OSCARS® NOMINATIONS VOTING ENDS THURSDAY, JANUARY 8

2015 is starting with a "golden-bang" as the film award season biggest event, the OSCARS® announces that the nominations  voting (for the 87th Oscars) will close on Thursday, January 8, at 5 p.m. PT.

Then it's time for the "fun part" ---tabulating and verifying the votes which is done by the  international accounting firm of PricewaterhouseCoopers (PwC).

Then the creative film community holds "its' breath" and crosses their "fingers" until mid January when the  87th Oscars Nominations Announcement are made which, this year, will be held on Thursday, January 15, at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

Then the luck nominees will embark on the big race to win the Oscar.  Fun!

This year, the Oscars for outstanding film achievements of 2014 will be presented on Oscar Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscars, produced by Craig Zadan and Neil Meron, also will be televised live in more than 225 countries and territories worldwide.

In case you didn't know, now you know.  The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners — the Academy presents a diverse year-round slate of public programs, exhibitions and events; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.  

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Time to mark your calendars for 2014. Starting January 14-29, 2015 it’s time for the 24th Annal NY Jewish Film Festival

SALVATION ARMY (L’armée du salut)

Abdellah Taïa, France/Morocco/Switzerland, 2013, DCP, 81m
French and Arabic with English subtitles
Like the book it’s based on—Abdellah Taïa’s own 2006 landmark novel—the Moroccan author’s directorial debut is a bracing, deeply personal account of a young gay man’s awakening that avoids both cliché and the trappings of autobiography. First seen as a 15-year-old, Abdellah (Saïd Mrini) habitually sneaks away from his family’s crowded Casablanca home to engage in sexual trysts with random men in abandoned buildings. A decade later, we find Abdellah (now played by Karim Ait M’hand) on scholarship in Geneva, involved with an older Swiss professor (Frédéric Landenberg). With a clear-eyed approach, devoid of sentimentality, this wholly surprising bildungsfilm explores what it means to be an outsider, and with the help of renowned cinematographer Agnès Godard, Taïa finds a film language all his own: at once rigorous and poetic, worthy of Bresson in its concreteness and lucidity. A New Directors/New Films 2014 selection. A Strand Releasing release.
Opens January 23 for exclusive one-week engagement

FILM DESCRIPTIONS 
Opening Night
The Muses of Isaac Bashevis Singer
Asaf Galay & Shaul Betser, Israel, 2014, 72m
English, Hebrew, and Yiddish with English subtitles
Nobel Prize winner Isaac Bashevis Singer was a charming enchanter both on the page and in his romantic life. This surprising and unflinching documentary explores, through poignant interviews and exclusive archival footage, the unknown history of one of his most vital sources of creative inspiration: his translators. Dozens of women throughout Singer’s life worked with him to open the doors to his singular Yiddish prose for the rest of the world to enjoy, and his relationships with many of them blurred the lines between the professional and the personal. This is their story, and his—as well as a story of the arts of literature, translation, love, and life itself. U.S. Premiere
Wednesday, January 14, 4:00pm & 8:45pm (Q&A with Asaf Galay and Shaul Betser at both screenings)
 
Closing Night
Felix and Meira
Maxime Giroux, Canada, 2014, 105m
French, English, and Yiddish with English subtitles
In the Mile End neighborhood of Montreal, hipsters and Hasidim coexist amicably but independently. When Meira, an Orthodox wife and mother with an undercurrent of rebelliousness, meets Felix, a middle-aged atheist adrift without family ties, a slow-booming affair takes shape that will present Meira with a difficult fork in the road. Felix and Meira unfolds like a classic forbidden-love novel, stylized by cinematographer Sara Mishara’s shadowy, underlit lensing and set on overcast wintery streets. An Oscilloscope Laboratories release. U.S. Premiere
Thursday, January 29, 3:30pm & 9:00pm (Q&A with Maxime Giroux at both screenings)
 
Gett: The Trial of Viviane Amsalem
Ronit & Shlomi Elkabetz, Israel/France/Germany, 2014, 115m
Hebrew and French with English subtitles
Israel’s Foreign Language Oscar submission, Gett: The Trial of Viviane Amsalem is a dramatic adaptation of a harrowing true story set in a Mizrahi Orthodox enclave in Israel. The title heroine has spent five years in a stalemate fighting for a divorce that, according to religious law, requires her husband’s full consent. As he continues to refuse, Viviane fears that her life may never proceed freely, and the courtroom struggles grow increasingly surreal. Ronit Elkabetz (who co-directed with her brother) delivers an unforgettable performance in the lead role. A Music Box Films release. New York City Premiere
Wednesday, January 21, 3:15pm & 9:00pm (Q&A with Ronit and Shlomi Elkabetz at both screenings)
 
The King of Nerac
Guy Natanel & Annie Sulzberger, UK/Denmark, 2013, 76m
David Breuer-Weil’s vast, apocalyptic canvases stare unflinchingly at the horrors of 20th-century history, and his colossal, dynamic sculptures dominate public spaces around the world from London to Jerusalem. This pure and meditative film takes advantage of unique access to illuminate a thoughtful portrait of its fascinating, reclusive subject: a modern-day Gauguin who gave up a career as one of the world’s leading art dealers to embark on a life of creativity and contemplation. World Premiere
Tuesday, January 20, 9:00pm (Q&A with Guy Natanel, Annie Sulzberger, and producer Paul Goldin)
Wednesday, January 21, 1:00pm (Q&A with Guy Natanel, Annie Sulzberger, and producer Paul Goldin) 
Now playing, until January 11th 
 
LET THERE BE LIGHT: THE FILMS OF JOHN HUSTON
December 19 – January 11
 
Let There Be Light: The Films of John Huston, is a retrospective spanning five decades of the filmmaking legend’s iconic works, mostly as director, but also as screenwriter and actor. Huston was one of the greatest filmmakers of Hollywood’s golden age: an artist of great toughness, conviction, and eloquence; a master storyteller; a hardened cynic; a reluctant romantic; a stellar director of actors, and a brilliant actor himself.
 
Long before striding in front of the camera to show Jack Nicholson’s character in Chinatown what men at the right place and time are capable of, John Huston established himself as one of the 20th century’s most accomplished film artists. With over a decade of writing credits by the time he assumed the director’s chair, he would later add producing and acting to his arsenal, racking up 15 Oscar nominations. His father, Walter, and daughter Anjelica both earned statuettes under his baton as director, making for one of the medium’s most formidable and collaborative dynasties. They are the only family to win Oscars in three successive generations.
 
Huston received his first Academy Award nomination for writing Dr. Ehrlich’s Magic Bullet in 1940, and in 1941 he directed his first feature, the film noir masterpiece The Maltese Falcon, quickly securing his place among Hollywood’s great directors (as well as turning Humphrey Bogart into a leading man; Bogart would routinely be cast in Huston’s next few films). In 1948, he won Academy Awards for writing and directing The Treasure of the Sierra Madre (which also netted his father a Best Supporting Actor Oscar), and in 1951 earned two more Oscar nominations and a Best Actor Oscar for Bogart in The African Queen.
 
Across his career, Huston directed over 40 films, wrote more than 20, and acted in nearly 30, including his notorious turn as villain Noah Cross in Roman Polanski’s crime masterpiece, Chinatown, in 1974. He experimented with different genres and in 1982, at the age of 76, he directed his spirited first musical, Annie. His magisterial final work, The Dead (1987), starred his daughter Anjelica (two years after she won the Best Supporting Actress Oscar for his crime caper Prizzi’s Honor).
 
Huston has been called “cinema’s Ernest Hemingway… never afraid to tackle tough issues head on,” and though he was by no means a “message man” like Stanley Kramer, a glance at his filmography reveals incisive treatments of racism, sexual identity, religion, alcoholism, psychoanalysis, and war. A renaissance man unbound to genre, Huston was also a painterly stylist attuned to the look of each scene. His films continuously circle back to questions of faith and doubt, concealment and revelation, failure and victory, empathy and the limits of consciousness. And though one of Huston’s great talents was for finding robust, flexible cinematic vocabularies for literary texts, his films were consistently imbued with a wise, reflective, open-minded voice entirely his own.

Harlem Resident, Neil Patrick Harris, to Host the 87th Oscars®

Honestly, It couldn't have happened to a nicer man. 

He's a husband, father, thespianaward winningground breaking and trailmaker in the LGBT community and part of the iconic landscape of popular culture; remembered fondly as Little Doogie of "Doogie Howser MD."  

This year, the stage is set for Neil Patrick Harris to host the 87th Oscars®.  The good news was announced by producers Craig Zadan and Neil Meron.  This isn't Harris first time as a host but it's his first time hosting the live event, on ABC Sunday, February 22, 2015.

"We are thrilled to have Neil host the Oscars," said Zadan and Meron. "We have known him his entire adult life, and we have watched him explode as a great performer in feature films, television and stage.  To work with him on the Oscars is the perfect storm, all of his resources and talent coming together on a global stage."

To weigh in on the honor, Harris, now a Harlem resident, said: It is truly an honor and a thrill to be asked to host this years Academy Awards.  I grew up watching the Oscars and was always in such awe of some of the greats who hosted the show.  To be asked to follow in the footsteps of Johnny Carson, Billy Crystal, Ellen DeGeneres, and everyone else who had the great fortune of hosting is a bucket list dream come true.

Cheryl Boone Isaacs, Academy President shared the teams' enthusiasm adding: We share Craig and Neils excitement in welcoming the incredibly talented Neil Patrick Harris, she continued.  "He is the consummate entertainer.  Neils distinctive charm and showmanship make him the ideal host to honor the Oscar legacy and ensure we all enjoy another unforgettable celebration.

Neil is a terrific actor, singer, risk-taker and collaborator, said Dawn Hudson, Academy CEO. We can't wait to see the show that he and Craig and Neil create together.

Harris is a triple-threat performer and currently playing a creepy, wealthy love-sick man in David Finchers critically-acclaimed feature film Gone Girl. 

His win and nominations are impressive by any standards. Harris garnered multiple Emmy® and Golden Globe award nominations for his role as Barney Stinson on the hit television series, How I Met Your Mother, and he won an Emmy for his guest-starring role on Glee in 2010. 

He also recently starred in the title role of Hedwig and the Angry Inch on Broadway, earning the 2014 Tony Award for Best Actor in a Musical. 

Harris served as host of the 61st and 65th Primetime Emmy Awards, as well as the 63rd, 65th, 66th and 67th Tony Awards, for which he won four Emmys. 

Most recently, Harris added the title of author to his list of accomplishments with the release of his autobiography from Crown Publishing, Neil Patrick Harris: Choose Your Own Autobiography.

The last two Oscars telecasts, which were produced by Zadan and Meron, received a major spike in the ratings making the 86th Oscars TVs most-watched entertainment event in 10 years and attracted the biggest viewership since 2000, with more than 45 million viewers.

The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 4 p.m. ET/7 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

8 DOC SHORTS ON OSCAR'S 2014 SHORTLIST

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today announced that the field of Documentary Short Subject contenders for the 87th Academy Awards® has been narrowed to eight films, of which three to five will earn Oscar® nominations.

Voters from the Academy’s Documentary Branch viewed this year’s 58 eligible entries and submitted their ballots to PricewaterhouseCoopers for tabulation.

The eight films are listed below in alphabetical order by title, with their production companies: 

“Crisis Hotline: Veterans Press 1,” Perry Films
“Joanna,” Wajda Studio 
“Kehinde Wiley: An Economy of Grace,” Show of Force
“The Lion’s Mouth Opens,” Tree Tree Tree
“One Child,” New York University 
“Our Curse,” Warsaw Film School 
“The Reaper (La Parka),” Centro de Capacitación Cinematográfica 
“White Earth,” Weary Traveler

The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

The Oscars® will be held on Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

83 COUNTRIES IN COMPETITION FOR 2014 FOREIGN LANGUAGE FILM OSCAR®

It's almost Oscar time or so you would think by the record submissions by 83 countries for consideration in the Foreign Language Film category for the 87th Academy Awards®.  Kosovo, Malta, Mauritania and Panama are first-time entrants.

The 2014 submissions are:

Afghanistan, "A Few Cubic Meters of Love," Jamshid Mahmoudi, director;

Argentina, "Wild Tales," Damián Szifrón, director;

Australia, "Charlie's Country," Rolf de Heer, director;

Austria, "The Dark Valley," Andreas Prochaska, director;

Azerbaijan, "Nabat," Elchin Musaoglu, director;

Bangladesh, "Glow of the Firefly," Khalid Mahmood Mithu, director;

Belgium, "Two Days, One Night," Jean-Pierre Dardenne and Luc Dardenne, directors;

Bolivia, "Forgotten," Carlos Bolado, director;

Bosnia and Herzegovina, "With Mom," Faruk Lončarevič, director; 

Brazil, "The Way He Looks," Daniel Ribeiro, director;

Bulgaria, "Bulgarian Rhapsody," Ivan Nitchev, director;

Canada, "Mommy," Xavier Dolan, director;

Chile, "To Kill a Man," Alejandro Fernández Almendras, director;

China, "The Nightingale," Philippe Muyl, director;

Colombia, "Mateo," María Gamboa, director;

Costa Rica, "Red Princesses," Laura Astorga Carrera, director;

Croatia, "Cowboys," Tomislav Mršić, director;

Cuba, "Conducta," Ernesto Daranas Serrano, director;

Czech Republic, "Fair Play," Andrea Sedláčková, director;

Denmark, "Sorrow and Joy," Nils Malmros, director;

Dominican Republic, "Cristo Rey," Leticia Tonos, director;

Ecuador, "Silence in Dreamland," Tito Molina, director;

Egypt, "Factory Girl," Mohamed Khan, director;

Estonia, "Tangerines," Zaza Urushadze, director;

Ethiopia, "Difret," Zeresenay Berhane Mehari, director;

Finland, "Concrete Night," Pirjo Honkasalo, director;

France, "Saint Laurent," Bertrand Bonello, director;

Georgia, "Corn Island," George Ovashvili, director;

Germany, "Beloved Sisters," Dominik Graf, director;

Greece, "Little England," Pantelis Voulgaris, director;

Hong Kong, "The Golden Era," Ann Hui, director;

Hungary, "White God," Kornél Mundruczó, director;

Iceland, "Life in a Fishbowl," Baldvin Zophoníasson, director;

India, "Liar's Dice," Geetu Mohandas, director;

Indonesia, "Soekarno," Hanung Bramantyo, director;

Iran, "Today," Reza Mirkarimi, director;

Iraq, "Mardan," Batin Ghobadi, director;

Ireland, "The Gift," Tom Collins, director;

Israel, "Gett, the Trial of Viviane Amsalem," Ronit Elkabetz and Shlomi Elkabetz, directors;

Italy, "Human Capital," Paolo Virzì, director;

Japan, "The Light Shines Only There," Mipo O, director;

Kosovo, "Three Windows and a Hanging," Isa Qosja, director;

Kyrgyzstan, "Kurmanjan Datka Queen of the Mountains," Sadyk Sher-Niyaz, director;

Latvia, "Rocks in My Pockets," Signe Baumane, director;

Lebanon, "Ghadi," Amin Dora, director;

Lithuania, "The Gambler," Ignas Jonynas, director;

Luxembourg, "Never Die Young," Pol Cruchten, director;

Macedonia, "To the Hilt," Stole Popov, director;

Malta, "Simshar," Rebecca Cremona, director;

Mauritania, "Timbuktu," Abderrahmane Sissako, director;

Mexico, "Cantinflas," Sebastián del Amo, director;

Moldova, "The Unsaved," Igor Cobileanski, director;

Montenegro, "The Kids from the Marx and Engels Street," Nikola Vukčević, director;

Morocco, "The Red Moon," Hassan Benjelloun, director;

Nepal, "Jhola," Yadav Kumar Bhattarai, director;

Netherlands, "Accused," Paula van der Oest, director;

New Zealand, "The Dead Lands," Toa Fraser, director;

Norway, "1001 Grams," Bent Hamer, director;

Pakistan, "Dukhtar," Afia Nathaniel, director;

Palestine, "Eyes of a Thief," Najwa Najjar, director;

Panama, "Invasion," Abner Benaim, director;

Peru, "The Gospel of the Flesh," Eduardo Mendoza, director;

Philippines, "Norte, the End of History," Lav Diaz, director;

Poland, "Ida," Paweł Pawlikowski, director;

Portugal, "What Now? Remind Me," Joaquim Pinto, director;

Romania, "The Japanese Dog," Tudor Cristian Jurgiu, director;

Russia, "Leviathan," Andrey Zvyagintsev, director;

Serbia, "See You in Montevideo," Dragan Bjelogrlić, director;

Singapore, "Sayang Disayang," Sanif Olek, director;

Slovakia, "A Step into the Dark," Miloslav Luther, director;

Slovenia, "Seduce Me," Marko Šantić, director;

South Africa, "Elelwani," Ntshavheni Wa Luruli, director;

South Korea, "Haemoo," Shim Sung-bo, director;

Spain, "Living Is Easy with Eyes Closed," David Trueba, director;

Sweden, "Force Majeure," Ruben Östlund, director;

Switzerland, "The Circle," Stefan Haupt, director;

Taiwan, "Ice Poison," Midi Z, director;

Thailand, "The Teacher’s Diary," Nithiwat Tharathorn, director;

Turkey, "Winter Sleep," Nuri Bilge Ceylan, director;

Ukraine, "The Guide," Oles Sanin, director;

United Kingdom, "Little Happiness," Nihat Seven, director;

Uruguay, "Mr. Kaplan," Álvaro Brechner, director;

Venezuela, "The Liberator," Alberto Arvelo, director.

The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

The Oscars® will be held on Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

REGINALD HUDLIN TO PRODUCE ACADEMY'S 2014 GOVERNORS AWARDS!

Good is good and talent is talent.  That realization, in Hollywood continues to bring gifted people-of-color to the forefront and into the spotlight.

This positive momentum is behind the recent appointment of filmmaker Reginald Hudlin being selected to produce the 6th Annual Governors Awards for the Academy of Motion Picture Arts and Sciences.

The Jean Hersholt Humanitarian Award will be presented to Harry Belafonte, and Honorary Awards will be presented to Jean-Claude Carrière, Hayao Miyazaki and Maureen OHara.

This was announced by Academy President Cheryl Boone Isaacs, who was recently re-elected to her post.

On selecting producer Hudlin for the coveted position, Boone Isaacs said: With Reggies experience, unique vision and immense creativity, the evening celebrating those who have given so much to our industry is certain to be a memorable one."

"Im honored to be working with the Academy again, shared producer Hudlin.  The collective impact of this years Governors Awards recipients on the evolution of cinema is immeasurable.  Im a fan of all four of these legends, so producing a celebration of Ms. OHaras performances, Mr. Carrières storytelling, Mr. Belafontes dedication and Mr. Miyazakis magic is a pleasure."

New York filmmakers know the savvy moves that Hudlin used to place himself in such stellar, cinematic company.  He worked hard and gave advice and opportunity to developing artists.  He built a community and continues to do so.

As writer, director, producer and pioneering entertainment executive, Hudlin received a Best Picture Oscar® nomination as a producer of Django Unchained.  Hudlin recently produced The Academy Celebrates the Black Movie Soundtrack concert at the Hollywood Bowl and has executive produced the NAACP Image Awards show for the past two years.

The Jean Hersholt Humanitarian Award and The Honorary Award, both which receive Oscar statuettes, highlight some of the industries consistent creative pioneers.

The Honorary Award is given to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.

Carrière, who began his career as a novelist, was introduced to screenwriting by French comedian and filmmaker Pierre Étaix, with whom he shared an Oscar® for the live action short subject Heureux Anniversaire (Happy Anniversary) in 1962.

Miyazaki is an artist, writer, director, producer and three-time Oscar nominee in the Animated Feature Film category, winning in 2002 for Spirited Away.  He is the co-founder of Studio Ghibli, a renowned animation studio based in Tokyo.

OHara, a native of Dublin, Ireland, came to Hollywood in 1939 to star opposite Charles Laughton in The Hunchback of Notre Dame.  She went on to appear in a wide range of feature films.

The Jean Hersholt Humanitarian Award is given to an individual in the motion picture industry whose humanitarian efforts have brought credit to the industry.

Belafonte, actor, producer, singer and lifelong activist, began performing in theaters and nightclubs in and around Harlem, where he was born.  From the beginning of his film career, he chose projects that shed needed light on racism and inequality, including Carmen Jones, Odds against Tomorrow and The World, the Flesh and the Devil.  He was an early supporter of the Civil Rights Movement, marching and organizing alongside Martin Luther King, Jr. and often funding initiatives with his entertainment income.  Belafonte was named a UNICEF Goodwill Ambassador in 1987 and currently serves on the boards of the Advancement Project and the Institute for Policy Studies.  His work on behalf of children, education, famine relief, AIDS awareness and civil rights has taken him all over the world.

The Governors Awards allow us to reflect upon not the year in film, but the achievements of a lifetime, said Academy President Cheryl Boone Isaacs.  Were absolutely thrilled to honor these outstanding members of our global filmmaking community and look forward to celebrating with them in November.

All four awards will be presented at the Academys 6th Annual Governors Awards on Saturday, November 8, at the Ray Dolby Ballroom at Hollywood & Highland Center®.

THE ACADEMY CELEBRATES 40TH ANNIVERSARY OF "YOUNG FRANKENSTEIN" WITH MEL BROOKS

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences will present a 40th anniversary screening of “Young Frankenstein” with special guests Mel Brooks, Cloris Leachman, Teri Garr and executive producer Michael Gruskoff onTuesday, September 9, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills.  Film historian Leonard Maltin will introduce the comedy classic and host a live onstage discussion with Brooks, Leachman, Garr and Gruskoff.

“Young Frankenstein,” Brooks’s 1974 homage to the Golden Age of monster movies, features a large ensemble cast including Leachman, Garr, Gene Wilder, Peter Boyle, Marty Feldman, Madeline Kahn, Kenneth Mars and Gene Hackman.  It earned Oscar® nominations for Adapted Screenplay (Wilder, Brooks) and Sound (Richard Portman, Gene Cantamessa).

Additional Academy events coming up in September at the Bing Theater in Los Angeles are listed below, with details at www.oscars.org/events:

“Let There Be Fright: William Castle Scare Classics”
The Academy pays a centennial tribute to William Castle, one of the most popular and prolific filmmakers in fantastic cinema, with double features, ghoulish giveaways and frightful freebies every Friday in September.

September 5, 7:30 p.m.          “The Tingler” 
September 5, 9 p.m.               “Hollywood Story”
September 12, 7:30 p.m.        “House on Haunted Hill” 
September 12, 9 p.m.             “13 Ghosts” 
September 19, 7:30 p.m.        “Mr. Sardonicus”
September 19, 9:10 p.m.        “The Night Walker”
September 26, 7:30 p.m.        “Strait-Jacket” 
September 26, 9:15 p.m.        “Homicidal”

“Why Be Good?” 
September 6, 7:30 p.m.
The Academy presents the U.S. restoration premiere of Colleen Moore’s final silent film, in which she plays a wild flapper with a dubious reputation who finds herself romantically linked with her boss’s son. “Why Be Good?” features a Vitaphone soundtrack with sound effects, hot jazz and Twenties dance music.

“Animation Masters: John Canemaker Celebrates Winsor McCay and Walt Disney” 
September 13
In this three-part presentation, animation historian and Oscar-winning animation director John Canemaker examines some of the art form’s most remarkable early achievements.

Gertie the Dinosaur and the Birth of Personality Animation – 6 p.m.
Long before any princesses wandered across the screen, animation’s first female personality was spunky Gertie the Dinosaur, who celebrates her 100th birthday this year.  Canemaker hosts a salute to Gertie and her creator, the prolific comic strip artist and animation pioneer Winsor McCay.

The Lost Notebook: Herman Schultheis and the Secrets of Walt Disney’s Movie Magic – 7:30 p.m. 
Canemaker, who is the author of The Lost Notebook: Herman Schultheis and the Secrets of Walt Disney's Movie Magic, explores the fascinating mechanical and optical processes that enabled the Disney artists to delight the eye with dancing snowflakes, erupting volcanoes and other visual treats, described in a recently discovered notebook by photographer and effects specialist Schultheis.

“Fantasia” – 8:45 p.m.          
Walt Disney took one of his boldest gambles with this dazzling 1940 feature, for which his top animators scaled the heights of imagination to provide visuals for some of the most beloved pieces of classical music, conducted by maestro Leopold Stokowski.  The film’s many highlights include Mickey Mouse starring in “The Sorcerer’s Apprentice” and the haunting imagery of “Night on Bald Mountain.”

“The Color of Pomegranates (Sayat Nova)” 
September 20, 7:30 p.m.
The Academy presents a new digital restoration of artist, poet and groundbreaking filmmaker Sergei Parajanov’s1968 masterpiece, a kaleidoscopic biography of the 18th century Armenian troubadour Sayat Nova.

“Two Sides of George Stevens” 
September 27
As part of the Academy’s long-standing George Stevens Lecture series on directing, “Two Sides” juxtaposes two romantic dramas from cinematographer-turned-director George Stevens.  Both films in the series are new restorations by the Academy Film Archive.

“Laddie” – 5 p.m.
Eight years before receiving his first Oscar nomination for “The More the Merrier,” Stevens directed this 1935 black-and-white feature based on Gene Stratton-Porter’s novel.  This rarely seen film will screen from a newly restored print.

“A Place in the Sun” – 7:30 p.m.
Academy Award®-nominated screenwriter Richard LaGravenese will introduce this classic, based on Theodore Dreiser’s 1925 novel An American Tragedy.  Starring Montgomery Clift and Elizabeth Taylor, “A Place in the Sun” earned six Oscars®, including Stevens’s first for Directing.

Tyrone Power Centennial 
The Academy celebrates the centennial of one of Hollywood’s most handsome and charismatic stars of the Golden Age, Tyrone Power, with matinee screenings of some of his most beloved films.

September 2, 1 p.m.               “Marie Antoinette” 
September 9, 1 p.m.               “The Mark of Zorro”
September 16, 1 p.m.             “The Black Swan”
September 23, 1 p.m.             “The Razor’s Edge”
September 30, 1 p.m.             “Nightmare Alley”