A Boy’s Life. Cartoons and Bullets

Given recent barbarous attacks in Paris, I am publishing  an article from Creativity Is Risky: Free Speech in a Charlie Hebdo World about a French boy threatened with his life for standing up for his beliefs. The full magazine, published September 1, and related content can be found here

A week after the murder of 11 journalists at CharlieHebdo’s offices in Paris, a boy at Marcelin Berthelot de Saint-Maur-des-Fossés school in Val-de-Marne, southeast of Paris, published an homage to the fallen in his high school paper. In response, he received death threats in a series of seven brief letters, two of which contained bullets.

“We want your death,” said one letter. “Say your goodbyes.”

Pierre, a French currency trader living in a suburb of New York City with his wife and two sons, attended Marcelin Berthelot and grew up reading comic books by Charlie Hebdo editors Jean Cabut, whose pen name was Cabu, and Georges Wolinski.

He feels particular pain over what happened and a true sense of nostalgia. “They were legends, as famous as Jon Stewart,” he said during a recent interview in a bustling café across from Grand Central Terminal. “I grew up with them.”

Pierre was an avid reader of Cabu’s “Legrand Duduche,” a comic strip that debuted in 1963 featuring a blond and lanky schoolboy wearing glasses — one who closely resembled Cabu. In the 1970s, “Legrand DuDuche” became an anti-authority and antimilitaristic character, and he evolved over the years into a pacifist and ecologist.

Those who murdered the Charlie Hebdo journalists and, shortly thereafter, shoppers at a kosher supermarket attacked the very heart of French society, said Pierre. “They attacked what we stand for and how we express ourselves. They attacked the way the French have designed to live together in religion.”

He is not surprised at the death threats against the young journalist, not because of any ill will against individual Muslims but because of tensions in French society.

While the lycée is in an affluent area, in the same region as the Château de Grosbois, Muslim ghettos are not far away. These areas are called zones d’education prioritaires, or priority education zones, and were created in 1981 to address the needs of disadvantaged and immigrant students — to “give more to those who have less.” The so-called ZEPs have proved a failure, as French Education Minister Vincent Peillon has said. Last year the French government enacted a series of reforms in an attempt to stem the “ghettoization,” according to L’Express.

“The socioeconomic problems are really explosive,” Pierre said. “The norm for teenagers in the ghettos is to hate the West. They don’t trust traditional media, which drives them to social media, where they read ISIS propaganda.”

Pierre would agree with Minister Peillon that the state has failed to craft policies that could help integrate Muslims into mainstream French society. Referring to the ZEPs, he said, “They don’t teach civics properly. Many Muslim students are not given the chance to understand democracy.”

As for the student, he was under police protection as of late May.  A more recent update could not be found.

Seeing Free Speech Through Pictures: An Interview with Photographer Michelle Zapata

Last week, we featured an article about the e-mag Creativity Is Risky: Free Speech in a Charlie Hebdo World, published by Manhattan resident Sally O’Dowd to raise awareness about the persecution of writers and cartoonists around the world.

A tribute to the 11 Charlie Hebdo journalists murdered in January by two Al Qaeda terrorists, Creativity Is Risky reminds us how easy free speech can be whittled away. While writers in the West are curbing Internet searches for fear of government retaliation, Saudi blogger Raif Badawi is getting lashes in Jeddah.

While the magazine’s articles cover a wide range of intersecting issues related to free speech, the original photography is a story in and of itself. Creativity Is Risky art director and photographer Michelle Zapata guides us through it. You’ll never take graffiti for granted again.

What got you involved in this project?

I was completely crushed when I heard the news of the Charlie Hebdo tragedy. These murders were such a violation of freedom of speech, freedom of expression, freedom in all its ways. When talking with Sally about her editorial direction, I saw the opportunity to showcase an objective visual that could be touching and also deep in its creative expression.

What was your creative vision?

I wanted to combine various elements and viewpoints from different communities while taking people on a virtual walking tour of New York City. Such is the beauty of the Freedom Tower as it stands tall behind Washington Square Park – the focal point of our cover –or the photo of the Muslim prayer rug at the Met, which accompanies Sally’s piece about multicultural understanding and tolerance. Further downtown, graffiti became a big player.

Why graffiti?

For many years, graffiti has widely been considered vandalism – less so today but the stigma is still there. It is one of the rawest forms of expression and art. In the height of the fight against graffiti, people were arrested, beaten, fined and in some instances artists had physical fights with each other. We have since come a long way. We now have places internationally that are dedicated to showcasing these amazing artists. From coast to coast, communities celebrate this form of expression. This was an art form that many people paid for dearly to pave the way to acceptance and appreciation. In this way, graffiti is like Charlie Hebdo’s satire.

Different snippets from a mural appear throughout the magazine. What’s the story behind that? 

That was a terrific find! The mural is north of Houston and signed by a Mr. Must Art. Two NYU students who said they were on their way to the library stopped to let me photograph them reading Charlie Hebdo.

This enormous piece of art serves as a metaphor for many themes in the magazine.  The bird is a natural complement to Sally’s epigraph celebrating the “deathless inspiration” of the phoenix and its capacity for vision – the very same traits shared by writers and artists. The baby represents hope, while phrases such as “the world is ours” and “love, peace and universal blessings” remind us to respect other people’s right to free speech while also reminding us that we have the power to choose how we want to live with one another. The many faces and eyes in the mural, coupled with the phrase, “keep your eyes open” serve as a metaphor for government surveillance, which we talk about in the latter part of the magazine.

We noticed the prevalence of the Protect Your Magic sticker and the Protect Yo Heart stencil.  Are stickers and stencils emerging as another street form? Yes, stickers are becoming quite popular among young artists because they are inexpensive to produce and easy to place around town. Stencils have been used for years although they are still considered vandalism. We happened across “Protect your magic” and “Protect yo heart” throughout the day – we couldn’t have dreamed up a better way to summarize the magazine’s free speech mantra. We continue to find the Protect Yo Heart stencil in a variety of colors all over the city. For us, it’s a good omen.

What is the message you want people to walk away with?

The only way to eradicate ignorance is through education, and that was Sally’s main goal. She wanted to educate people about the threats to free speech in general and also ask people to know the facts underlying a satirist’s work. It was my hope to illustrate and support the stories with interesting visuals that would make people think beyond the obvious, which is exactly what satire aims to do. All of the images I shot for Creativity Is Risky were with the idea of bringing awareness to an unjust situation. If we silence our creativity or forms of expression because of someone’s discontent we will limit our divine potential.  Let’s stop placing limits on our freedoms and celebrate our expressions of it! Let’s learn acceptance and tolerance worldwide. Let’s evolve.

How can people support your message?

People can find the magazine at www.sallyodowd.com and click on the link to Creativity Is Risky: Free Speech in a Charlie Hebdo World. They can share the entire publication or a specific article. They are welcome to comment on Sally’s site and share their views on their social channels using #freespeech and #creativityisrisky hashtags. Sally tweets from @sallyodowd and her public Facebook page is Sally On Media – those are good places to stay up to date on the issue.

For more info and to share content, please visit O’Dowd’s blogTwitter andFacebook.

New Yorkers Speak Out About Press Freedoms

charliedoorway "Image Credit: Michelle Zapata"

charliedoorway "Image Credit: Michelle Zapata"

Persecution of writers and journalists abounds in our society, including the murder of 11 people at French satirical magazine Charlie Hebdo by two Al Qaeda terrorists for their cartoons of Muhammad; the jailing of Newsweek journalist Maziar Bahari in Iran for his involvement with The Daily Show; and the torture of Raif Badawi, the founder of the internet discussion group Free Saudi Network, who has been sentenced to 1,000 lashes and 10 years in prison.

Several New Yorkers have collaborated to raise awareness about these and other examples of how writers, journalists and cartoonists suffer at the hands of extremists and also democratic governments with surveillance programs, including the United States.

Creativity Is Risky: Free Speech in a Charlie Hebdo World is a multimedia e-magazine featuring original reporting, personal essays, an interactive map on press freedoms, videos and music. It tells a story both sad and hopeful about the state of free speech around the world.

“Creativity Is Risky is designed to educate and engage people around the world on issues related to free speech—from violent threats to the more subtle, everyday challenges,” says Manhattan resident and publisher Sally O’Dowd.

O’Dowd’s Manhattan, Queens and Brooklyn teammates include:

cover page charlie hebdo -  "Image Credit: Michelle Zapata"

cover page charlie hebdo -  "Image Credit: Michelle Zapata"

  • Michelle Zapata, a producer and art director for U.S. Spanish-language consumer magazines
  • Communications executives Jon Porcasi, e-magazine producer and graphic designer; and Marian Berelowitz, who provided editorial guidance and served as copy editor
  • Emmanuel Letouzé (Manu), a French cartoonist and development economist, who analyzes Charlie Hebdo’s mission
  • Katy Glenn Bass, deputy director of free expression programs at literary human rights organization PEN American Center, who provided insight on the adverse impact of government surveillance programs on writers
  • Singer-songwriter Chaz Langley, whose songs relate to the magazine’s themes of free expression and resilience of writers who stand up to persecution.
“Our team invites readers to engage in the conversation on this essential human right by using the hashtags #creativityisrisky and #freespeech,” O’Dowd says. “Our team is passionate about this issue, and we want to hear from readers. Where do you see free speech being celebrated or curtailed? Help us create a #freespeech movement.

For more info and to share content, please visit O’Dowd’s blog, Twitter and Facebook.