“Last Flag Flying” (3/4), in select theaters

LFF.jpg

“War is the worst act of terrorism and among the greatest causes of human suffering and death and ecological degradation. Wars are declared by the rich and fought by the poor. There will be no real justice and protection of human rights and the rights of nature until a sustainable global peace has been achieved.” This quote by Brian J. Trautman is a warning, and one that I pray will be absorbed, understood and acted upon, one can hope…..

Richard Linklater’s new film “Last Flag Flying,” which opened the New York Film Festival 2017, cleverly blends a buddy comedy road movie into its rightful place which is a home-front war drama.  There is side-splitting laughter to be sure with brilliant performances by  Steve Carell,  Laurence Fishburne, Bryan Cranston but the film is also somber as it looks—closely—at the stupidity and brutality of war. 

There is an ongoing conversation about “why” war drawing parallels between Vietnam and Iraq and scratching down to the big questions, such as what is the nature of truth and heroism.

An Amazon/Lionsgate release of a screenplay that took twenty long years to get made. The journey of this particular incarnation of the story began in 2005 with novelist and co-screenwriter Darry Ponicsan a direct sequel to the author's debut, The Last Detail. 

The story is set on 2003 inside Sal's Bar & Grill (the "Grill" part went by the wayside) an empty Virginia local bar loosely run by Sal (Bryan Cranston) an ex-Marine. When an ex-Navy man Larry Shepherd (Carell), whom he remembers from their Vietnam days as Doc, wanders in out of the rain, the heart of the story starts to beat. 

It’s clear that the rain-soaked Doc is hurting but he doesn’t tell anything asking Sal to drive him to a surprise location, which turns out to be at a vibrant Baptist church, where the third member of their trio from 30 years earlier, "Mueller the Mauler," is now the Reverend Richard (Fishburne), preaching to his Sunday congregation.

After a traditional African-American, Southern Sunday dinner with Richard and his supportive wife Ruth (Deanna Reed-Foster), Doc reveals the real purpose of tracking down his two estranged Marine buddies. Doc's son Larry Jr., a 21-year-old Marine, was just killed in Baghdad, and his body is being flown home for a hero's burial at Arlington Cemetery. Having recently lost his wife to cancer, Doc asks them to accompany him for emotional support. The circumstances around Larry Jr.'s death are not as reported, causing Doc to refuse a military burial and insist on transporting his son's body back home to Portsmouth, New Hampshire, to be buried alongside his mother. 

On the journey is Larry Jr.'s close friend Lance Corp. Washington (J. Quinton Johnson) assigned as the trio's official Marine escort, and the heart of the story opens, wider

There is a brotherhood re-forming.  And in an effort to heal their aching souls, the three war veterans make a detour to pay a long overdue call to the elderly mother (Cicely Tyson) of another buddy from their extended tour in Vietnam, whose death has weighed heavily on the three men over the decades. 

The visit has an amazing surprise which helps to amplify the emotional impact of the film.  

The acting is first-rate, starting with Carell's subdued performance as soft-spoken Doc, a man whose life is filled with disappointment and hurt yet, he remains a human with great integrity. Fishburne is on point and commanding as a man of the cloth whose wild past seemed to be buried but arises on the trip in the most amusing ways. Cranston's character is wonderfully complicated—paradoxical even—charmingly and abrasive. 

Although the critics might enjoy picking this film down to the bone, it’s the audiences that will find and embrace the joy of “Last Flag Flying.” 

Last Flag Flying - Official US Trailer - Former Navy Corps medic Richard "Doc" Shepherd (Steve Carell) re-unites with ex-Marines Sal (Bryan Cranston) and Mueller (Laurence Fishburne) on a different type of mission.

“Last Flag Flying” now playing.  Originally reviewed as part of the NYFF 55 Film Festival. 

Jaden Michael is wonderful in Todd Haynes new film, “Wonderstruck”

Actor Jaden Michael plays Jamie, a young boy helping Ben (Oakes Fegley) find his father in
New York City circa 1977 in director Todd Haynes’s terrific new film “Wonderstruck”.
The film made its New York debut at NYFF55 and will open—in select theaters—on October 20.

Already the Oscar buzz is swirling around this charming film and Haynes is back with his past muse Julianne Moore. This film is based on Brian Selznick’s trailblazing debut novel, The
Invention of Hugo Cabret.

“Wonderstruck” it is about a young boy named Ben who longs for the father he has never
known. Set in two different time periods, the film It is also about a girl named Rose, who dreams
of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a
puzzling clue in his mother's room, and Rose reads an enticing headline in the newspaper, both children set out alone on desperate quests to find what they are missing.

Ben's story is set in 1977 and is told entirely in words, while Rose's story, set fifty years earlier, is told entirely with pictures. The two stories weave back and forth before ultimately coming together. Rich, complex, affecting, and beautiful–with over 460 pages of original
artwork–Wonderstruck is a stunning achievement from a uniquely gifted artist and visionary.
Actor Jaden Michael plays Jamie, an Afro-Latino New York City kid who helps Ben (Oakes
Fegley) navigate the city after he runs away from home. He’s scared, alone, penniless and deaf
a recent event that occurred during a freak thunderstorm.

Young Michael has been acting since he was three years old, appearing in several programs
produced by Nick Jr. and Sesame Street. He’s also lent his unique voice playing
Baby Jaguar in “Dora the Explorer.” He has also appeared in the role of David Diaz in the
feature film "Custody" with Viola Davis and Ellen Burstyn. He also took audiences and critics by surprise playing the role of the young gangster Rafe in "The Get Down”.


Here’s what Jaden Michael has to share about his role in Todd Haynes’s “Wonderstruck”.

Q: Tell me a little bit about your character. He’s an Afro-Latino kid, right?
Jaden Michael: Correct, I play Jamie. His parents are divorced. He lives with his father, in NEw
York City, in the summers. His dad works at the Museum of Natural History and that’s where he
meets Ben (Oakes Fegley) and helps him out with his journey.

Q: Any challenges working on the set?
A: It was easy going. Everyone on set was so close, it was easy going. We bonded so well. It
was like family.

Q: How did you prepare to play a kid of the late ’70’s? The “Get Down” in which you also
played a significant character was
A: I understood what was happening in that time period. You also had a significant role in
“The Get Down” and that musical drama was also set in the 1970s.
(laughing)
Well playing a gangster is much different than my role as Jamie but I actually did my research
on this film [Wonderstruck] as well and I decided to find out more about the culture. I’ve always
thought that if you listen to music it’s easier to find a character. I like listening to music because
it defines who I am. It makes me special….not that kind of special..(jokingly). And so in order for
me to get into my character, I like to listen to music from that time period, if the story is set in
another era. Or if I think this is something the character might listen to. While I was getting my
hair and makeup done, I liked to listen to a lot of 70’s rock and some David Bowie, and other
people like Fleetwood Mac and Denise Williams’s “Free would always kind of click with me
(snapping his fingers).

Wonderstruck - Trailer - Based on Brian Selznick's critically acclaimed novel Ben and Rose are children from two different eras who secretly wish their lives were different. Ben longs for the father he has never known, while Rose dreams of a mysterious actress whose life she chronicles in a scrapbook.


“Wonderstruck” directed by Todd Haynes. The screenplay was written by Brian Selznick, based
on his book. Stars Oakes Fegley, Millicent Simmonds, Julianne Moore, Michelle Williams and
Jaden Michael.

FSLC announces STEVE JOBS as centerpiece of the 53rd NYFF

The Film Society of Lincoln Center has announced the selection of Steve Jobs, written by Academy Award® winner Aaron Sorkin (The Social Network, Charlie Wilson’s War) and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, 127 Hours), as the Centerpiece of the upcoming 53rd New York Film Festival (September 25 – October 11), to screen on Saturday, October 3.

Boyle and Sorkin joined forces to create this film about the brilliant man at the epicenter of the digital revolution, working from Walter Isaacson’s best-selling biography. Steve Jobs stars Michael Fassbender in the title role, Kate Winslet as Joanna Hoffman, Seth Rogen as Steve Wozniak, Jeff Daniels as John Sculley, Michael Stuhlbarg as Andy Hertzfeld, and Katherine Waterston as Chrisann Brennan.

New York Film Festival Director and Selection Committee Chair Kent Jones said: “You hear that a bio of Steve Jobs is being produced, and of course you see multiple possible movies in your head . . . but not this one. Steve Jobs is dramatically concentrated, yet beautifully expansive; it’s extremely sharp; it’s wildly entertaining, and the actors just soar—you can feel their joy as they bite into their material.”

“I am honored that our film has been selected as the Centrepiece of this year's festival,” said Boyle. “And thrilled and terrified too, unlike the subject of our film, who would have taken the whole thing very much in his stride. Steve Jobs was a thoroughly contradictory and complex character who forged our digital age. He’s the kind of brilliant, flawed character that Shakespeare would have relished writing about, and storytellers of all kinds will be fashioning and re-fashioning the mythology of the digital revolution for generations to come. I hope that festivalgoers enjoy our take.”

Sorkin and Boyle have created a dynamically character-driven portrait of the co-founder of Apple, weaving the multiple threads of their protagonist’s life into three daringly extended backstage scenes, as Jobs prepares to launch the first Macintosh, the NeXT workstation, and the iMac. The film is a dazzlingly executed cross-hatched portrait of Jobs, set against the changing fortunes and circumstances of the home computer industry and the ascendancy of branding, of products, and of oneself.

Steve Jobs is directed by Danny Boyle and written by Aaron Sorkin working from Walter Isaacson’s best-selling biography of the Apple founder. The producers are Mark Gordon, Guymon Casady, Scott Rudin, Boyle, and Christian Colson.

Universal Pictures and Legendary Pictures present—A Scott Rudin/Mark Gordon Company/Entertainment 360/Decibel Films/Cloud Eight Films production of a Danny Boyle film: Michael Fassbender in Steve Jobs, starring Kate Winslet, Seth Rogen, Jeff Daniels, Michael Stuhlbarg, and Katherine Waterston.  The music is by Daniel Pemberton, and the costume designer is Suttirat Larlarb.  The film’s editor is Elliot Graham, ACE, and its production designer is Guy Hendrix Dyas. Steve Jobs’ director of photography is Alwin Küchler, BSC, and its executive producer is Bernard Bellew.  The drama’s producers are Mark Gordon, Guymon Casady, Scott Rudin, Danny Boyle, Christian Colson, and it is based on the book by Walter Isaacson.  The film’s screenplay is by Aaron Sorkin, and it is directed by Danny Boyle.  ©2015 Universal Studios. 
www.stevejobsthefilm.com 
 
The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Marian Masone, FSLC Senior Programming Advisor; Gavin Smith, Editor-in-Chief, Film Comment; and Amy Taubin, Contributing Editor, Film Comment and Sight & Sound.
 
NYFF previously announced Robert Zemeckis’s The Walk as Opening Night, Don Cheadle’s Miles Ahead as Closing Night and Luminous Intimacy: The Cinema of Nathaniel Dorsky and Jerome Hiler, the first-ever complete dual retrospective of the experimental filmmakers.
 
Tickets for the 53rd New York Film Festival will go on sale in early September. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount! Join by August 7 to receive these NYFF benefits. Learn more at filmlinc.com/membership.

For even more access, VIP Passes and Subscription Packages give buyers one of the earliest opportunities to purchase tickets and secure seats at some of the festival's biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events including the invitation-only Opening Night party, “ An Evening With…” Dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP Passes and Subscription Packages are on sale now.

For information about purchasing Subscription Packages and VIP Passes, go to filmlinc.com/NYFF.

For more information, visit www.filmlinc.com

FSLC & Jaeger-LeCoultre announce Athina Rachel Tsangari as 2015 Filmmaker in Residence

The Film Society of Lincoln Center and Jaeger-LeCoultre announced the selection of writer and director Athina Rachel Tsangari (Attenberg, 2011 New Directors/New Films) as their 2015 Filmmaker in Residence, the third annual initiative and partnership between the two  organizations. Previous participants include award-winning directors Lisandro Alonso (Jauja) and Andrea Arnold (Red Road).

Lesli Klainberg, Executive Director of the Film Society of Lincoln Center said: “We are very excited to welcome Athina Tsangari as the third annual Filmmaker in Residence during the 53rd New York Film Festival. Athina is a dynamic and fearless filmmaker, and we are thrilled to provide her with the space and time to develop new work while connecting her with a vibrant New York film community. Athina has already had a remarkable career, and we are so excited to see what she does next.”

“I feel greatly honored to be hosted as the Film Society of Lincoln Center and Jaeger-LeCoultre’s Filmmaker in Residence this year,”
said Tsangari. “I am looking forward to working on my new script, part of which is set in New York City, and to drawing inspiration from the city itself, camaraderie from its essential film community, and stimulation from the Film Society’s invigorating programming. It is always an invaluable gift when Xenia—the goddess of hospitality—and cinema join their graces and forces.”

During her residency in New York, Tsangari will be working on a screwball action-thriller called White Knuckles that centers on two criminal sisters (a burglar and a bookkeeper) dealing with “VAT fraud, amour fou, architectural infiltration, and electrically amplified fistfighting.” Her newest feature, Chevalier, is a buddy comedy that takes place on a luxury yacht astray on the Aegean Sea and will have its world premiere in August at the Locarno l Film Festival.

Athina Rachel Tsangari holds a BA in Comparative Literature, Philosophy, and Drama from the Aristotle University of Thessaloniki in Greece. After graduation, she moved to Austin to study film directing. Her introduction to cinema came by a happy accident, with a small role in Richard Linklater’s seminal 1991 film Slacker, and her relationship with Linklater continued when she served as co-producer on Before Midnight (2013), in which she also appeared as Ariadni. Her first short, Fit, was a finalist at the Student Academy Awards. Her MFA thesis feature at the University of Texas at Austin, The Slow Business of Going (2001), a lo-fi sci-fi road movie starring Lizzie Martinez, was shot with a skeleton crew in hotel rooms in nine cities around the world. The 2002 Village Voice Critics’ Poll listed it as one of the year’s “best first films,” and it also garnered several directing awards and now belongs in MoMA’s permanent film collection. 

Her sophomore feature, Attenberg (2010), premiered in the main competition of the Venice Film Festival, where its lead Ariane Labed won the Coppa Volpi Award for Best Actress, and then went on to win several best film/directing awards at festivals worldwide. It was Greece’s Best Foreign Language Film submission for the 2012 Academy Awards, and a runner-up for the LUX Prize for Best European film. The Capsule(2012), made in collaboration with Polish artist Aleksandra Waliszewska and commissioned by the Deste Foundation for Contemporary Art as both a film and an installation, premiered at dOCUMENTA (13) in Kassel, followed by the Locarno, Toronto, and Sundance film festivals to critical acclaim. The script for her sci-fi “screwball tragedy” Duncharon (co-written with her longtime collaborator and Haos Film partner Matt Johnson) was awarded the "ARTE France Cinéma" Award for best European project in development, at Rotterdam IFF’s CineMart in 2012. 

The Filmmaker in Residence program was launched in 2013 by Jaeger-LeCoultre and the Film Society of Lincoln Center as an annual initiative designed to support filmmakers at an early stage in the creative process against the backdrop of New York City and the New York Film Festival (NYFF)

The 2013 Filmmaker in Residence, Andrea Arnold (Wuthering Heights, Fish Tank), utilized her residency to develop the script and work on pre-production for first feature project shot in the United States,American Honey starring Shia LaBeouf, which was introduced to buyers at the 2015 Cannes Film Festival.

The 2014 Filmmaker in Residence, Lisandro Alonso (Jauja, Liverpool, Fantasma, Los Muertos) is working on development for an untitled project that began during his residency at FSLC and is currently meeting with producers in South America, aiming to shoot soon in the United States. 


***The Film Society receives generous, year-round support from American Airlines, The New York Times, HBO, Stella Artois, The Kobal Collection, Variety, Trump International Hotel and Tower, RowNYC, the National Endowment for the Arts, and the New York State Council on the Arts.

***Support for the New York Film Festival is also generously provided by Jaeger-LeCoultre, Fiji Water, and WNET New York Public Media.


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