RINGS (2/4): Samara is back!

In the horror franchise, RING series has made its name. It's almost a surprise that it took 12 years for next one to arrive since The Ring Two in 2005. But the wait was not for nothing, since this movie directed by F. Javier Gutiérrez is not too short of what you would expect. This film is written by the Hollywood legends David LouckaJacob Aaron Estes and Akiva Goldsman; and starring  Matilda LutzAlex RoeJohnny GaleckiVincent D'OnofrioAimee Teegarden and Bonnie Morgan

***SPOILERS***

The idea is still the same; one watches the film and dies with in 7 days, unless they pass the "tail" to someone else. And it sen starts with VHS video tape, but moves to digital and email etc pretty soon (UPGRADE!). And the terror starts in a plane, which is quite an interesting scene. We also get to see Samara climbing out of a upside down TV, and even a cell phone (more upgrade!). Most of Samara stuff is not as horrifying and scary as original movie. But its difficult to recreate same horror. But the movie does a good job of creating its own moments.

We also get to meet Samara's real mother and father (played wonderfully by Vincent D'Onofrio), and find out their story. It's interesting to see how the writers are able to continuously explore and expand the story. Johnny Galecki is also there, as a biology professor, and does good justice to his role. Unfortunately, he dies in the movie, so we own't see him in next. Why next? Well, the movie ends with Samara surviving through our lead Julia (played by the beautiful and very talented Matilda Lutz). So yeah, a sequel!

**** SPOILERS END**** 

The casting is good, and so is the performances by the actors. The ones stated above stand out. The film is shot well, and it's not 3D. It's not as visually stunning as the first film, but again, its a difficult mark to cross. If you are a fan of RING or horror movies, you should watch it. Otherwise, a skip is okay. Although I would recommend to watch the first RING.

Official "Rings" Movie Trailer 2017 | Subscribe ➤ http://abo.yt/kc | Johnny Galecki Movie #Trailer | Release: 3 Feb 2017 | https://KinoCheck.de/film/1cl/rings-2016 The film revolves around the events that took place before The Ring. It tells the story of the years before the video tape came to be and the beginning of how Samara's terror began.

As part of promotions for the film, we also get to experience "KOMNATA QUEST: ESCAPE ROOM", in NYC. It was pretty cool. You basically get stuck in a maze and you have to escape by solving the mystery, unlocking doors and "fighting" demons. Pretty interesting concept, like your own movie. In homage to Japanese origin of RING, we explored a Japanese maze. I won't spoil it for you here, cuz you need to do it yourself, but here are some video and pics from the exploration. It sure was LOT OF FUN!

Instructions before you go in!

HIDDEN FIGURES: Story of genius black girls at NASA

“Hidden Figures” is story of real life NASA mathematicians, Katherine Goble-Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer), and Mary Jackson (Janelle Monae). These African-Ameircan mathematicians played vital roles, behind-the-scenes, in helping make the American space program actually work. Yes. They were that vital and most of the world, including our community didn’t know much, if anything about them, until now .

The story begins with Katherine Goble-Johnson (Henson) as a young math prodigy — in 1926 West Virginia.  A quick transition and we find her, an adult and a member of the West Computing Group at Langley.  Inside the top secret compound 20 other African-American women, geniuses, — “computers”— worked segregated from the “white computers,” in the East Group, housed in a dreary basement office.

It’s inside these surroundings that Katherine’s friend and colleague Dorothy Vaughan (Spencer) supervises the brilliant group but without benefit of that official supervisor title or the salary that would go with it, sending the “colored computers” on complicated assignments around the research facility.

Mary Jackson (Monae), is the most vocal demonstrating her frustration about the injustice that surrounds them all.  When the quick witted Jackson is be placed on the team working on the Mercury capsule prototype her supervisor (Olek Krupa) instantly recognizes her gift and urges her to sign up for the engineer training program — no simple feat in the Jim Crow South.

Katherine is the only person on-site with a knack for analytic geometry,  a necessary edge to joining the Space Task Group, although her brilliance is repeatedly challenged. There is no warm welcome even within the inner core, with the passive-aggressive behavior from engineer, Paul Stafford (Jim Parsons) almost costing her a position. Katherine and the group’s director, Al Harrison ( Kevin Costner) maintain a delicate balancing act as if their similar character traits, laser focus, somehow binds them.  

Some of the most charming moments of the film are when we go inside the lives of the central trio.  We learn that the widowed Katherine’s budding romance with a steely military man (Mahershala Ali) is an unexpected gift for herself, and her three little girls. In Mary’s life, her husband is afraid that his wife’s ambition would not be rewarded, offering advice like, “Freedom is never granted to the oppressed.”

The sturdiest and wisest of the three, Dorothy, observes that“any upward movement is movement for us all” and when the new IBM system is installed she sees the writing on the wall for her department, and then she sees the salvation of the computer age.  

If the devil indeed lives in the details, one of the best moments of professional defiance and triumph comes from Katherine, who delivers an echoing showstopper when she describes the half-mile sprints she’s required to make, several times a day, to a “colored” women’s bathroom which, it so happens, in located inside another building.

The movie is beautiful to watch in part because of the tremendous work of cinematographer Mandy Walker,  who captures a feeling of a time long-gone.  The music elevates the true story which is supplied by producer, Pharrell Williams. Always the lady, Henson pace, running through the long halls, in heels, gives another dimension to the challenges of being a woman, then, facing the obvious injustice, then, and still rising to the occasion, smashing dull expectations of what an African-American woman could and could not achieve. 

There is strong chemistry between the three leads and Henson gives life to Katherine’s humility; Spencer is the picture of working wisdom; and musician turned actress,  Monae offers clear proof, especially after her wonderful performance in “Moonlight,” that she’s a compelling screen presence.

This true story deserves to be told.  This remarkable movie should be supported by any community that values knowledge, truth and who enjoys good, old-fashioned, family entertainment. Katherine Goble-Johnson, Dorothy Vaughan, and Mary Jackson are super woman, they are American heroes and they deserve this heartfelt tribute. 

Watch the new trailer for #HiddenFigures, based on the incredible untold true story. Starring Taraji P. Henson, Octavia Spencer & Janelle Monáe. In theaters this January. HIDDEN FIGURES is the incredible untold story of Katherine G. Johnson (Taraji P.

 

20th Century Fox/Fox 2000 Pictures: Chernin Entertainment, Levantine Films, TSG Entertainment 

StarringTaraji P. Henson, Olivia Spencer, Janelle Monae, Kevin Costner, Kirsten Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge, Glen Powell, Kimberly Quinn, Olek Krupa

Director: Theodore Melfi Screenwriters: Allison Schroeder, Theodore Melfi; based on the book by Margot Lee Shetterly

Special Correspondents (3/4) | Conversation with Ricky Gervais, Eric Bana and others

Ricky Gervais is one of the most unapologetic, honest and hilarious comedians today. This movie is an example of that in many ways. Ricky picks the topic of journalism, but does not make it into a “statement”, but makes it into quite an honest human story. We got to attend a special screening and world premier of Ricky’s next directorial venture, which he also wrote & acted in, Special Correspondents. The film was followed by a special conversation with Ricky and team of the film.

 

***Spoilers***

Ian Finch (Ricky Gervais) is Chief Sound Engineer” at the not so popular radio station in New York. That’s his achievement in life, which his wife Eleanor (Vera Farmiga) is not very proud of. She craves an exciting, successful life, and ends up cheating on him with Frank Bonneville (Eric Bana). Frank is the local celebrity radio correspondent, who believes he’s meant and destined for better things. He gets a mission to go to Ecuador for reporting from the war zone, with Ian as his accomplice.  Due to a “small mistake” by Ian, throwing away their passports and tickets, they end up in the apartment of his friend’s right across from radio station, instead of Ecuador. They create fake reports, and start false reporting, to not let their boss (Kevin Pollak) know about it. And before they know, the plan goes too far for them to be able to handle, and it gets out of hand. Even though still benefiting there downwards careers and Eleanor’s aspirations as well.

***Spoilers end***

Ricky plays these underdog roles, which are complete contrast of Ricky we see at Golden Globes. But this movie is more a human story than a statement. And as expected, Ricky rocks the role. Eric Bana is quite brilliant in his role. You really can’t imagine anyone else in the role of a suave, cocky but a failure-ish guy. Vera seems kinda tired in her role, but it also suits the role. America Ferrera and Raúl Castillo are quite hilarious in their roles and Kevin is a treat to watch as well. He was life of the post-screening conversation as well.

The conversation felt like a roast of Ricky. But revealed some interesting information as well. Like:

  • Ricky feels like a fish out of water, that’s why he writes and plays such roles.
  • America wasn’t sure about the film, but did it because of Ricky. With Ricky, either way it’ll be fun.
  • Netflix is great platform, since it guarantees people will see it. That’s why Ricky chose it.
  • The movie wasn’t shot in Ecuador, since Ricky felt too lazy to shoot it there.

Listen To The Conversation Here:

The movie is on Netflix now, so go watch it.

It’s quite a fun joy ride.

Ricky Gervais's hilarious comedy follows a struggling radio journalist and his hapless technician faking frontline war reports from a NYC hideout. Only on Netflix April 29.

In my father’s House (4/4)

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In my Father’s house is a documentary about Che « Rhymefest » Smith and his father. Che comes from a single parent home, he was raised by his mother and his grandparents, and has only seen his father a few times in his life, when he was a kid. Che decides to buy the house in Chicago that his father used to live in the few times he saw him. Evidently, he starts wondering about his father, where is he now ? What is he upto ? This movie is about their relationship, it is about growing up with an absent parent, reconnecting, rehabilitation but it is also and foremost a message of hope.

Spoilers Begin:

Che « Rhymfest » Smith grew up in Chicago, with a teenager mother, and help from his grandparents. His father was never really in his life. In 2006, he encountered great success, co-writing an Emmy winning song with Kanye West. He talks about his hit, the impression that you won it all, but also when it doesn’t work as planned (his album did not do too well), and how he encountered more and more financial difficulties whilst still trying to maintain an image of success. Che has children on his own and starts wondering about fatherhood after buying his father’s house. He decides to try and find his absent father.

His father is homeless and alcoholic and is still in Chicago. They meet and gradually, very genuinely, a relationship blossoms between the two of them.

Naturally, Che decides to help his father and gets him into rehabilitation programs, recovery programs, to the point that his father, that has been homeless for 20 years, gets his own apartment.

The documentary treats so many different subjects that it’s hard to summarize. It deals mainly with parenthood; Che explains that 75% of African American children grow up in single parent households. He has been through this and explains why growing up without models, some of these children end up being in gangs, to feel like being part of a family. Che is coming to term with his own fatherhood too, he admits he has not always been the greatest father, and he tries to help the kids in his community. One scene is very poignant of a young kid rapping about death, Che tells him « Your father was killed right? Your brother was killed, why are you talking about killing people? This is your material right there ». He later goes to the same kid and asks him « Who do you have that you can talk to? «  The kid is crying. Truth is, he has no one so Che gives him his number, now he has someone. There is something so real and heartbreaking about that scene. Those kids have to learn to behave like adults, they want to be the “heroes”, they want to make it but also they have to be tough, to be strong. This scene shows how deep inside, they are still kids, lost, without anyone to talk to, just pretending to be grown ups, to be unaffected when they are holding up their tears.

Che helps his father, Bryan, in every way he can, but his father has been living in the street for the past 20 years, he has been drinking for atleast that much time too. This documentary also deals really well with rehabilitation, how much work and efforts it takes. Bryan tries so hard to do better, to go to the classes, to find a job, to live on his own but we feel how lonely he is because he is between two very different standards of living, opposite realities. On one side, he has his son, Che that has now taken the role of a father, checking in on him, encouraging him but also reprimanding him, asking him to do more, do better. On the other side, he has his « old life », what has been his life for the past 20 years. His homeless friends that he does not connect with much anymore, most of them being high but also, that don’t want him around, telling him he has become arrogant. He is so lonely, seeing both sides of it is heartbreaking. You see this man doing his best, but that doesn’t seem to make him necessarily happier, even though he has food, and clean clothes and an apartment, because he is alone, misunderstood by all. Che is afraid that Bryan will relapse into alcohol, and constantly reminds him of it. Bryan feels like he has no control over his life, while Che worries he does not control him enough. At the end, Bryan has a relapse and Che has a very strong reaction at first, he says he is done, he cannot help anymore. However, and that is the beauty of Che, and of this movie, relationships and human beings are not simple. This is not black and white. Yes, Brian relapsed, but that is to be expected, the road to recovery is full of relapses and of forgiving, over and over. Che understands that, he understands that he has to accept his father for who he is, for his weaknesses and failures, but also his strengths and achievements, no matter if they are not the attributes we would give to an « ideal’ father. There is no ideal father, there are just human beings, doing the best they can, trying, failing and trying again.

In the end, Che has become the father, he has managed to forgive, he has opened his heart, he has become a whole and accomplished person, but most importantly he has given his father what his father did not give him when he needed it the most, unconditional support and love: a family.

All the people in this documentary are incredible, they are really what you would call « good people », no matter if they have done bad things, if they have been selfish or else, they are humans and you never judge them. Bryan has not been a father to Che, he knows it although he has troubles admitting it. But Bryan, also had an abusive father, what notion does he have of fatherhood? Of family?

Che did not have a father and he could have done, just like Bryan did, abandon his own children because he didn’t know better. But he, instead, broke the circle. He decided to build his legacy, to build his family, he becomes the one people can lean on.

Spoilers End***

This documentary is truly amazing, you understand how complex relationships are, how forgiving is necessary to love and be loved but most importantly, it is a message of hope. It shows that you can truly change your life around, that you can build things on your own and it also completely redefines the notion of parenthood. What is parenthood if not two people having a child. Are those two people suited to do so? Are they grounded? Are they good role models? Are they responsible? Well, not necessarily and comparing them to an ideal can only make them look worse. Accepting them for who they are, forgiving, learning from their mistakes, and being the bigger person is how you learn to love, and how you become a better parent and a better person yourself.