in 1996. Since then, he’s appeared on the big screen in films on both sides of the Atlantic, playing such varied roles as the wizard Severus Snape in the Harry Potter movies, a corrupt judge in Sweeney Todd: The Demon Barber of Fleet Street, and President Ronald Reagan in Lee Daniels’ The ButlerA Little Chaos is a romantic drama following Sabine (Winslet), a talented landscape designer, who, while building a garden at Versailles for King Louis XIV (Rickman), struggles with class barriers as she becomes romantically entangled with the court’s renowned landscape artist (Schoenaerts). The film debuted at last year’s Toronto International Film Festival and opens in the U.S. on June 26.
Tuesday, June 16, 6:30pm

Myroslav Slaboshpytskiy and Yana Novikova  
The Tribe

The Tribe packed the house when it screened earlier this year at New Directors/New Films, but Ukrainian director Myroslav Slaboshpytskiy unfortunately wasn’t able to attend the festival. He will now be in town with lead actress Yana Novikova to talk about his crime-drama on the day of its release in the United States. Winner of multiple 2014 Cannes Film Festival Awards (including the coveted Critics’ Week Grand Prix), The Tribe is a silent film with a unique difference: its entire cast is deaf, non-professional actors and the “dialogue” is strictly sign language—without subtitle or voiceover. Set at a spartan boarding school for deaf coeds, the film follows new-arrival Sergey (Grigory Fesenko), who’s immediately initiated into the institution’s hard-as-nails culture with a beating before ascending the food chain from put-upon outsider to foot soldier in a criminal gang that deals drugs and pimps out their fellow students. With implacable camerawork and a stark, single-minded approach worthy of influential English director Alan Clarke, Slaboshpytskiy overcomes what may sound like impossible obstacles to tell an intense, but uncannily immersive story of exploitation and brutality in a dog-eat-dog world.
Wednesday, June 17, 6:30pm

Matthew Heineman 
Cartel Land

Director Matthew Heineman won audience accolades and the Directing Award at this year’s Sundance Film Festival for his powerful documentary Cartel Land, and the film, which opens the Human Rights Watch Film Festival this week and opens July 3, has continued to impress on the festival circuit and will likely have a presence this coming Awards Season. Cartel Land is a classic Western set in the 21st century, pitting vigilantes on both sides of the border against the vicious Mexican drug cartels. With unprecedented access, this character-driven film provokes deep questions about lawlessness, the breakdown of order, and whether it is just for citizens to take up arms to fight violence with violence. Making a compelling documentary is never easy even under the most “ideal” situations; capturing the war that is right at the doorstep of the U.S. is nothing short of breathtaking.
Tuesday, June 30, 6:30pm

Joshua Oppenheimer
The Look of Silence

Texas-born filmmaker Joshua Oppenheimer’s chilling Oscar-nominated documentary The Act of Killing (New Directors/New Films 2013) has elicited its fair share of controversy. The film, which opens July 17, asked former Indonesian death-squad leaders to reenact their mass killings using the cinematic genre of their choosing, resulting in lavish musical numbers and scenes in the style of classic Hollywood gangster flicks. Oppenheimer’s follow-up, The Look of Silence (New York Film Festival 2014), returns to Indonesia to view the genocide of 1965-66 through the eyes of one of its victims, Adi, who tracks down a number of retired torturers—under the guise of paying them medical visits—to confront them about their past deeds. And as Indiewire critic Eric Kohn observes: “The result is the opposite of the unnerving showmanship that dominated The Act of Killing. A soft-spoken, levelheaded interrogator, Adi is an object of continual fascination as he attempts to get real answers from unwitting and potentially dangerous men.” 
Thursday, July 16, 6:30pm

 

  • For more information, visit:
  1. www.filmlinc.com
  2. http://www.filmlinc.com/films/series/free-talks

18th Annual Brooklyn Film Festival Wraps, Announces Winners

Wildlike, Sweaty BettyFunny BunnyFrame By Frame and But Not For Me Nab Multiple Awards

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The 18th annual Brooklyn Film Festival wrapped up on Sunday with a gala evening at new BFF venue, the Wythe Hotel, handing out a total of $50,000 in products and film services. A grand time was had for all, with filmmakers, guests and staff celebrating into the night. 

Joseph Frank and Zachary Reed picked up the Best Feature Film award, as well as the Grand Chameleon Award for Sweaty Betty, while Alison Bagnall’s Funny Bunny also nabbed two awards, best actor for Olly Alexander (shared with Ágúst Örn B. Wigum for Whale Valley) and Best Editing, for Kentucker Audley, David Barker, and Caleb Johnson.

Wildlike nabbed three awards, including Best Actor (female) for Ella PurnellBest Screenplay for director Frank Hall Green and Best Producer for Julie Christeas, Green, Joseph Stephans, and Schuyler Weiss while world premiere New York City film But Not For Me nabbed the Audience Award for Best Feature Narrative, as well as the Best Original Score award for Rafael Leloup with Ryan Carmichael, Marcus Carl Franklin, Quazzy Faffle and Elena Urioste.

Alexandria Bombach and Mo Scarpelli’s Frame by Frame nabbed the festival’s Spirit Award for documentary and shared the Audience Award with Neal Broffman’s film Help Us Find Sunil Tripathi.

“We’re so pleased with this year’s festival,” said Director of Programming Bryce J. Renninger. “The films, filmmakers, audiences and sponsors all truly exemplify the diversity and spirit of Brooklyn and we look forward to the BFF continuing to be a vibrant part of Brooklyn’s cultural landscape.”

“This year we brought more filmmakers with their first or second film to New York audiences than ever before. We staged the festival in all new venues and neighborhoods, and it proved to be a great success,” said Marco Ursino, BFF’s Executive Director. “After 18 years, the festival feels as fresh as ever.”

This year’s event screened 108 features and shorts from 26 countries and over 70 filmmakers attended, performing Q&A sessions after their screenings, supporting the work of other artists, and attending the festival’s various panels and parties. 

This year’s prizes were generously sponsored by Panavision, Abelcine, Xeno Lights, Media Services, Film Friends, Digital Bolex, Mik Cribben Steady-Cam, Cinecall Soundtracks, Windmill Studios, New York Film Academy, Noble Jewelry.

Complete list of Winners:

GRAND CHAMELEON AWARD

Best Feature Film: Joseph Frank and Zachary Reed for Sweaty Betty

BEST IN CATEGORY

Best Animation: Sol Friedman for Day 40

Best Experimental film: Clayton Allis & Alfie Lee for In The Future Love Will Also 

Best Short Subject: Bartek Konopka for From Bed Thou Arose

Best Short Documentary: Danya Abt for Eric, Winter To Spring

Best Documentary: Florian Schewe and Katharina Von Schroeder for We Were Rebels

Best Feature Film: Joseph Frank and Zachary Reed for Sweaty Betty

AUDIENCE AWARDS

Audience Award in the Animation Category: Bob Blevins & Bradly Werley for T.P.

Audience Award in the Experimental Film Category: Clayton Allis & Alfie Lee for In the Future Love Will Also

Audience Award in the Narrative Short Category: Daisy Zhou for How to Be a Black Panther

Audience Award in the Short Documentary Category: Sean Ryon and Lea Scruggs for Born Into This

Audience Award in the Documentary Category (tie): Neal Broffman for Help Us Find Sunil Tripathi and Alexandria Bombach and Mo Scarpelli forFrame by Frame

Audience Award in the Feature Length Narrative Category: Ryan Carmichael for But Not for Me

SPIRIT AWARDS | Festival’s Favorite

Spirit Award in the Narrative Short Category: Graham Chychele Waterston for And It Was Good

Spirit Award in the Exp. Film Category: Janna Kyllästinen & Anne-Katrine Hansen for Division Avenue

Spirit Award in the Short Doc Category: Dir: Elizabeth Lo & Melissa Langer for Treasure Island

Spirit Award in the Documentary Category: Alexandria Bombach and Mo Scarpelli for Frame by Frame

Spirit Award in the Animation Category: Melissa Johnson and Robertino Zambrano for Love in the Time of March Madness

Spirit Award in the Feature Category: Vinko Moderndorfer for Inferno

Best Brooklyn Project: Harvey Mitkas for Devil Town

CERTIFICATES OF ACHIEVEMENT

Best Actor (male): Ágúst Örn B. Wigum for Whale Valley and Olly Alexander for Funny Bunny

Best Actor (female): Ella Purnell for Wildlike

Original Score: Rafael Leloup with Ryan Carmichael, Marcus Carl Franklin Quazzy Faffle and Elena Urioste for But Not for Me

Best Editing Award: Kentucker Audley, David Barker, and Caleb Johnson for Funny Bunny

Best Cinematography Award: Robert Machoian for God Bless the Child

Best Screenplay Award: Frank Hall Green for Wildlike

Best Producer Award: Julie Christeas, Frank Hall Green, Joseph Stephans, and Schuyler Weiss for Wildlike

Best New Director Award: Robert Gregson for The Refrigerator